基本介紹

《泰(tai)(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)》是刊刻(ke)(ke)于(yu)秦代的(de)一方摩崖石(shi)(shi)(shi)刻(ke)(ke)，分(fen)為兩部分(fen)，前半部分(fen)（“始(shi)皇(huang)刻(ke)(ke)辭”）刻(ke)(ke)于(yu)秦始(shi)皇(huang)二(er)十八年（前219年），后半部分(fen)（“二(er)世詔書(shu)(shu)”）刻(ke)(ke)于(yu)秦二(er)世元年（前209年），傳為李斯撰(zhuan)文并書(shu)(shu)丹，又稱“李斯碑”等，屬小篆(zhuan)書(shu)(shu)法作品(pin)，與《嶧山(shan)刻(ke)(ke)石(shi)(shi)(shi)》《瑯琊刻(ke)(ke)石(shi)(shi)(shi)》《會稽刻(ke)(ke)石(shi)(shi)(shi)》合稱“秦四山(shan)刻(ke)(ke)石(shi)(shi)(shi)”。刻(ke)(ke)石(shi)(shi)(shi)原立于(yu)山(shan)東泰(tai)(tai)(tai)安市泰(tai)(tai)(tai)山(shan)山(shan)頂，殘石(shi)(shi)(shi)現存山(shan)東泰(tai)(tai)(tai)安市泰(tai)(tai)(tai)山(shan)岱廟東御座院內。

《泰山(shan)刻(ke)(ke)石》的(de)(de)前半部(bu)分敘(xu)述秦(qin)始(shi)皇(huang)在(zai)全國范圍(wei)內申明(ming)法(fa)令(ling)，充分利用法(fa)律來保護剛剛建(jian)立起(qi)來的(de)(de)中(zhong)央集權(quan)制封建(jian)國家(jia)(jia)的(de)(de)各(ge)項(xiang)制度，要求臣民(min)遵循法(fa)制，并告誡后代要堅(jian)持法(fa)家(jia)(jia)路線，永不改變；后半部(bu)分則記錄了(le)李斯隨同秦(qin)二(er)世出(chu)巡時上(shang)書(shu)請求在(zai)秦(qin)始(shi)皇(huang)所立刻(ke)(ke)石旁(pang)刻(ke)(ke)詔書(shu)的(de)(de)情(qing)況。書(shu)法(fa)上(shang)，其用筆都是逆鋒起(qi)筆回鋒收筆，行筆不緊不慢(man)、不偏不倚，粗細始(shi)終如一(yi)，圓(yuan)轉中(zhong)裹挾的(de)(de)沉著與(yu)遒勁；結體上(shang)出(chu)現上(shang)緊下松的(de)(de)態勢(shi)，點畫間(jian)相對均(jun)衡(heng)，有的(de)(de)甚至均(jun)衡(heng)到近乎一(yi)種原始(shi)的(de)(de)“拙”的(de)(de)程度，幾乎絕(jue)對對稱，秩序井(jing)然，相拱相揖。

內容介紹

碑刻內容

“始皇刻辭”

西面 第(di)二行(xing) 皇(huang)帝臨(lin)立，作制(zhi)明〔法(fa)〕，〔臣下修(xiu)飭〕。

第三行 廿〔有〕六(liu)年(nian)，初并〔天下(xia)〕，〔罔〕不〔賓服〕。

第四行 寴

第五行(xing) 從臣(chen)思跡，本(ben)原〔事業〕，〔祗誦功(gong)〕德。

第六行 治道(dao)運(yun)行，者產(chan)得宜，〔皆(jie)有(you)法式(shi)〕。

北面 第一行 大義箸明(ming)，陲(chui)于后嗣，〔順承(cheng)勿〕革。

第二行 皇帝躬聽，既平天下(xia)，不〔懈(xie)于治〕。

第三行 夙興(xing)夜寐，建設長利，〔專隆教誨〕。

東面 第一(yi)行 訓經宣達，遠近畢理，咸〔承圣志(zhi)〕。

第二行 貴賤分明，男女(nv)體順，慎〔遵(zun)職(zhi)事〕。

第(di)三行(xing) 昭(zhao)隔內外，靡(mi)不清凈，〔施于(yu)〕昆〔嗣〕。

第四行(xing) 化及無窮，遵奉遺詔，〔永承垂戒〕。

“二世詔書”

東(dong)面 第五行 皇帝曰：“金石(shi)刻，盡

第六行 始皇帝〔所為(wei)也〕。〔今襲(xi)號〕，〔而〕金石

南面 第一行 刻辭不稱

第(di)二行(xing) 始皇帝(di)，其于久(jiu)遠也，如后(hou)嗣為

第三(san)行(xing) 之者，不(bu)稱(cheng)成功〔盛(sheng)德(de)〕。”

第(di)四行 丞(cheng)相臣斯、臣去疾、御史夫=臣〔德〕

第五行 昧死言：

第六行 “臣請具刻(ke)詔書金石刻(ke)，因明白(bai)

第七行 矣。臣(chen)昧(mei)死請。”

西面 第一行(xing) 制曰(yue)：“可。”

（說明(ming)(ming)：朝(chao)向、分行據《金石索·石索一》；文字(zi)(zi)(zi)據明(ming)(ming)代(dai)安(an)國所藏(zang)一百六(liu)十五字(zi)(zi)(zi)拓本(ben)；〔〕表示據歷代(dai)著(zhu)錄所補的缺字(zi)(zi)(zi)；加粗(cu)表示現存文字(zi)(zi)(zi)；=表示合文。）

背景介紹

《泰(tai)山刻石》分(fen)(fen)為兩(liang)部(bu)分(fen)(fen)，前(qian)(qian)半(ban)部(bu)分(fen)(fen)是(shi)秦(qin)(qin)始(shi)皇二(er)十(shi)八(ba)年(nian)(nian)（前(qian)(qian)219年(nian)(nian)）所(suo)刻，后半(ban)部(bu)分(fen)(fen)是(shi)秦(qin)(qin)二(er)世元年(nian)(nian)（前(qian)(qian)209年(nian)(nian)）所(suo)刻。秦(qin)(qin)始(shi)皇二(er)十(shi)八(ba)年(nian)(nian)（前(qian)(qian)219年(nian)(nian)），秦(qin)(qin)始(shi)皇登臨泰(tai)山，丞相李(li)(li)斯等為歌頌始(shi)皇統(tong)一中國的功(gong)績而刊刻《泰(tai)山刻石》（前(qian)(qian)半(ban)部(bu)分(fen)(fen)）。秦(qin)(qin)二(er)世元年(nian)(nian)（前(qian)(qian)209年(nian)(nian)）春(chun)季，秦(qin)(qin)二(er)世為威(wei)服海內(nei)而效(xiao)法秦(qin)(qin)始(shi)皇巡視(shi)郡縣，東巡碣石、會稽(ji)等地(di)。李(li)(li)斯同行，奏請秦(qin)(qin)二(er)世在(zai)秦(qin)(qin)始(shi)皇所(suo)立(li)刻石旁上刻詔書(shu)以彰顯先帝成功(gong)盛德(de)，于(yu)是(shi)在(zai)《泰(tai)山刻石》等刻石上補刻詔書(shu)并著隨從大臣的姓名（后半(ban)部(bu)分(fen)(fen)）。

鑒賞評價

藝術鑒賞

風格

《泰山刻石》用筆(bi)(bi)精(jing)美(mei)(mei)，平(ping)穩(wen)流轉(zhuan)，骨肉(rou)勻稱(cheng)，含蓄(xu)委(wei)婉，氣(qi)魄宏(hong)大(da)(da)，簡捷(jie)明快。與(yu)先秦書法相(xiang)比(bi)，秦小(xiao)篆(zhuan)行(xing)筆(bi)(bi)粗細大(da)(da)體(ti)相(xiang)同，橫平(ping)豎直，轉(zhuan)折處極為(wei)流利飄(piao)逸，無生(sheng)硬之(zhi)(zhi)(zhi)(zhi)筆(bi)(bi)。藏頭護尾，筆(bi)(bi)筆(bi)(bi)精(jing)細，一(yi)(yi)(yi)絲不(bu)茍，如錐畫(hua)沙，委(wei)婉含蓄(xu)中自有(you)骨力豐沛之(zhi)(zhi)(zhi)(zhi)氣(qi)。橫勢穩(wen)健，縱勢豪(hao)逸，簡練明快，宏(hong)偉壯觀(guan)。雖法度嚴(yan)(yan)謹，但不(bu)失威嚴(yan)(yan)雄(xiong)奇之(zhi)(zhi)(zhi)(zhi)神采，山岳廟堂之(zhi)(zhi)(zhi)(zhi)氣(qi)象。以(yi)(yi)強勁(jing)平(ping)穩(wen)之(zhi)(zhi)(zhi)(zhi)骨力，時(shi)出(chu)飛(fei)動流走之(zhi)(zhi)(zhi)(zhi)生(sheng)機，恰如唐代張(zhang)懷瓘在《書斷》中所(suo)說的(de)“畫(hua)如鐵石，字(zi)若飛(fei)動”，“其勢飛(fei)騰，其形(xing)端儼”，“作楷書之(zhi)(zhi)(zhi)(zhi)祖，為(wei)不(bu)易之(zhi)(zhi)(zhi)(zhi)法”。同時(shi)結體(ti)整(zheng)齊劃一(yi)(yi)(yi)，力求(qiu)平(ping)正對(dui)(dui)稱(cheng)，橫密(mi)縱疏，端莊雄(xiong)偉，隱隱然又有(you)秀麗之(zhi)(zhi)(zhi)(zhi)氣(qi)。書體(ti)上，比(bi)以(yi)(yi)前的(de)甲骨文、金(jin)文以(yi)(yi)至《石鼓文》更為(wei)簡煉(lian)，規范化(hua)。其一(yi)(yi)(yi)，保留著象形(xing)文字(zi)的(de)某些特(te)點，著重(zhong)突(tu)出(chu)圓筆(bi)(bi)曲線(xian)之(zhi)(zhi)(zhi)(zhi)美(mei)(mei)。其二，充分(fen)地(di)發揮(hui)了漢(han)字(zi)特(te)有(you)的(de)美(mei)(mei)，具有(you)裝飾美(mei)(mei)的(de)意(yi)味。線(xian)條整(zheng)潔協調，改變了以(yi)(yi)前繁雜(za)交錯的(de)形(xing)式，書寫(xie)形(xing)式走向規律化(hua)。其三(san)，力求(qiu)嚴(yan)(yan)格(ge)的(de)平(ping)正對(dui)(dui)稱(cheng)，工(gong)整(zheng)精(jing)致，大(da)(da)小(xiao)相(xiang)仿，面目十(shi)分(fen)突(tu)出(chu)。其四，橫密(mi)縱疏，充分(fen)表現了篆(zhuan)書的(de)形(xing)體(ti)特(te)征(zheng)，使其在雄(xiong)偉之(zhi)(zhi)(zhi)(zhi)中產生(sheng)一(yi)(yi)(yi)種秀麗之(zhi)(zhi)(zhi)(zhi)氣(qi)，婀娜飄(piao)逸。其五，分(fen)布嚴(yan)(yan)格(ge)，空間層(ceng)次以(yi)(yi)相(xiang)距的(de)對(dui)(dui)應關系(xi)，示人(ren)(ren)以(yi)(yi)嚴(yan)(yan)格(ge)的(de)規則，給(gei)人(ren)(ren)以(yi)(yi)美(mei)(mei)，又示人(ren)(ren)以(yi)(yi)莊嚴(yan)(yan)。

作品評價

唐代張懷(huai)瓘：今《泰山》《嶧山》《秦望》等碑(bei)并(bing)其遺跡，亦(yi)謂(wei)傳國之偉寶，百代之法式。（《書斷(duan)中·神品》）

近代書法家(jia)康有(you)為(wei)：今(jin)秦(qin)(qin)篆猶存者，有(you)《瑯琊刻石》《泰山刻石》《會(hui)稽刻石碣》《石門刻石》，皆李斯(si)所作，以(yi)為(wei)正體，體并圓長，而(er)秦(qin)(qin)權(quan)、秦(qin)(qin)量(liang)即變方扁。（《廣藝(yi)舟雙楫(ji)·卷二·分變第(di)五》）

近(jin)代文(wen)學家、思想家、革命家魯(lu)迅：二十八年，始皇(huang)始東巡郡縣，群(qun)臣乃相與誦其功(gong)德，刻于金石，以垂(chui)后世。其辭亦李(li)斯(si)所為，今尚有流傳，質而(er)能壯，實漢晉(jin)碑(bei)銘所從出也。（《漢文(wen)學史綱要》）

其他信息

歷史傳承

流傳情況

《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》原(yuan)(yuan)立在山(shan)(shan)(shan)(shan)(shan)東(dong)(dong)泰(tai)(tai)(tai)(tai)(tai)安(an)市(shi)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)頂(ding)上，大概在《明去(qu)封號碑》左右。北(bei)宋大中祥符元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），宋真宗(zong)東(dong)(dong)封泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，兗州太守獻上《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》拓本(ben)，計有(you)四十余字(zi)(zi)。慶歷(li)(li)八(ba)(ba)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1048年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）以前(qian)，宋庠出鎮(zhen)東(dong)(dong)平(ping)郡時(shi)曾(ceng)派人(ren)(ren)到(dao)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)模拓《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》，得四十八(ba)(ba)字(zi)(zi)。在此(ci)(ci)前(qian)后(hou)，歐陽(yang)修好友江鄰幾曾(ceng)在泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)頂(ding)上親(qin)見(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》，并說(shuo)：“石(shi)(shi)(shi)(shi)(shi)(shi)頑不(bu)可鐫鑿，不(bu)知(zhi)當時(shi)何以刻(ke)(ke)(ke)(ke)之也。”大觀二年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1108年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）春(chun)季(ji)和政和三(san)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1113年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）秋季(ji)，劉(liu)跂兩(liang)次親(qin)至泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，見(jian)到(dao)的(de)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》已經(jing)埋植(zhi)土中，高不(bu)過四五尺，形(xing)制似方而(er)(er)非方，已有(you)七(qi)十六字(zi)(zi)毀缺(que)及漫(man)滅(mie)(mie)不(bu)可見(jian)。政和四年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1114年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），董逌(you)曾(ceng)親(qin)至泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)考察，發現《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》的(de)南(nan)面(mian)為(wei)“二世詔書”，認為(wei)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》在大中祥符元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）前(qian)應曾(ceng)仆倒過，后(hou)人(ren)(ren)于原(yuan)(yuan)址重立時(shi)因三(san)面(mian)文字(zi)(zi)有(you)摩滅(mie)(mie)而(er)(er)錯(cuo)誤地調整了(le)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)的(de)朝向。蒙古(gu)憲(xian)宗(zong)五年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1255年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）九月，郝經(jing)登(deng)臨(lin)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，并撰《太平(ping)頂(ding)讀秦(qin)碑》，稱：“面(mian)陽(yang)數(shu)字(zi)(zi)仍可辨”。元代至元二年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1265年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），杜仁杰在《東(dong)(dong)平(ping)府路宣慰(wei)張公登(deng)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)記》中記錄了(le)自己登(deng)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)所見(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》的(de)狀(zhuang)況(kuang)：“僅得數(shu)字(zi)(zi)，其余漫(man)不(bu)可識。”明代嘉(jia)靖三(san)十七(qi)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1558年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），王(wang)世貞(zhen)游(you)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)，發現《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》已經(jing)被遷(qian)移到(dao)碧霞祠西(xi)墻外的(de)西(xi)公署(shu)后(hou)。此(ci)(ci)后(hou)，吳同春(chun)分(fen)別(bie)于萬(wan)(wan)歷(li)(li)十一年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1583年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）、萬(wan)(wan)歷(li)(li)十七(qi)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1589年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）兩(liang)次登(deng)上泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)對《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》進行考察，為(wei)了(le)徹底弄清刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)的(de)狀(zhuang)況(kuang)而(er)(er)曾(ceng)專門請人(ren)(ren)將秦(qin)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)從壁(bi)間取出，重新遷(qian)移時(shi)為(wei)方便安(an)置而(er)(er)“各加(jia)鑿削(xue)”，刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)遭到(dao)嚴(yan)重破壞。萬(wan)(wan)歷(li)(li)二十七(qi)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1599年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），謝肇淛登(deng)泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)所見(jian)《泰(tai)(tai)(tai)(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)(ke)(ke)石(shi)(shi)(shi)(shi)(shi)(shi)》的(de)狀(zhuang)況(kuang)為(wei)：“通四行，首(shou)二字(zi)(zi)已刷(shua)毀，僅得‘臣斯(si)’以下二十九字(zi)(zi)耳(er)。”

之后(hou)，《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》被移(yi)(yi)至碧(bi)(bi)(bi)霞(xia)祠(ci)東(dong)廡。清代(dai)(dai)乾(qian)隆五(wu)年(nian)（1740年(nian)）六月，碧(bi)(bi)(bi)霞(xia)祠(ci)毀于(yu)火(huo)，《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)失蹤(zong)。對《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》遷(qian)移(yi)(yi)至碧(bi)(bi)(bi)霞(xia)祠(ci)東(dong)廡的時間(jian)(jian)及遷(qian)移(yi)(yi)人，有以下幾種不同(tong)說法：①刊行于(yu)清代(dai)(dai)乾(qian)隆三十(shi)九(jiu)年(nian)（1774年(nian)）的《〔乾(qian)隆〕泰(tai)(tai)山(shan)圖志(zhi)》載(zai)：石(shi)(shi)(shi)(shi)舊在(zai)岱(dai)頂玉女(nv)(nv)池(chi)(chi)(chi)上，雍(yong)正八年(nian)（1730年(nian)）郎中(zhong)丁皂保移(yi)(yi)至碧(bi)(bi)(bi)霞(xia)祠(ci)東(dong)廡。②《〔道(dao)光(guang)〕泰(tai)(tai)安縣志(zhi)》等清代(dai)(dai)后(hou)期的志(zhi)書及碑(bei)刻(ke)(ke)均記載(zai)為明代(dai)(dai)嘉(jia)靖(jing)年(nian)間(jian)(jian)由北平（今(jin)北京(jing)）許(xu)某于(yu)榛(zhen)莽中(zhong)得《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)(shi)，存二十(shi)九(jiu)字，恐致湮(yin)沒而移(yi)(yi)于(yu)碧(bi)(bi)(bi)霞(xia)祠(ci)東(dong)廡的。但(dan)吳同(tong)春和(he)謝肇(zhao)淛于(yu)萬歷(li)年(nian)間(jian)(jian)登泰(tai)(tai)山(shan)時看到的《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》尚在(zai)玉女(nv)(nv)池(chi)(chi)(chi)，故嘉(jia)靖(jing)年(nian)間(jian)(jian)《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》移(yi)(yi)入碧(bi)(bi)(bi)霞(xia)祠(ci)的記載(zai)有誤。③清代(dai)(dai)嚴可(ke)均則稱明代(dai)(dai)弘(hong)治(zhi)年(nian)間(jian)(jian)按察(cha)使僉(qian)事灤(luan)河許(xu)莊將《泰(tai)(tai)山(shan)刻(ke)(ke)石(shi)(shi)(shi)(shi)》移(yi)(yi)置玉女(nv)(nv)池(chi)(chi)(chi)上公所，否定(ding)了“萬歷(li)中(zhong)，從玉女(nv)(nv)池(chi)(chi)(chi)移(yi)(yi)置碧(bi)(bi)(bi)霞(xia)元君(jun)廟。乾(qian)隆五(wu)年(nian)廟災，石(shi)(shi)(shi)(shi)毀于(yu)火(huo)”的說法。

嘉(jia)慶十(shi)(shi)(shi)九年(nian)(nian)(nian)(nian)(nian)（1814年(nian)(nian)(nian)(nian)(nian)），汪(wang)汝(ru)弼被(bei)任(ren)命為(wei)泰(tai)(tai)安知縣，司理徐石(shi)(shi)(shi)(shi)生(sheng)告訴他：泰(tai)(tai)山(shan)山(shan)頂有一(yi)位九十(shi)(shi)(shi)余歲(sui)的趙老人，數十(shi)(shi)(shi)年(nian)(nian)(nian)(nian)(nian)前在泰(tai)(tai)山(shan)山(shan)頂玉女池中(zhong)(zhong)見(jian)到依稀有字跡的殘(can)(can)石(shi)(shi)(shi)(shi)。嘉(jia)慶二(er)十(shi)(shi)(shi)年(nian)(nian)(nian)(nian)(nian)（1815年(nian)(nian)(nian)(nian)(nian)），汪(wang)汝(ru)弼委任(ren)蔣因培和柴蘭皋到泰(tai)(tai)山(shan)山(shan)頂玉女池搜尋(xun)《泰(tai)(tai)山(shan)刻(ke)石(shi)(shi)(shi)(shi)》，搜得(de)(de)殘(can)(can)石(shi)(shi)(shi)(shi)二(er)塊，存(cun)十(shi)(shi)(shi)字。于(yu)(yu)是，汪(wang)汝(ru)弼將所(suo)(suo)得(de)(de)殘(can)(can)石(shi)(shi)(shi)(shi)嵌(qian)于(yu)(yu)山(shan)頂東岳廟(miao)西的寶(bao)斯亭內(nei)(nei)(nei)。道(dao)光十(shi)(shi)(shi)二(er)年(nian)(nian)(nian)(nian)(nian)（1832年(nian)(nian)(nian)(nian)(nian)），東岳廟(miao)墻(qiang)坍塌，寶(bao)斯亭被(bei)亂石(shi)(shi)(shi)(shi)覆蓋，泰(tai)(tai)安知縣徐宗干于(yu)(yu)瓦礫中(zhong)(zhong)尋(xun)得(de)(de)《泰(tai)(tai)山(shan)刻(ke)石(shi)(shi)(shi)(shi)》殘(can)(can)石(shi)(shi)(shi)(shi)，囑咐道(dao)人劉傳業將殘(can)(can)石(shi)(shi)(shi)(shi)移到山(shan)下，嵌(qian)置在岱(dai)廟(miao)道(dao)院壁間，并作跋記事情的經(jing)過。光緒十(shi)(shi)(shi)六(liu)年(nian)(nian)(nian)(nian)(nian)（1890年(nian)(nian)(nian)(nian)(nian)），《泰(tai)(tai)山(shan)刻(ke)石(shi)(shi)(shi)(shi)》殘(can)(can)石(shi)(shi)(shi)(shi)被(bei)盜(dao)，縣令毛(mao)蜀(shu)云大力(li)搜索十(shi)(shi)(shi)日，得(de)(de)石(shi)(shi)(shi)(shi)于(yu)(yu)城北關橋下，后仍(reng)置于(yu)(yu)岱(dai)廟(miao)院內(nei)(nei)(nei)。宣統二(er)年(nian)(nian)(nian)(nian)(nian)（1910年(nian)(nian)(nian)(nian)(nian)）五月，泰(tai)(tai)安知縣俞慶瀾在岱(dai)廟(miao)環詠亭建(jian)造石(shi)(shi)(shi)(shi)屋一(yi)所(suo)(suo)，將《泰(tai)(tai)山(shan)刻(ke)石(shi)(shi)(shi)(shi)》殘(can)(can)石(shi)(shi)(shi)(shi)、徐宗干跋語和自己所(suo)(suo)寫的《序(xu)》共三塊刻(ke)石(shi)(shi)(shi)(shi)嵌(qian)入(ru)石(shi)(shi)(shi)(shi)屋內(nei)(nei)(nei)，周圍加鐵柵欄保(bao)護。民(min)國十(shi)(shi)(shi)九年(nian)(nian)(nian)(nian)(nian)（1930年(nian)(nian)(nian)(nian)(nian)），閻錫山(shan)帶領(ling)的軍隊進(jin)入(ru)泰(tai)(tai)安，與(yu)軍閥(fa)馬(ma)鴻逵帶領(ling)的軍隊混戰，岱(dai)廟(miao)遭炮擊，環詠亭被(bei)毀壞(huai)。于(yu)(yu)是，《泰(tai)(tai)山(shan)刻(ke)石(shi)(shi)(shi)(shi)》殘(can)(can)石(shi)(shi)(shi)(shi)被(bei)栘(chi)至東御座院內(nei)(nei)(nei)，并建(jian)起了(le)磚石(shi)(shi)(shi)(shi)碑亭加以保(bao)護。1979年(nian)(nian)(nian)(nian)(nian)，泰(tai)(tai)安市(shi)(shi)人民(min)政(zheng)府重新修建(jian)了(le)碑亭并加上了(le)玻璃(li)框。1987年(nian)(nian)(nian)(nian)(nian)，泰(tai)(tai)安市(shi)(shi)博物館復制秦刻(ke)石(shi)(shi)(shi)(shi)全文立于(yu)(yu)岱(dai)廟(miao)后寢宮。

著錄情況

《泰山刻石》最(zui)早著錄于《史(shi)記》，隨后(hou)著錄于宋(song)代歐陽修《集古錄》、趙(zhao)明誠《金石錄》、董逌《廣(guang)川書跋(ba)》等。