《乙瑛碑》是刊(kan)刻(ke)(ke)于東(dong)漢永興元年(nian)(nian)（153年(nian)(nian)）的一(yi)方碑刻(ke)(ke)，又稱“百石卒史碑”“孔龢碑”“孔和(he)碑”等，無撰書人姓名(ming)，屬隸書書法作品(pin)，現(xian)存于曲(qu)阜漢魏碑刻(ke)(ke)陳列(lie)館。
《乙瑛碑》為(wei)方首碑，高198厘(li)米，寬91.5厘(li)米，厚22厘(li)米，無額，碑文(wen)18行，每行40字，記錄了(le)魯相乙瑛上書請求(qiu)為(wei)孔廟(miao)設(she)置百石(shi)卒史(shi)一(yi)(yi)人來執掌禮器(qi)廟(miao)祀之(zhi)事，屬于紀事性的祠廟(miao)碑，與《禮器(qi)碑》《史(shi)晨碑》合稱“孔廟(miao)三碑”。書法(fa)上，其書體方整，結(jie)構嚴謹，筆(bi)(bi)(bi)(bi)勢剛健，書法(fa)雄勁，字取橫勢，粗細相間，起筆(bi)(bi)(bi)(bi)藏(zang)鋒，收筆(bi)(bi)(bi)(bi)回鋒，長(chang)筆(bi)(bi)(bi)(bi)畫(hua)呈彎(wan)弧(hu)，波尾大挑，折(zhe)角圓(yuan)和(he)，波勢蘊柔，中(zhong)斂旁肆，瀟灑飛逸，氣韻(yun)盎然，被(bei)近(jin)人推為(wei)東漢(han)綺麗書派的代表，是(shi)漢(han)隸成(cheng)熟的標志碑之(zhi)一(yi)(yi)。
司徒臣雄、司空臣戒，稽首言：“魯前相瑛書言：‘詔書崇圣道，〔勉〕〔學〕〔藝〕，孔子作《春秋》，制《孝經》，□□《五經》，演《易·〔系〕┘辭》，經緯天地，幽讃神明，故特立廟。襃成侯四時來祠，事已即去。廟有禮器，無常人掌領。請置百石□□一┘人，典主守廟，春秋饗禮。財出王家錢，給犬酒直。須報。’謹問大常祠曹掾馮牟、史郭玄。辭對：‘〔故事，辟〕□〔禮〕未┘行，祠先圣師。侍祠者，孔子子孫，大宰、大祝令各一人，皆備爵。大常丞監祠，河南尹〔給〕牛〔羊〕彖□□□各一，┘大司農給米祠。’臣愚以為，如瑛言，孔子大圣，則象乾
據碑(bei)文記載，魯相乙瑛(ying)上書請為魯城孔(kong)廟置守廟者及祭祀(si)孔(kong)子費用應由王家(jia)承(cheng)出等，經(jing)司徒吳雄、司空趙戒轉(zhuan)呈皇帝，得以批準。后乙瑛(ying)離任(ren)(ren)，而由繼任(ren)(ren)魯相平選孔(kong)和（孔(kong)龢）為守廟百石(shi)(shi)卒(zu)史，由魯令鮑疊造(zao)作百石(shi)(shi)吏舍等。《乙瑛(ying)碑(bei)》即是為紀念中央(yang)批準設置孔(kong)廟百石(shi)(shi)卒(zu)史一事而立，立于東漢永興元年(nian)(nian)（153年(nian)(nian)）。
《乙(yi)瑛碑》的用(yong)(yong)筆方圓兼備，點畫嚴謹，輕重變(bian)化(hua)，長短參差(cha)，波筆彎弧大挑(tiao)，用(yong)(yong)墨有潤燥，行(xing)筆流(liu)暢生動。有淹留遲澀，用(yong)(yong)力屈曲，或疾徐頓挫(cuo)，一波三折。
一、點法
點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)法(fa)(fa)上(shang)(shang)有圓點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、方(fang)(fang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、斜點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、橫(heng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、撇(pie)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、捺點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)等變化。丘形(xing)(xing)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“高”字(zi)(zi)(zi)上(shang)(shang)獨點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)如(ru)(ru)(ru)山丘狀，寫法(fa)(fa)逆鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)右(you)(you)(you)(you)(you)上(shang)(shang)，轉右(you)(you)(you)(you)(you)下(xia)頓，側鋒(feng)(feng)(feng)左(zuo)(zuo)(zuo)撇(pie)出(chu)(chu)。圓點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“器(qi)”字(zi)(zi)(zi)右(you)(you)(you)(you)(you)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)似(si)圓形(xing)(xing)，寫法(fa)(fa)逆鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)上(shang)(shang)向(xiang)(xiang)(xiang)(xiang)(xiang)右(you)(you)(you)(you)(you)下(xia)圓轉頓向(xiang)(xiang)(xiang)(xiang)(xiang)上(shang)(shang)回鋒(feng)(feng)(feng)。左(zuo)(zuo)(zuo)方(fang)(fang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“宅”字(zi)(zi)(zi)的(de)(de)(de)(de)上(shang)(shang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，側鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)撇(pie)出(chu)(chu)的(de)(de)(de)(de)方(fang)(fang)形(xing)(xing)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)。右(you)(you)(you)(you)(you)方(fang)(fang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“瑛”字(zi)(zi)(zi)下(xia)部(bu)(bu)的(de)(de)(de)(de)右(you)(you)(you)(you)(you)方(fang)(fang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，逆鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)上(shang)(shang)，轉下(xia)頓，側鋒(feng)(feng)(feng)右(you)(you)(you)(you)(you)斜下(xia)捺提(ti)筆出(chu)(chu)鋒(feng)(feng)(feng)。三(san)(san)角(jiao)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“戒”字(zi)(zi)(zi)下(xia)部(bu)(bu)中(zhong)間的(de)(de)(de)(de)三(san)(san)角(jiao)形(xing)(xing)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，露(lu)鋒(feng)(feng)(feng)下(xia)頓，側鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)右(you)(you)(you)(you)(you)出(chu)(chu)鋒(feng)(feng)(feng)。橫(heng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：隸書上(shang)(shang)部(bu)(bu)或下(xia)部(bu)(bu)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)橫(heng)寫。如(ru)(ru)(ru)“主”字(zi)(zi)(zi)、“請”字(zi)(zi)(zi)、“言”字(zi)(zi)(zi)、“祠”字(zi)(zi)(zi)的(de)(de)(de)(de)橫(heng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，寫法(fa)(fa)各不相(xiang)同，有逆鋒(feng)(feng)(feng)橫(heng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，有露(lu)鋒(feng)(feng)(feng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，有方(fang)(fang)頭(tou)橫(heng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)。曾頭(tou)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“首”字(zi)(zi)(zi)上(shang)(shang)部(bu)(bu)的(de)(de)(de)(de)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，都是逆鋒(feng)(feng)(feng)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)。左(zuo)(zuo)(zuo)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“馮(feng)”字(zi)(zi)(zi)左(zuo)(zuo)(zuo)邊(bian)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)一(yi)短一(yi)長(chang)，都是逆鋒(feng)(feng)(feng)側駐右(you)(you)(you)(you)(you)提(ti)出(chu)(chu)鋒(feng)(feng)(feng)。左(zuo)(zuo)(zuo)三(san)(san)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“酒”字(zi)(zi)(zi)左(zuo)(zuo)(zuo)邊(bian)的(de)(de)(de)(de)三(san)(san)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，有長(chang)短輕(qing)重之(zhi)別，全是逆鋒(feng)(feng)(feng)起(qi)筆向(xiang)(xiang)(xiang)(xiang)(xiang)右(you)(you)(you)(you)(you)中(zhong)心點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)輻(fu)射。左(zuo)(zuo)(zuo)右(you)(you)(you)(you)(you)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“常”字(zi)(zi)(zi)、“米(mi)”字(zi)(zi)(zi)、“秋”字(zi)(zi)(zi)上(shang)(shang)部(bu)(bu)的(de)(de)(de)(de)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，“崇(chong)”字(zi)(zi)(zi)下(xia)部(bu)(bu)的(de)(de)(de)(de)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，均側鋒(feng)(feng)(feng)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)右(you)(you)(you)(you)(you)兩(liang)(liang)(liang)側出(chu)(chu)鋒(feng)(feng)(feng)。起(qi)筆有藏有露(lu)，點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)形(xing)(xing)有方(fang)(fang)、圓、長(chang)、短。“爵”字(zi)(zi)(zi)、“年”字(zi)(zi)(zi)、“平(ping)”字(zi)(zi)(zi)中(zhong)部(bu)(bu)的(de)(de)(de)(de)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)的(de)(de)(de)(de)方(fang)(fang)向(xiang)(xiang)(xiang)(xiang)(xiang)大(da)部(bu)(bu)是左(zuo)(zuo)(zuo)右(you)(you)(you)(you)(you)向(xiang)(xiang)(xiang)(xiang)(xiang)，唯有“年”字(zi)(zi)(zi)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)全右(you)(you)(you)(you)(you)向(xiang)(xiang)(xiang)(xiang)(xiang)。下(xia)四(si)(si)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“漢”字(zi)(zi)(zi)、“赫”字(zi)(zi)(zi)、“鮑(bao)”字(zi)(zi)(zi)、“黨”字(zi)(zi)(zi)、“廉”字(zi)(zi)(zi)的(de)(de)(de)(de)下(xia)部(bu)(bu)四(si)(si)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)的(de)(de)(de)(de)方(fang)(fang)向(xiang)(xiang)(xiang)(xiang)(xiang)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)、向(xiang)(xiang)(xiang)(xiang)(xiang)下(xia)、向(xiang)(xiang)(xiang)(xiang)(xiang)右(you)(you)(you)(you)(you)三(san)(san)個方(fang)(fang)向(xiang)(xiang)(xiang)(xiang)(xiang)，寫法(fa)(fa)與形(xing)(xing)象大(da)小不同。其腳(jiao)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“讃”字(zi)(zi)(zi)、“則”字(zi)(zi)(zi)、“侯”字(zi)(zi)(zi)的(de)(de)(de)(de)下(xia)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)右(you)(you)(you)(you)(you)兩(liang)(liang)(liang)側。撇(pie)捺點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“察(cha)”字(zi)(zi)(zi)下(xia)部(bu)(bu)兩(liang)(liang)(liang)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)向(xiang)(xiang)(xiang)(xiang)(xiang)左(zuo)(zuo)(zuo)撇(pie)右(you)(you)(you)(you)(you)捺出(chu)(chu)。中(zhong)三(san)(san)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“辭(ci)”字(zi)(zi)(zi)、“經”字(zi)(zi)(zi)中(zhong)間的(de)(de)(de)(de)三(san)(san)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)均為圓形(xing)(xing)之(zhi)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，但左(zuo)(zuo)(zuo)右(you)(you)(you)(you)(you)呼應(ying)。中(zhong)四(si)(si)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)：如(ru)(ru)(ru)“魯”字(zi)(zi)(zi)中(zhong)四(si)(si)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，與下(xia)四(si)(si)點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)形(xing)(xing)象大(da)體(ti)相(xiang)同，點(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)形(xing)(xing)相(xiang)背呼應(ying)，各有變化。
二、橫法
橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)法(fa)在(zai)《乙(yi)瑛(ying)(ying)碑(bei)》中是(shi)一(yi)(yi)個(ge)重(zhong)要筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)法(fa)。橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)畫(hua)(hua)隸書(shu)稱波(bo)(bo)(bo)(bo)(bo)畫(hua)(hua)，是(shi)隸書(shu)的(de)(de)主筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，大凡(fan)每字(zi)(zi)都有波(bo)(bo)(bo)(bo)(bo)畫(hua)(hua)。而且寫成(cheng)一(yi)(yi)波(bo)(bo)(bo)(bo)(bo)三折，長(chang)(chang)而粗(cu)(cu)壯。和其(qi)(qi)他(ta)多變(bian)(bian)的(de)(de)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)平行疊排，強(qiang)烈的(de)(de)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)勢現象，是(shi)《乙(yi)瑛(ying)(ying)碑(bei)》隸書(shu)之(zhi)美特點。這一(yi)(yi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)勢特點，是(shi)隸書(shu)同(tong)其(qi)(qi)他(ta)書(shu)體根本區別(bie)(bie)。特別(bie)(bie)是(shi)粗(cu)(cu)重(zhong)的(de)(de)波(bo)(bo)(bo)(bo)(bo)磔筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)畫(hua)(hua)，遠大于其(qi)(qi)他(ta)漢碑(bei)，其(qi)(qi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)畫(hua)(hua)有直(zhi)(zhi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)、拱橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)、尖(jian)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)、方(fang)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)等。直(zhi)(zhi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“大”字(zi)(zi)的(de)(de)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)畫(hua)(hua)，逆(ni)(ni)鋒(feng)(feng)(feng)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，回(hui)鋒(feng)(feng)(feng)收筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)。短直(zhi)(zhi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)也同(tong)此法(fa)。“三”字(zi)(zi)之(zhi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)各有不同(tong)。一(yi)(yi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，逆(ni)(ni)起(qi)(qi)中行尾(wei)(wei)(wei)回(hui)收，二橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)似方(fang)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，三橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)方(fang)起(qi)(qi)波(bo)(bo)(bo)(bo)(bo)挑(tiao)出鋒(feng)(feng)(feng)。拱形橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“宰(zai)”字(zi)(zi)、“辭”字(zi)(zi)的(de)(de)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)畫(hua)(hua)，多有上拱勢，且長(chang)(chang)短參(can)差。右尖(jian)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“王”字(zi)(zi)、“長(chang)(chang)”字(zi)(zi)上部(bu)的(de)(de)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)畫(hua)(hua)，均為(wei)(wei)逆(ni)(ni)鋒(feng)(feng)(feng)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，露(lu)鋒(feng)(feng)(feng)收筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)。左尖(jian)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“下(xia)(xia)(xia)(xia)”字(zi)(zi)的(de)(de)上橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，“司”字(zi)(zi)的(de)(de)中橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，“書(shu)”字(zi)(zi)各橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，多是(shi)左尖(jian)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，且長(chang)(chang)短不一(yi)(yi)，其(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)法(fa)則是(shi)露(lu)鋒(feng)(feng)(feng)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，回(hui)鋒(feng)(feng)(feng)收筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)。斷筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“宗”字(zi)(zi)的(de)(de)下(xia)(xia)(xia)(xia)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，中間提筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)斷書(shu)與上橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)直(zhi)(zhi)書(shu)的(de)(de)變(bian)(bian)化(hua)。方(fang)圓橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“三”字(zi)(zi)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)上兩橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)圓，下(xia)(xia)(xia)(xia)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)方(fang)。波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)上，《乙(yi)瑛(ying)(ying)碑(bei)》的(de)(de)波(bo)(bo)(bo)(bo)(bo)畫(hua)(hua)有許多變(bian)(bian)化(hua)，一(yi)(yi)般(ban)比其(qi)(qi)他(ta)畫(hua)(hua)粗(cu)(cu)大，為(wei)(wei)逆(ni)(ni)鋒(feng)(feng)(feng)起(qi)(qi)筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，中鋒(feng)(feng)(feng)拱行，燕(yan)尾(wei)(wei)(wei)駐筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)，側挑(tiao)出鋒(feng)(feng)(feng)：①圓波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：如(ru)(ru)(ru)“前”字(zi)(zi)逆(ni)(ni)起(qi)(qi)，中行駐波(bo)(bo)(bo)(bo)(bo)上挑(tiao)回(hui)鋒(feng)(feng)(feng)；②方(fang)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“重(zhong)”字(zi)(zi)下(xia)(xia)(xia)(xia)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，逆(ni)(ni)起(qi)(qi)下(xia)(xia)(xia)(xia)切轉中行，燕(yan)尾(wei)(wei)(wei)下(xia)(xia)(xia)(xia)駐上切回(hui)鋒(feng)(feng)(feng)收筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)；③出鋒(feng)(feng)(feng)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“卒”字(zi)(zi)下(xia)(xia)(xia)(xia)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，逆(ni)(ni)鋒(feng)(feng)(feng)起(qi)(qi)，中鋒(feng)(feng)(feng)行，尾(wei)(wei)(wei)駐側筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)出鋒(feng)(feng)(feng)；④回(hui)鋒(feng)(feng)(feng)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，如(ru)(ru)(ru)“古”字(zi)(zi)上橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，波(bo)(bo)(bo)(bo)(bo)尾(wei)(wei)(wei)為(wei)(wei)駐筆(bi)(bi)(bi)(bi)(bi)(bi)(bi)(bi)回(hui)鋒(feng)(feng)(feng)；⑤斜(xie)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“者(zhe)”字(zi)(zi)長(chang)(chang)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，寫成(cheng)斜(xie)勢燕(yan)尾(wei)(wei)(wei)出鋒(feng)(feng)(feng)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)；⑥短波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“行”字(zi)(zi)的(de)(de)右上橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，寫成(cheng)短燕(yan)尾(wei)(wei)(wei)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)；⑦細波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“書(shu)”字(zi)(zi)的(de)(de)長(chang)(chang)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)，尾(wei)(wei)(wei)細波(bo)(bo)(bo)(bo)(bo)長(chang)(chang)；⑧直(zhi)(zhi)波(bo)(bo)(bo)(bo)(bo)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)：“書(shu)”字(zi)(zi)的(de)(de)長(chang)(chang)橫(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)(heng)波(bo)(bo)(bo)(bo)(bo)畫(hua)(hua)較直(zhi)(zhi)，尾(wei)(wei)(wei)部(bu)也較圓。
三、豎法
豎(shu)(shu)(shu)(shu)(shu)法的(de)收筆(bi)(bi)有藏、露(lu)、方、圓之別。懸針豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“師”字(zi)(zi)(zi)右(you)(you)(you)長豎(shu)(shu)(shu)(shu)(shu)，逆(ni)起中(zhong)鋒(feng)(feng)下(xia)行(xing)(xing)(xing)出鋒(feng)(feng)。垂露(lu)豎(shu)(shu)(shu)(shu)(shu)：“侍”字(zi)(zi)(zi)左豎(shu)(shu)(shu)(shu)(shu)，“所”字(zi)(zi)(zi)右(you)(you)(you)豎(shu)(shu)(shu)(shu)(shu)，起筆(bi)(bi)有藏有露(lu)，中(zhong)鋒(feng)(feng)下(xia)行(xing)(xing)(xing)漸按提(ti)筆(bi)(bi)空收。圓腳(jiao)(jiao)(jiao)豎(shu)(shu)(shu)(shu)(shu)：“制”字(zi)(zi)(zi)左豎(shu)(shu)(shu)(shu)(shu)，逆(ni)起中(zhong)行(xing)(xing)(xing)回(hui)鋒(feng)(feng)收筆(bi)(bi)。方腳(jiao)(jiao)(jiao)豎(shu)(shu)(shu)(shu)(shu)：“米”字(zi)(zi)(zi)的(de)中(zhong)豎(shu)(shu)(shu)(shu)(shu)，逆(ni)起中(zhong)行(xing)(xing)(xing)，至(zhi)腳(jiao)(jiao)(jiao)提(ti)筆(bi)(bi)橫切向上(shang)回(hui)鋒(feng)(feng)。斜腳(jiao)(jiao)(jiao)豎(shu)(shu)(shu)(shu)(shu)：“下(xia)”字(zi)(zi)(zi)中(zhong)豎(shu)(shu)(shu)(shu)(shu)，中(zhong)鋒(feng)(feng)下(xia)行(xing)(xing)(xing)至(zhi)腳(jiao)(jiao)(jiao)提(ti)筆(bi)(bi)斜下(xia)輕(qing)(qing)上(shang)回(hui)鋒(feng)(feng)。右(you)(you)(you)孤豎(shu)(shu)(shu)(shu)(shu)：“即”字(zi)(zi)(zi)右(you)(you)(you)豎(shu)(shu)(shu)(shu)(shu)，逆(ni)起，中(zhong)鋒(feng)(feng)右(you)(you)(you)曲行(xing)(xing)(xing)，回(hui)鋒(feng)(feng)收筆(bi)(bi)，把“即”字(zi)(zi)(zi)寫成(cheng)上(shang)合下(xia)開之勢。直(zhi)(zhi)豎(shu)(shu)(shu)(shu)(shu)：“行(xing)(xing)(xing)”字(zi)(zi)(zi)的(de)右(you)(you)(you)豎(shu)(shu)(shu)(shu)(shu)，是(shi)直(zhi)(zhi)行(xing)(xing)(xing)回(hui)鋒(feng)(feng)之筆(bi)(bi)。相背豎(shu)(shu)(shu)(shu)(shu)：寫在左右(you)(you)(you)兩側的(de)豎(shu)(shu)(shu)(shu)(shu)畫，均(jun)(jun)不同(tong)程度地彎(wan)曲，而且(qie)，左豎(shu)(shu)(shu)(shu)(shu)彎(wan)曲較(jiao)大，左豎(shu)(shu)(shu)(shu)(shu)彎(wan)曲較(jiao)小(xiao)。如(ru)(ru)“月”字(zi)(zi)(zi)左豎(shu)(shu)(shu)(shu)(shu)向右(you)(you)(you)彎(wan)平挑至(zhi)腳(jiao)(jiao)(jiao)回(hui)鋒(feng)(feng)，右(you)(you)(you)豎(shu)(shu)(shu)(shu)(shu)向左彎(wan)。細(xi)腰豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“和”字(zi)(zi)(zi)左下(xia)三(san)豎(shu)(shu)(shu)(shu)(shu)雖長短(duan)不同(tong)，但均(jun)(jun)中(zhong)腰細(xi)瘦。曲腳(jiao)(jiao)(jiao)豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“罪”字(zi)(zi)(zi)下(xia)部兩豎(shu)(shu)(shu)(shu)(shu)腳(jiao)(jiao)(jiao)，均(jun)(jun)向左彎(wan)曲。撇腳(jiao)(jiao)(jiao)豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“第(di)”字(zi)(zi)(zi)中(zhong)豎(shu)(shu)(shu)(shu)(shu)，尾(wei)部撇筆(bi)(bi)出鋒(feng)(feng)。重右(you)(you)(you)孤豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“郭”字(zi)(zi)(zi)右(you)(you)(you)豎(shu)(shu)(shu)(shu)(shu)，筆(bi)(bi)畫粗重。輕(qing)(qing)直(zhi)(zhi)豎(shu)(shu)(shu)(shu)(shu)：如(ru)(ru)“令”字(zi)(zi)(zi)的(de)下(xia)部的(de)豎(shu)(shu)(shu)(shu)(shu)輕(qing)(qing)而直(zhi)(zhi)。重豎(shu)(shu)(shu)(shu)(shu)變(bian)異：如(ru)(ru)“修”字(zi)(zi)(zi)豎(shu)(shu)(shu)(shu)(shu)多(duo)，長短(duan)直(zhi)(zhi)曲，各有變(bian)化。
四、撇法
撇(pie)(pie)(pie)畫(hua)是表現飛(fei)動開張之勢一(yi)畫(hua)。撇(pie)(pie)(pie)尾有(you)出鋒(feng)(feng)(feng)與(yu)回鋒(feng)(feng)(feng)，方腳(jiao)與(yu)挑(tiao)腳(jiao)，從撇(pie)(pie)(pie)形上(shang)看有(you)直(zhi)撇(pie)(pie)(pie)與(yu)曲撇(pie)(pie)(pie)，長撇(pie)(pie)(pie)與(yu)短撇(pie)(pie)(pie)等。回鋒(feng)(feng)(feng)撇(pie)(pie)(pie)：如“文”字斜(xie)撇(pie)(pie)(pie)畫(hua)尾部(bu)挑(tiao)腳(jiao)回鋒(feng)(feng)(feng)。出鋒(feng)(feng)(feng)撇(pie)(pie)(pie)：如“吏”字的豎撇(pie)(pie)(pie)畫(hua)，撇(pie)(pie)(pie)尾部(bu)挑(tiao)筆(bi)出鋒(feng)(feng)(feng)。挑(tiao)腳(jiao)撇(pie)(pie)(pie)：如“為”字的長斜(xie)撇(pie)(pie)(pie)，中腰較瘦，起(qi)筆(bi)向(xiang)右橫頓，折筆(bi)向(xiang)左斜(xie)下(xia)行(xing)，到(dao)位(wei)翻筆(bi)上(shang)挑(tiao)出鋒(feng)(feng)(feng)。方腳(jiao)撇(pie)(pie)(pie)：如“文”字撇(pie)(pie)(pie)向(xiang)左斜(xie)下(xia)孤行(xing)，至腳(jiao)上(shang)切回鋒(feng)(feng)(feng)收筆(bi)，使撇(pie)(pie)(pie)腳(jiao)呈方形。斜(xie)直(zhi)撇(pie)(pie)(pie)：如“者”字的撇(pie)(pie)(pie)形較直(zhi)，起(qi)筆(bi)與(yu)收筆(bi)全是藏鋒(feng)(feng)(feng)。長中豐撇(pie)(pie)(pie)：如“米”字的長撇(pie)(pie)(pie)露鋒(feng)(feng)(feng)起(qi)筆(bi)，行(xing)筆(bi)漸按再提筆(bi)出鋒(feng)(feng)(feng)。豎曲撇(pie)(pie)(pie)：如“用”字左豎撇(pie)(pie)(pie)，逆鋒(feng)(feng)(feng)起(qi)筆(bi)，中鋒(feng)(feng)(feng)下(xia)行(xing)，轉筆(bi)左彎(wan)，回鋒(feng)(feng)(feng)收筆(bi)。
五、捺法
捺(na)畫是斜(xie)勢(shi)(shi)的(de)(de)波畫，筆(bi)勢(shi)(shi)比其他畫重，是很多字的(de)(de)主筆(bi)，以不同斜(xie)度、弧曲、輕(qing)重、方圓、藏露來表(biao)現。有“人”字的(de)(de)回鋒(feng)(feng)捺(na)，捺(na)起筆(bi)中鋒(feng)(feng)右斜(xie)行漸按，至(zhi)捺(na)腳側鋒(feng)(feng)上挑回鋒(feng)(feng)；“人”字、“歸”字的(de)(de)出鋒(feng)(feng)捺(na)；“給”字、“道”字的(de)(de)挑角捺(na)；“長”字、“之”字方腳捺(na)。
六、鉤法
鉤(gou)(gou)法變化較多，有(you)(you)(you)方圓、長短、重輕、彎(wan)平(ping)之別，有(you)(you)(you)的(de)寫成隸書(shu)撇，捺波畫代鉤(gou)(gou)，還有(you)(you)(you)魏碑(bei)的(de)楷法。方鉤(gou)(gou)有(you)(you)(you)“孔”字(zi)(zi)(zi)(zi)(zi)(zi)、“前”字(zi)(zi)(zi)(zi)(zi)(zi)、“氏”字(zi)(zi)(zi)(zi)(zi)(zi)，圓鉤(gou)(gou)有(you)(you)(you)“河”字(zi)(zi)(zi)(zi)(zi)(zi)、“能”字(zi)(zi)(zi)(zi)(zi)(zi)，長鉤(gou)(gou)有(you)(you)(you)“辰”字(zi)(zi)(zi)(zi)(zi)(zi)、“長”字(zi)(zi)(zi)(zi)(zi)(zi)，重鉤(gou)(gou)有(you)(you)(you)“藝”字(zi)(zi)(zi)(zi)(zi)(zi)、“他”字(zi)(zi)(zi)(zi)(zi)(zi)，輕鉤(gou)(gou)有(you)(you)(you)“司”字(zi)(zi)(zi)(zi)(zi)(zi)、“府(fu)”字(zi)(zi)(zi)(zi)(zi)(zi)、“爵”字(zi)(zi)(zi)(zi)(zi)(zi)，彎(wan)鉤(gou)(gou)有(you)(you)(you)“司”字(zi)(zi)(zi)(zi)(zi)(zi)、“為(wei)”字(zi)(zi)(zi)(zi)(zi)(zi)、“孝”字(zi)(zi)(zi)(zi)(zi)(zi)，平(ping)鉤(gou)(gou)有(you)(you)(you)“蜀”字(zi)(zi)(zi)(zi)(zi)(zi)、“府(fu)”字(zi)(zi)(zi)(zi)(zi)(zi)，魏碑(bei)鉤(gou)(gou)有(you)(you)(you)“祠”字(zi)(zi)(zi)(zi)(zi)(zi)、“事”字(zi)(zi)(zi)(zi)(zi)(zi)，以(yi)隸書(shu)撇捺代鉤(gou)(gou)有(you)(you)(you)“子”字(zi)(zi)(zi)(zi)(zi)(zi)、“孔”字(zi)(zi)(zi)(zi)(zi)(zi)、“元”字(zi)(zi)(zi)(zi)(zi)(zi)、“戒(jie)”字(zi)(zi)(zi)(zi)(zi)(zi)、“誠”字(zi)(zi)(zi)(zi)(zi)(zi)、“已”字(zi)(zi)(zi)(zi)(zi)(zi)、“乾”字(zi)(zi)(zi)(zi)(zi)(zi)，減鉤(gou)(gou)（即(ji)無鉤(gou)(gou)）有(you)(you)(you)“司”字(zi)(zi)(zi)(zi)(zi)(zi)、“為(wei)”字(zi)(zi)(zi)(zi)(zi)(zi)。
七、折法
折(zhe)(zhe)(zhe)(zhe)(zhe)法(fa)(fa)可歸納為方(fang)(fang)折(zhe)(zhe)(zhe)(zhe)(zhe)、圓折(zhe)(zhe)(zhe)(zhe)(zhe)、平(ping)(ping)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)、聳(song)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)、斷(duan)筆折(zhe)(zhe)(zhe)(zhe)(zhe)。方(fang)(fang)折(zhe)(zhe)(zhe)(zhe)(zhe)有“首(shou)”字(zi)(zi)；圓折(zhe)(zhe)(zhe)(zhe)(zhe)有“司”字(zi)(zi)；方(fang)(fang)圓折(zhe)(zhe)(zhe)(zhe)(zhe)：如(ru)“空”字(zi)(zi)外圓內方(fang)(fang)的(de)折(zhe)(zhe)(zhe)(zhe)(zhe)畫，平(ping)(ping)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)如(ru)“朔”字(zi)(zi)右邊“月(yue)”字(zi)(zi)的(de)肩(jian)是(shi)(shi)(shi)平(ping)(ping)的(de)，其(qi)寫法(fa)(fa)是(shi)(shi)(shi)橫(heng)端下(xia)回折(zhe)(zhe)(zhe)(zhe)(zhe)，即在(zai)橫(heng)下(xia)寫豎(shu)；聳(song)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)：如(ru)“詔”字(zi)(zi)右下(xia)方(fang)(fang)“口”字(zi)(zi)的(de)肩(jian)是(shi)(shi)(shi)聳(song)起的(de)，其(qi)寫法(fa)(fa)是(shi)(shi)(shi)橫(heng)至肩(jian)提筆向上(shang)再(zai)折(zhe)(zhe)(zhe)(zhe)(zhe)下(xia)；豎(shu)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)，如(ru)“者”下(xia)“日”字(zi)(zi)的(de)肩(jian)，是(shi)(shi)(shi)橫(heng)后再(zai)寫直豎(shu)，豎(shu)比(bi)橫(heng)高(gao)；斷(duan)肩(jian)折(zhe)(zhe)(zhe)(zhe)(zhe)：如(ru)“寅”字(zi)(zi)上(shang)下(xia)兩肩(jian)全(quan)斷(duan)，其(qi)寫法(fa)(fa)是(shi)(shi)(shi)橫(heng)不連豎(shu)。
八、提法
提(ti)筆(bi)(bi)被橫所代替，但寸(cun)點和右(you)短撇(pie)都變(bian)成提(ti)筆(bi)(bi)，有提(ti)筆(bi)(bi)變(bian)橫，如“特”字(zi)(zi)、“孔(kong)”字(zi)(zi)；短撇(pie)變(bian)提(ti)，如“辰”字(zi)(zi)；點變(bian)提(ti)，如“等”字(zi)(zi)、“年”字(zi)(zi)。
《乙瑛(ying)碑》的(de)結體，寓風流于(yu)嚴謹之(zhi)中(zhong)，具有“冠裳佩(pei)玉”的(de)韻致和俊逸瀟(xiao)灑的(de)意趣(qu)。避免了(le)追求(qiu)“宗廟之(zhi)美(mei)”所(suo)可(ke)能(neng)帶來(lai)的(de)板滯，肅(su)穆(mu)而(er)有清新活潑的(de)氣息。如“奉”字(zi)(zi)(zi)和“奏”字(zi)(zi)(zi)的(de)字(zi)(zi)(zi)頭寬大，字(zi)(zi)(zi)底窄小，兩者形成(cheng)(cheng)強(qiang)烈(lie)的(de)對比而(er)不失重(zhong)心；兩個“府”字(zi)(zi)(zi)，趣(qu)味不同，各有變(bian)化，一(yi)個豎撇(pie)低垂，筆畫相(xiang)連，形態(tai)(tai)緊(jin)湊，一(yi)個豎撇(pie)高(gao)抬，形斷意連，松而(er)不散；“須(xu)”字(zi)(zi)(zi)的(de)左偏(pian)旁位置甚(shen)高(gao)，因右偏(pian)旁波畫寬展(zhan)，兩點撐開，形成(cheng)(cheng)了(le)穩重(zhong)的(de)主體，所(suo)以(yi)高(gao)低錯落而(er)不失平(ping)衡；“試”字(zi)(zi)(zi)和“乾”字(zi)(zi)(zi)的(de)左偏(pian)旁寫得特(te)別(bie)大卻(que)無喧賓奪主之(zhi)感(gan)，夸張的(de)形態(tai)(tai)和獨(du)(du)特(te)的(de)結構(gou)(gou)極富(fu)個性(xing)色彩(cai)；“司”字(zi)(zi)(zi)的(de)橫折彎鉤，或(huo)(huo)(huo)伸展(zhan)形成(cheng)(cheng)端莊(zhuang)緊(jin)湊的(de)三面包圍，或(huo)(huo)(huo)收縮構(gou)(gou)成(cheng)(cheng)倚(yi)側開放的(de)兩面包圍；“少(shao)”字(zi)(zi)(zi)似人斜臥，展(zhan)示(shi)出(chu)(chu)倚(yi)側舒展(zhan)之(zhi)美(mei)；“疊”字(zi)(zi)(zi)筆畫層疊，形態(tai)(tai)高(gao)聳，勢如山岳(yue)；“窮”字(zi)(zi)(zi)的(de)豎、撤下(xia)伸，兩“口”上抬；“成(cheng)(cheng)”字(zi)(zi)(zi)扁壓而(er)右戈逸出(chu)(chu)。這些字(zi)(zi)(zi)或(huo)(huo)(huo)是一(yi)腳著地展(zhan)現出(chu)(chu)“金雞(ji)獨(du)(du)立”的(de)動態(tai)(tai)美(mei)，或(huo)(huo)(huo)是擴大筆畫間(jian)偏(pian)旁間(jian)的(de)反(fan)差，呈現出(chu)(chu)新穎獨(du)(du)特(te)的(de)結構(gou)(gou)形式。
《乙瑛碑》的章法有如下三個特點：
①縱有行(xing)，橫(heng)成(cheng)列，格局(ju)恢宏。《乙瑛(ying)碑(bei)》在排列上縱看(kan)成(cheng)行(xing)，橫(heng)看(kan)成(cheng)列，整(zheng)體章法次序井然(ran)，步伍(wu)整(zheng)齊，自不(bu)待言。由于《乙瑛(ying)碑(bei)》結字上下和左右比較(jiao)均衡，線條的(de)粗(cu)細(xi)、輕重無較(jiao)大起伏，外形(xing)方正，停頓有度，所(suo)以，整(zheng)體布局(ju)更加(jia)規(gui)范(fan)，呈現出宏碑(bei)巨制、高文典冊、氣(qi)格宏大、高古(gu)典雅(ya)的(de)廟(miao)(miao)堂之氣(qi)，適合(he)置身(shen)于曲(qu)阜孔廟(miao)(miao)這種莊重肅穆(mu)之所(suo)。
②橫(heng)向(xiang)取勢(shi)(shi)，字(zi)距(ju)大(da)于(yu)行(xing)距(ju)，波(bo)(bo)涌(yong)之勢(shi)(shi)強烈。同其它成熟期(qi)的(de)漢碑一樣，《乙(yi)瑛碑》結(jie)字(zi)左舒(shu)右(you)展(zhan)，橫(heng)向(xiang)取勢(shi)(shi)。凡(fan)是(shi)(shi)撇(pie)畫(hua)(hua)、鉤畫(hua)(hua)盡(jin)(jin)量左掠(lve)，凡(fan)是(shi)(shi)波(bo)(bo)畫(hua)(hua)、捺畫(hua)(hua)盡(jin)(jin)量向(xiang)右(you)肆展(zhan)，因此，碑中(zhong)的(de)絕大(da)多數字(zi)屬于(yu)扁平結(jie)構，只(zhi)有少數字(zi)比較方(fang)正(zheng)，從而(er)整體布局形成字(zi)距(ju)大(da)于(yu)行(xing)距(ju)的(de)章法形式(shi)。書(shu)寫者越往(wang)后寫越心手(shou)雙暢(chang)(chang)，因而(er)，碑后半部分向(xiang)左右(you)的(de)展(zhan)放之勢(shi)(shi)越加(jia)明顯，越加(jia)流暢(chang)(chang)，精彩紛呈。字(zi)距(ju)大(da)于(yu)行(xing)距(ju)的(de)格局產生橫(heng)向(xiang)開張(zhang)的(de)氣勢(shi)(shi)，在行(xing)列有序之中(zhong)，字(zi)里行(xing)間更加(jia)流暢(chang)(chang)自然(ran)，氣格更加(jia)恢宏。
③呼(hu)應連貫(guan)，左(zuo)(zuo)盼(pan)右(you)顧(gu)，縱(zong)橫涌(yong)動。《乙瑛碑》雖然結體端莊，章法(fa)上(shang)縱(zong)成行，橫有(you)(you)列，但其(qi)筆畫富有(you)(you)變(bian)化，整體布局(ju)毫不(bu)呆板。縱(zong)看，字(zi)(zi)與字(zi)(zi)之間(jian)的(de)間(jian)隔并不(bu)是孤孤零零，而是筆斷意連，上(shang)下(xia)呼(hu)應連貫(guan)，銜(xian)接(jie)和諧。由于(yu)字(zi)(zi)的(de)形態(tai)大(da)小(xiao)不(bu)一，間(jian)隔有(you)(you)大(da)有(you)(you)小(xiao)，其(qi)字(zi)(zi)距并不(bu)是均(jun)衡劃一，空間(jian)分割或(huo)疏或(huo)密(mi)，顯(xian)得敞朗透(tou)氣。還由于(yu)每個字(zi)(zi)重心取向(xiang)上(shang)的(de)上(shang)下(xia)左(zuo)(zuo)右(you)移位，所(suo)以，一行行的(de)中軸線左(zuo)(zuo)右(you)擺動，搖曳(ye)生姿。從橫向(xiang)看去，行與行之間(jian)靠得很緊密(mi)，有(you)(you)的(de)幾乎搭(da)肩接(jie)踵，整體觀望，像一排排涌(yong)動的(de)洪濤巨浪向(xiang)前推進(jin)。
總(zong)而言之(zhi)，《乙(yi)瑛(ying)碑》在其莊重(zhong)靜(jing)肅的(de)主調之(zhi)下，又(you)是流動(dong)的(de)、活脫的(de)。
明(ming)代金石(shi)(shi)學家趙崡：此(ci)碑永(yong)興元年(nian)造(zao)。元常，獻(xian)帝初始為黃門侍郎，距永(yong)興且四十年(nian)，此(ci)非元常書明(ming)甚(shen)。未知張稚(zhi)圭所(suo)按何圖。其敘事簡(jian)古(gu)，隸法(fa)遒勁，令(ling)人想(xiang)見(jian)漢(han)人風(feng)采，政（正）不必附會元常也。（《石(shi)(shi)墨鐫華·卷一·漢(han)魯相置孔廟卒史碑》）
明末清初金(jin)石(shi)(shi)書法(fa)家(jia)郭宗(zong)昌：碑即(ji)今(jin)公移，復爾雅簡質(zhi)可(ke)讀，書益(yi)高古超(chao)逸。（《金(jin)石(shi)(shi)史(shi)·卷(juan)上·漢(han)魯相乙瑛置孔廟卒(zu)史(shi)碑》）
明末(mo)清初(chu)收藏(zang)家孫承澤：孔廟(miao)《卒(zu)史碑》，文既(ji)爾雅簡質，書復高(gao)古超(chao)逸，漢石中(zhong)之最(zui)不易得者。都(dou)玄敬謂此碑殘(can)闕，予所收本則(ze)完善，當在都(dou)所見本以前。后云“后漢鐘太(tai)尉書”，則(ze)后人附會(hui)之耳(er)。（《庚子(zi)銷(xiao)夏(xia)記·卷五·魯相乙(yi)瑛請置百石卒(zu)史孔龢碑》）
清代書法家萬經：字(zi)特(te)雄偉，如冠(guan)裳佩玉，令人起敬；近人鄭(zheng)簠每喜臨之。（《分隸偶存·卷上(shang)·漢魏碑(bei)考·漢置(zhi)孔(kong)廟卒史孔(kong)龢碑(bei)》）
清(qing)(qing)代(dai)書法家(jia)王澍：①《乙瑛》雄古，《韓敕(chi)》變化，《史(shi)(shi)晨(chen)(chen)》嚴謹，皆漢隸(li)極(ji)則。（《虛(xu)舟題(ti)跋(ba)(ba)·原(yuan)卷一·漢魯相(xiang)為孔(kong)廟置百石卒史(shi)(shi)碑(bei)》）②吾以(yi)《孔(kong)和》《韓敕(chi)》《史(shi)(shi)晨(chen)(chen)》三碑(bei)舉似(si)學(xue)者(zhe)，以(yi)為遒古莫如《孔(kong)和》，清(qing)(qing)超莫如《韓敕(chi)》，肅括莫如《史(shi)(shi)晨(chen)(chen)》，三碑(bei)足概(gai)漢隸(li)。（《虛(xu)舟題(ti)跋(ba)(ba)·原(yuan)卷二·漢魯相(xiang)韓敕(chi)孔(kong)廟碑(bei)》）
清代書法(fa)家翁(weng)方(fang)綱(gang)：是碑骨肉(rou)勻適而情文流暢，漢隸之最(zui)可師法(fa)者，不必其定出鐘傅也。（《兩(liang)漢金(jin)石記·卷(juan)六·孔廟置守廟百石卒史(shi)碑》）
清代佛教居士彭紹升：此碑(bei)在(zai)孔廟中最為(wei)雄杰(jie)，然(ran)風神故自(zi)駘宕。至(zhi)魏代諸(zhu)碑(bei)，雄杰(jie)有余，而(er)駘宕不足(zu)。譬之《車鄰》《駟鐵》，伯者之風；視雅(ya)、頌之音，亦已遠矣。此碑(bei)或標(biao)鐘(zhong)太尉書。無(wu)論時分相(xiang)縣（懸(xuan)），即以氣體(ti)論，與《受禪》《勸(quan)進》諸(zhu)碑(bei)，豈有相(xiang)似處耶？（《雪(xue)堂(tang)所藏金(jin)石文字薄錄·漢(han)·孔廟置百石卒史(shi)碑(bei)（潘秋谷藏本）》）
清代書(shu)法家(jia)何(he)紹基(ji)：橫翔(xiang)捷(jie)出，開(kai)后來雋利一門，然肅穆之氣自(zi)在(zai)。（《雪(xue)堂所(suo)藏金石文字(zi)薄錄·漢·孔廟置百石卒史碑（潘秋谷藏本(ben)）》）
清(qing)代書法家方(fang)朔(shuo)：《乙(yi)瑛(ying)》立于(yu)永興(xing)元年，在三碑（《乙(yi)瑛(ying)碑》《禮器碑》《史晨碑》）為(wei)最(zui)先，而字之方(fang)正沉厚，亦足以(yi)稱宗廟(miao)之美、百官之富。王(wang)蒻林（王(wang)澍）太史謂為(wei)雄古，翁覃溪（翁方(fang)綱）閣學(xue)謂為(wei)骨(gu)肉勻適，情文流暢，漢隸之最(zui)可師(shi)法者(zhe)，不虛也。（《枕(zhen)經堂金石(shi)跋·卷二·舊拓漢魯相請置孔(kong)廟(miao)百石(shi)卒史碑跋》）
近代(dai)書(shu)(shu)法藝(yi)術家楊守敬：或稱(cheng)《孔和(he)》，或稱(cheng)《乙瑛》，皆(jie)即此(ci)碑。有宋張稚(zhi)圭按圖題記(ji)，指為鐘(zhong)太尉書(shu)(shu)。《隸釋》謂(wei)鐘(zhong)繇(zhou)卒于魏(wei)太和(he)四年，去(qu)永興(xing)七(qi)十八年，圖經之誤，不待辨矣。然是碑隸法實佳(jia)，翁(weng)覃溪（翁(weng)方(fang)綱）云：“骨肉勻適，情文流暢。”誠非溢美。但(dan)其波磔已開唐人庸熟一路。史(shi)惟則(ze)、梁(liang)升(sheng)卿(qing)諸人，未必不從此(ci)出。或以比《禮器》，則(ze)過譽矣。（《激素飛清(qing)閣評碑記(ji)·卷一·漢·孔廟置百(bai)石(shi)卒史(shi)碑》）
近(jin)代(dai)書法家康有為：①于是(shi)《衡方(fang)》《乙(yi)(yi)瑛(ying)》《華山》《石經》《曹全》等碑(bei)，體(ti)扁已(yi)極，波磔分(fen)背(bei)，隸體(ti)成矣。（《廣(guang)藝舟雙(shuang)楫(ji)·卷(juan)二·體(ti)變第(di)四》）②《王(wang)稚子闕(que)》《嵩高銘》《封龍山》《乙(yi)(yi)瑛(ying)》等碑(bei)已(yi)有挑法。（《廣(guang)藝舟雙(shuang)楫(ji)·卷(juan)二·分(fen)變第(di)五》）③虛和(he)則(ze)有《乙(yi)(yi)瑛(ying)》《史晨》。（《廣(guang)藝舟雙(shuang)楫(ji)·卷(juan)二·本(ben)漢第(di)七》）
中(zhong)(zhong)國書(shu)法(fa)(fa)家協(xie)會顧問鐘明善：左(zuo)規(gui)右矩，法(fa)(fa)度森嚴，立(li)漢(han)碑(bei)(bei)(bei)風范的(de)。這(zhe)類碑(bei)(bei)(bei)刻(ke)(ke)在(zai)漢(han)隸(li)碑(bei)(bei)(bei)刻(ke)(ke)中(zhong)(zhong)為最多。其代表作有《熹平石經》《禮(li)器碑(bei)(bei)(bei)》《曹(cao)全(quan)碑(bei)(bei)(bei)》《乙(yi)瑛碑(bei)(bei)(bei)》《史晨(chen)碑(bei)(bei)(bei)》《華山碑(bei)(bei)(bei)》《孔宙(zhou)碑(bei)(bei)(bei)》《朝侯(hou)小子殘(can)石》《韓仁銘》《楊叔(shu)恭(gong)殘(can)碑(bei)(bei)(bei)》《白石神君碑(bei)(bei)(bei)》《劉熊(xiong)碑(bei)(bei)(bei)》等。歷來人(ren)們認(ren)為這(zhe)類碑(bei)(bei)(bei)刻(ke)(ke)是(shi)漢(han)隸(li)碑(bei)(bei)(bei)刻(ke)(ke)的(de)典范。這(zhe)一派在(zai)當(dang)時是(shi)開(kai)風習、樹“八(ba)分”法(fa)(fa)則(ze)的(de)革新派，后世(shi)則(ze)視之為漢(han)隸(li)中(zhong)(zhong)之“館閣”。（《中(zhong)(zhong)國書(shu)法(fa)(fa)簡(jian)史》）
《乙(yi)瑛(ying)碑》刊(kan)刻(ke)后收存在山東曲阜(fu)孔(kong)廟同文門下，1978年移入(ru)孔(kong)廟東廡，1998年移存漢魏(wei)碑刻(ke)陳列館。2020年10月30日(ri)，上(shang)海圖書館所藏的(de)《乙(yi)瑛(ying)碑》明末清初拓本（有(you)周大烈題簽）被文化和(he)旅游部公布為第六批國家珍貴古籍（編號：12888）。
著作 著錄名稱
名稱 作者
集古錄跋(ba)尾 歐(ou)陽修(xiu) 后漢(han)魯相置孔子廟卒(zu)史碑
集古錄(lu)目 歐陽(yang)棐 孔子廟置卒史碑
金(jin)石錄 趙明誠 漢(han)孔子廟置卒史碑
隸釋 洪適 孔廟(miao)置守廟(miao)百石孔龢碑(bei)
寶刻叢編 陳思 漢吳雄(xiong)孔子廟置卒史碑
金薤(xie)琳瑯 都穆(mu) 漢魯相置孔子廟卒史(shi)碑(bei)
金石古文(wen) 楊慎 漢(han)魯相置孔子廟卒史碑
蒼潤軒元牘記 盛時泰 漢孔廟置卒史碑
石墨(mo)鐫華 趙(zhao)崡 漢魯相(xiang)置孔子(zi)廟卒史碑
金石(shi)史 郭宗昌 漢魯相乙瑛置(zhi)孔子廟卒史碑
庚子銷(xiao)夏記(ji) 孫承澤 魯相乙瑛請置百石卒(zu)史孔(kong)龢(he)碑
金石文字記 顧(gu)炎武 魯相乙瑛(ying)置孔子廟百石卒(zu)史碑
來齋(zhai)金石刻考略(lve) 林侗 魯相置孔子廟卒史(shi)碑
金石(shi)(shi)錄補續(xu)跋；金石(shi)(shi)小箋(jian) 葉奕苞 漢(han)置孔子廟卒史碑
曝書亭金(jin)石(shi)文字跋(ba)尾 朱彝(yi)尊 漢魯相乙(yi)瑛請置(zhi)孔廟百石(shi)卒(zu)史碑跋(ba)
金石(shi)經眼錄 褚峻 孔子百石(shi)卒史(shi)碑(bei)
分隸(li)偶(ou)存 萬經 漢置孔廟卒史孔龢(he)碑
隸辨 顧(gu)藹吉 孔龢碑
觀妙齋金石文考略 李光(guang)暎(ying) 魯相請(qing)置孔(kong)廟(miao)卒史碑
虛舟(zhou)題跋 王澍(shu) 漢魯相為孔廟(miao)置百石卒史碑
金石存 吳玉(yu)搢 漢魯相置孔(kong)廟(miao)卒史(shi)碑
鮚埼(qi)亭(ting)集(ji) 全祖望 漢孔(kong)廟置百石(shi)卒史孔(kong)龢碑
金石圖說 牛運(yun)震 置孔廟百石卒史碑
孟亭居士文稿 馮(feng)浩 孔廟置守廟百石孔龢(he)碑(bei)
金石(shi)萃編 王昶 孔(kong)廟(miao)(miao)置守廟(miao)(miao)百石(shi)卒史碑
潛研(yan)堂(tang)金石文跋尾(wei) 錢大昕 孔廟(miao)置百石卒史碑
南澗文集 李(li)文藻 魯(lu)相乙瑛置孔(kong)子廟(miao)百石卒史碑
山左金石(shi)志(zhi) 畢沅等 孔廟置(zhi)百(bai)石(shi)卒史碑
兩漢金(jin)石(shi)記 翁方(fang)綱 孔廟(miao)(miao)置守廟(miao)(miao)百(bai)石(shi)卒史碑(bei)
札樸(pu) 桂(gui)馥 孔(kong)龢碑(bei)(bei)；乙(yi)瑛碑(bei)(bei)
授堂金石文字跋 武億 漢(han)魯相乙瑛置孔(kong)子廟百石卒史碑
授堂(tang)金石文(wen)字續跋(ba) 武億 孔(kong)廟置守廟百(bai)石卒(zu)史碑
紅藕齋(zhai)漢碑(bei)匯鈔(chao)集跋 孟(meng)慶(qing)云 魯相置孔廟(miao)卒史碑(bei)
話雨(yu)樓碑帖目(mu)錄 王鯤 孔廟置守廟百(bai)石卒史碑
竹崦庵金石目錄 趙(zhao)魏 魯(lu)相(xiang)乙(yi)瑛(ying)置孔子廟百石卒史碑
古墨齋金石跋 趙紹祖 漢魯相乙瑛請置孔子(zi)廟卒史碑
汪本隸釋(shi)刊誤 黃丕烈 孔廟置守廟百石孔和(he)碑
平津讀碑(bei)記(ji) 洪頤煊(xuan) 孔廟(miao)置守廟(miao)百石(shi)卒史(shi)碑(bei)
佛金山館秦漢碑跋 牟房 魯相乙瑛置孔廟百(bai)石卒史碑
漢(han)碑錄文 馮(feng)邦(bang)玉 孔廟置百石(shi)卒(zu)史碑
書畫(hua)所見錄 謝堃(kun) 孔子廟卒(zu)史碑
宜祿(lu)堂收(shou)藏金石記(ji) 朱士端 漢魯相(xiang)置孔廟卒史碑
枕經堂(tang)金石題(ti)跋 方朔(shuo) 漢魯相請置百石卒史碑
俞(yu)樓雜纂 俞(yu)樾(yue) 孔廟置百石(shi)卒(zu)史碑
漢石(shi)經室金石(shi)跋尾 沈樹鏞 魯(lu)相置孔子(zi)廟(miao)百石(shi)卒史碑
集(ji)古求真；集(ji)古求真補(bu)正 歐陽(yang)輔 乙瑛碑
金(jin)石(shi)續(xu)錄 劉青藜(li) 漢魯(lu)相(xiang)置孔子廟(miao)卒史碑
激素(su)飛清(qing)閣評(ping)碑記 楊(yang)守敬 孔廟置(zhi)百石(shi)卒史碑
山東金石志 孫葆田 后漢魯相置孔廟卒(zu)史碑
獨笑齋金石(shi)文考 鄭(zheng)業(ye)敩 魯相置孔廟百石(shi)卒史碑
漢石(shi)(shi)存(cun)目 王懿榮 孔廟(miao)置百石(shi)(shi)卒史碑
漢碑(bei)引經考 皮錫瑞 孔廟置守廟百石卒史碑(bei)
曲阜碑碣考 孔祥霖 魯相(xiang)乙瑛(ying)置百(bai)石卒(zu)史(shi)碑
三邕(yong)翠墨簃題跋 李葆恂 孔廟置百石卒(zu)史碑；乙瑛碑
金(jin)石鏡 李宗顥 魯(lu)相(xiang)乙瑛置孔廟百石卒史碑
雪(xue)堂金石(shi)文字簿錄 羅振玉 孔廟(miao)置百(bai)石(shi)卒史碑
九(jiu)鐘(zhong)精舍金石跋(ba)尾(wei) 吳(wu)士鑒(jian) 漢孔廟置守廟百(bai)石卒史(shi)碑
校碑(bei)隨筆 方若 乙瑛請置百石卒史碑(bei)
碑(bei)帖跋 梁啟超 漢乙瑛碑(bei)
弗堂類稿 姚(yao)華(hua) 乙瑛碑(bei)
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