傳統彩調劇,主要(yao)講訴娘家(jia)女被婆婆虐待(dai)最終和好的故事。
李(li)氏(shi)聽信媒(mei)人所言,將女兒(er)(er)桂英嫁給(gei)癡呆兒(er)(er)。女兒(er)(er)受到婆婆的(de)(de)虐(nve)待,跑回娘家(jia)。李(li)氏(shi)在送(song)女兒(er)(er)回婆家(jia)的(de)(de)路(lu)上,為(wei)女兒(er)(er)講(jiang)述做人的(de)(de)道理及(ji)怎(zen)樣善待婆婆和丈夫。當兩(liang)親家(jia)產(chan)生矛盾時(shi),桂英積極和解(jie),最后,兩(liang)親家(jia)和好如初。
(訴(su)板)送(song)女(nv)送(song)榕樹底,娘(niang)女(nv)哭得(de)(de)淚悲啼。為(wei)娘(niang)養你多受氣,想起(qi)連飯(fan)都懶吃(音同(tong)期)。為(wei)娘(niang)養你是(shi)個女(nv),不能(neng)(neng)陪娘(niang)過(guo)得(de)(de)日。為(wei)娘(niang)送(song)兒(er)(er)回家(jia)去(qu),又不是(shi)那你去(qu)剝(bo)皮。我(wo)兒(er)(er)如今嫁出去(qu),百(bai)(be)歲都是(shi)人家(jia)的。不能(neng)(neng)比得(de)(de)在家(jia)里(li),如今我(wo)兒(er)(er)做了媳。婆(po)婆(po)多嘴兒(er)(er)莫(mo)理。丈夫話多兒(er)(er)莫(mo)提(ti)(ti)。和婆(po)婆(po)不能(neng)(neng)過(guo)得(de)(de)世,與丈夫才是(shi)共齊(qi)眉。我(wo)兒(er)(er)一定(ding)要忍氣,千萬莫(mo)給旁人提(ti)(ti)。
昔日(ri)有個貞(zhen)節(jie)女(nv),細聽(ting)為娘說你知。她(ta)是前朝(chao)孟姜(jiang)女(nv),她(ta)與萬(wan)喜良配夫妻(qi)。剛好(hao)堂前來賀喜,差(cha)人抓去(qu)修城池(chi)。妻(qi)子難舍丈夫去(qu),萬(wan)郎難舍美(mei)嬌妻(qi)。自從萬(wan)郎離家去(qu),晚晚啼哭做(zuo)寒衣。到(dao)了八月秋風(feng)起,賢德女(nv)子送寒衣。哭崩長城千萬(wan)里,不(bu)見萬(wan)郎來穿衣。那(nei)種可算貞(zhen)節(jie)女(nv),萬(wan)古流芳到(dao)今日(ri)。兒要學那(nei)賢惠女(nv),(收腔)以免為娘啊(a)衣而那(nei)而衣而喲(yo)而喲(yo),來受逼(bi)。(四鈸收煞)
題名:娘送女
作者:陶橋富(劇本整(zheng)理)
洲:亞洲
國家:中國
主題關鍵詞(ci):廣西壯族自治區(qu) 彩調(diao)劇(ju) 娘送女 地方戲劇(ju)
視頻:娘送女
彩調(diao)劇(ju)劇(ju)目(mu)(mu),有(you)《小(xiao)娘送(song)(song)(song)女(nv)(nv)(nv)》、《大(da)娘送(song)(song)(song)女(nv)(nv)(nv)》之(zhi)(zhi)分。前者人(ren)(ren)(ren)物有(you)母(mu)、女(nv)(nv)(nv)和(he)家(jia)(jia)婆(po)三(san)(san)(san)人(ren)(ren)(ren)。后(hou)者仍以母(mu)、女(nv)(nv)(nv)和(he)家(jia)(jia)婆(po)為(wei)主(zhu),但另有(you)配(pei)角十(shi)余人(ren)(ren)(ren)。兩劇(ju)人(ren)(ren)(ren)物姓(xing)名各異,但內(nei)容(rong)相(xiang)同,均以母(mu)親(qin)規勸女(nv)(nv)(nv)兒(er)與夫和(he)好,親(qin)自送(song)(song)(song)女(nv)(nv)(nv)回婆(po)家(jia)(jia)為(wei)主(zhu)要情節。寫瑤山農戶李(li)(li)三(san)(san)(san)旺娶妻劉氏(shi),有(you)兒(er)名光(guang)(guang)保(bao),女(nv)(nv)(nv)名金(jin)(jin)蓮(lian)(lian)(lian)(lian)。光(guang)(guang)保(bao)遵父命外出攻讀,路過(guo)黃草(cao)山被(bei)(bei)俘。寨主(zhu)見光(guang)(guang)保(bao)滿(man)腹經綸,認作義子(zi),并(bing)封(feng)為(wei)小(xiao)寨主(zhu)。金(jin)(jin)蓮(lian)(lian)(lian)(lian)則從父母(mu)之(zhi)(zhi)命,許配(pei)胡(hu)老(lao)七之(zhi)(zhi)子(zi)為(wei)妻。胡(hu)子(zi)貌丑愚笨,貪吃懶做,加之(zhi)(zhi)翁姑虐(nve)待,故(gu)不愿回夫家(jia)(jia)。劉氏(shi)則以"嫁(jia)雞隨雞,嫁(jia)狗隨狗"苦心規勸。金(jin)(jin)蓮(lian)(lian)(lian)(lian)無奈,只得(de)含淚返回婆(po)家(jia)(jia),路過(guo)黃草(cao)山被(bei)(bei)劫上(shang)山,光(guang)(guang)保(bao)、金(jin)(jin)蓮(lian)(lian)(lian)(lian)兄妹相(xiang)見。胡(hu)、李(li)(li)兩家(jia)(jia),因金(jin)(jin)蓮(lian)(lian)(lian)(lian)失蹤,吵鬧不休,官府亦(yi)無法判斷。后(hou)光(guang)(guang)保(bao)送(song)(song)(song)妹下(xia)山,警(jing)告胡(hu)家(jia)(jia)不得(de)再虐(nve)待金(jin)(jin)蓮(lian)(lian)(lian)(lian)。該劇(ju)被(bei)(bei)稱作"大(da)調(diao)子(zi)",為(wei)彩調(diao)大(da)型訴板戲,除娘送(song)(song)(song)女(nv)(nv)(nv)出門前唱(chang)〔梳妝(zhuang)調(diao)〕、〔裹腳腔〕外,全(quan)用〔訴板〕獨唱(chang)、對唱(chang)。老(lao)本唱(chang)詞長達三(san)(san)(san)千句之(zhi)(zhi)多。隨虛擬景(jing)物的(de)變遷而換詞韻。如(ru)送(song)(song)(song)女(nv)(nv)(nv)送(song)(song)(song)到家(jia)(jia)門前,榕(rong)樹底(di)、大(da)路上(shang)、五(wu)里橋(qiao)(qiao)、岔路口、大(da)山背……等。〔訴板〕頭(tou)尾有(you)弦(xian)樂伴奏,其他均是干唱(chang)。演員需(xu)有(you)扎實的(de)唱(chang)功。《大(da)娘送(song)(song)(song)女(nv)(nv)(nv)》收(shou)入《廣西戲曲傳統劇(ju)目(mu)(mu)匯(hui)編》第六十(shi)六集(ji)(ji),《小(xiao)娘送(song)(song)(song)女(nv)(nv)(nv)》收(shou)入第六十(shi)三(san)(san)(san)集(ji)(ji)。演員:張氏(shi)----陶(tao)橋(qiao)(qiao)富飾(shi) 李(li)(li)金(jin)(jin)蓮(lian)(lian)(lian)(lian)----黃敏(min)杰飾(shi) 劉氏(shi)----馬文林(lin)飾(shi) 胡(hu)蠢子(zi)----林(lin)革飾(shi)