《鄭(zheng)燮雙(shuang)松圖》是(shi)清(qing)代畫(hua)家鄭(zheng)燮作于乾隆二十三年(nian)(1758年(nian))的畫(hua)作。
鄭(zheng)燮雙(shuang)松(song)圖,清畫家鄭(zheng)燮作(zuo)(zuo)于乾(qian)隆(long)二(er)十(shi)(shi)(shi)三(san)(san)年(nian)(1758年(nian))。紙本,墨筆,縱201厘米(mi)(mi),橫101厘米(mi)(mi)。此(ci)圖繪水墨雙(shuang)松(song),一(yi)(yi)主一(yi)(yi)輔,一(yi)(yi)濃(nong)一(yi)(yi)淡(dan)。濃(nong)者(zhe)以(yi)干(gan)筆寫樹干(gan),濕筆寫松(song)針;淡(dan)者(zhe)樹干(gan)干(gan)濕并(bing)用(yong)(yong),松(song)針用(yong)(yong)濕筆。松(song)針均(jun)無暈(yun)染。雙(shuang)松(song)周圍有小竹三(san)(san)五成叢,另(ling)有新篁(huang)數竿與雙(shuang)松(song)錯落為(wei)鄰。作(zuo)(zuo)者(zhe)賦予雙(shuang)松(song)樸(pu)(pu)茂(mao)(mao)(mao)(mao)的人格(ge),借以(yi)抒(shu)發情懷。作(zuo)(zuo)者(zhe)題記云:“乾(qian)隆(long)二(er)年(nian)丁巳,始(shi)得(de)接交于肅翁同(tong)學老(lao)長兄,見(jian)其(qi)樸(pu)(pu)茂(mao)(mao)(mao)(mao)忠(zhong)實,綽有古意(yi)(yi),如(ru)松(song)柏之(zhi)在(zai)巖阿,眾芳不(bu)及也。后十(shi)(shi)(shi)余年(nian)再會,如(ru)故。又(you)三(san)(san)年(nian)復(fu)合(he),亦(yi)如(ru)故。豈非(fei)松(song)柏之(zhi)質(zhi)本于性(xing)生,春夏無所爭榮,秋冬亦(yi)不(bu)見(jian)其(qi)搖(yao)落耶?因畫雙(shuang)松(song)圖奉贈。弟至不(bu)材(cai),亦(yi)竊附松(song)之(zhi)列,以(yi)為(wei)二(er)老(lao)人者(zhe)相好相倚之(zhi)一(yi)(yi)證也。又(you)畫小竹襯貼其(qi)間,作(zuo)(zuo)竹苞松(song)茂(mao)(mao)(mao)(mao)之(zhi)意(yi)(yi),以(yi)見(jian)公子(zi)孫承承繩(sheng)繩(sheng),皆賢人哲(zhe)士,蓋(gai)樸(pu)(pu)茂(mao)(mao)(mao)(mao)忠(zhong)實之(zhi)報(bao)有必然(ran)者(zhe)。乾(qian)隆(long)二(er)十(shi)(shi)(shi)三(san)(san)年(nian)歲在(zai)戊寅三(san)(san)月二(er)日,板(ban)橋(qiao)弟鄭(zheng)燮畫并(bing)題。夾敘(xu)夾議,內寓哲(zhe)理(li),是一(yi)(yi)則文(wen)(wen)筆頗好的小品文(wen)(wen)。題記后鈐(qian)“鄭(zheng)燮之(zhi)印”(白(bai)文(wen)(wen))、“二(er)十(shi)(shi)(shi)年(nian)前舊板(ban)橋(qiao)”(朱文(wen)(wen))。右下押角章:“七品官耳”(白(bai)文(wen)(wen))、“丙辰進(jin)士”(朱文(wen)(wen))。鄭(zheng)燮素(su)以(yi)寫意(yi)(yi)蘭竹著(zhu)名,以(yi)松(song)為(wei)題材(cai)者(zhe)實不(bu)多見(jian)。此(ci)圖中墨竹亦(yi)與習見(jian)風(feng)格(ge)不(bu)同(tong)。整個畫幅樸(pu)(pu)茂(mao)(mao)(mao)(mao)凝重,剛勁雅(ya)潔,實屬鄭(zheng)氏(shi)平(ping)生精心之(zhi)作(zuo)(zuo),得(de)意(yi)(yi)之(zhi)作(zuo)(zuo)。藏(zang)山(shan)東省博物館(guan)。