查(cha)瑪(ma):有(you)殿堂舞(wu)(wu)(wu)(wu)(wu)、米(mi)擴佛傳舞(wu)(wu)(wu)(wu)(wu)、寺院舞(wu)(wu)(wu)(wu)(wu)、大(da)場舞(wu)(wu)(wu)(wu)(wu)四種表(biao)演(yan)形式,獨(du)舞(wu)(wu)(wu)(wu)(wu)、雙人舞(wu)(wu)(wu)(wu)(wu)、多(duo)人舞(wu)(wu)(wu)(wu)(wu)、大(da)群舞(wu)(wu)(wu)(wu)(wu)一應俱全(quan),亦可(ke)穿(chuan)插(cha)即興表(biao)演(yan)。表(biao)演(yan)程(cheng)式化、規范化。舞(wu)(wu)(wu)(wu)(wu)蹈(dao)語匯的(de)(de)運用(yong)多(duo)以(yi)所(suo)表(biao)演(yan)人物的(de)(de)個性(xing)劃(hua)分。一般是“大(da)查(cha)瑪(ma)”動(dong)作沉(chen)毅堅定(ding),莊重徐緩(huan),“小查(cha)瑪(ma)”動(dong)作乖巧多(duo)變(bian),靈活(huo)敏捷。表(biao)演(yan)時二者(zhe)相映相襯,各(ge)具特(te)色。如(ru)卻吉勒(le)(閻王)舞(wu)(wu)(wu)(wu)(wu)動(dong)作剛勁獷悍(han),舉手投足(zu)都極(ji)富雕(diao)塑性(xing);鹿神舞(wu)(wu)(wu)(wu)(wu)動(dong)作矯健(jian)奔放而(er)有(you)氣勢,技藝(yi)性(xing)頗強,帶有(you)競賽性(xing)質(zhi);好扣麥(mai)(骷髏)舞(wu)(wu)(wu)(wu)(wu)動(dong)作靈活(huo)灑脫(tuo),時而(er)隨鼓聲顛跑跳(tiao)躍,時而(er)故作威風狀進行(xing)戲謔表(biao)演(yan),身體的(de)(de)起伏,頭部的(de)(de)昂垂,手的(de)(de)繞動(dong)舞(wu)(wu)(wu)(wu)(wu)步的(de)(de)踏跳(tiao)配合(he)融洽,很有(you)韻味!
于十(shi)六(liu)世紀(ji)后半葉隨同噶魯(lu)派(黃教)喇嘛(ma)教傳入,至(zhi)今(jin)(jin)已有(you)四(si)百年的(de)歷史。“查瑪”舞(wu)流傳十(shi)分廣(guang)泛,絕大(da)多數寺廟均于宗教節日時表演。其舞(wu)蹈(dao)形式影響(xiang)甚廣(guang),至(zhi)今(jin)(jin)仍在(zai)蒙古(gu)族舞(wu)蹈(dao)的(de)創作、表演與(yu)教學中發揮著一定的(de)作用。