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簡介

山西省重點文(wen)物保(bao)護(hu)單(dan)位。在潞城縣東(dong)(dong)南(nan)(nan)5千米(mi)處(chu)的(de)東(dong)(dong)邑鄉東(dong)(dong)邑村中(zhong)，東(dong)(dong)北(bei)緊依盧醫山，西南(nan)(nan)與(yu)農舍毗鄰居，松(song)柏(bo)蒼翠(cui)，綠樹(shu)成(cheng)蔭，景色十(shi)分優雅(ya)。該廟(miao)(miao)創(chuang)建年(nian)代(dai)不(bu)詳，金代(dai)以后多(duo)次(ci)重修(xiu)。 始(shi)建年(nian)代(dai)不(bu)詳。廟(miao)(miao)坐北(bei)朝南(nan)(nan)，兩進院落，存有(you)山門(men)、戲臺、正殿(dian)，及耳殿(dian)、廂房等。正殿(dian)面闊(kuo)三間(jian)，進深六椽，單(dan)檐(yan)懸山頂；因為后時屢有(you)修(xiu)繕，所以風格雜糅，但是殿(dian)內梁架保(bao)留(liu)了(le)大(da)叉手、平梁，基本(ben)保(bao)留(liu)了(le)金代(dai)原建時的(de)特點。

綜述

東(dong)(dong)邑村距縣城東(dong)(dong)南(nan)約5公里(li),古(gu)(gu)稱黃邑,舊屬葛井(jing)(jing)鄉。平順九天(tian)圣(sheng)母(mu)(mu)廟碑(bei)《重(zhong)修九天(tian)圣(sheng)母(mu)(mu)廟記(ji)(ji)》中記(ji)(ji)載：“古(gu)(gu)潞(lu)(lu)(lu)子嬰兒之(zhi)國東(dong)(dong)南(nan)數十里(li)有葛井(jing)(jing)鄉，鄉之(zhi)東(dong)(dong)社曰圣(sheng)母(mu)(mu)谷，谷之(zhi)四面，山(shan)明水(shui)(shui)秀，石怪木(mu)老，乃太行左也(ye)。”因“相傳葛洪師事(shi)鮑(bao)元(yuan)，學道(dao)于此”，故又名葛井(jing)(jing)山(shan)。東(dong)(dong)峪南(nan)山(shan)有“神泉(quan)”，“俗(su)傳里(li)人見一(yi)白(bai)虎入(ru)南(nan)山(shan)下，覓至山(shan)不見，止存(cun)一(yi)木(mu)箭，拔箭得(de)水(shui)(shui)，故名。”這里(li)寺廟林(lin)立(li)，古(gu)(gu)有葛洪祠(ci)，即《潞(lu)(lu)(lu)州潞(lu)(lu)(lu)城縣三(san)池東(dong)(dong)圣(sheng)母(mu)(mu)仙鄉之(zhi)碑(bei)》所謂的“蓋井(jing)(jing)葛仙公煉藥之(zhi)宮(gong)”，還有圓(yuan)寂寺，“在(zai)潞(lu)(lu)(lu)城縣東(dong)(dong)南(nan)十里(li)葛井(jing)(jing)山(shan)下，唐天(tian)祐年建，今廢。”今存(cun)圣(sheng)母(mu)(mu)廟、龍王廟，可以想象(xiang)到(dao)當(dang)年香(xiang)火繚繞，云蒸霞蔚的景象(xiang)。

龍(long)王廟位于村東(dong)北(bei)(bei)，東(dong)臨五道(dao)溝，坐(zuo)北(bei)(bei)面南，俯臨村莊，兩進(jin)院(yuan)落。山門(men)三(san)(san)間(jian)(jian)，兩側(ce)連接八字影(ying)壁墻(qiang)，與兩側(ce)圍墻(qiang)貫通。入(ru)山門(men)靠西(xi)處有(you)(you)一眼水井，和祈雨有(you)(you)關。山門(men)內兩側(ce)各(ge)為三(san)(san)間(jian)(jian)廂房，中間(jian)(jian)甬道(dao)直通戲(xi)臺，構成第(di)一院(yuan)落，南北(bei)(bei)進(jin)深12.3米，東(dong)西(xi)寬(kuan)16.7米;戲(xi)臺下為通道(dao)，上為三(san)(san)間(jian)(jian)倒座戲(xi)臺，正殿與戲(xi)臺相對(dui)(dui)，以(yi)甬道(dao)相連，兩側(ce)為東(dong)西(xi)配殿各(ge)五間(jian)(jian)及廂房各(ge)三(san)(san)間(jian)(jian)，正北(bei)(bei)為大殿三(san)(san)間(jian)(jian)，東(dong)西(xi)耳殿各(ge)三(san)(san)間(jian)(jian)，構成第(di)二(er)進(jin)院(yuan)落。南北(bei)(bei)進(jin)深26.9米，東(dong)西(xi)寬(kuan)16.7米。龍(long)王廟布局規整有(you)(you)序(xu)，符合中國傳統建筑以(yi)中軸線為主，左右對(dui)(dui)稱的布局格式。

山(shan)門三(san)間(jian)，單檐(yan)(yan)硬(ying)山(shan)頂，面闊(kuo)8.31米(mi), 進深6.3米(mi)，明間(jian)中部(bu)設板門兩扇，前檐(yan)(yan)柱(zhu)頭(tou)斗栱四鋪作(zuo)，單下昂(琴面)卷云(yun)耍頭(tou)，補間(jian)斗栱雙下昂，上昂后尾挑入(ru)垂(chui)蓮柱(zhu)，上承托在中金檁下皮，后檐(yan)(yan)為一斗三(san)升。梁架由(you)四栿(fa)、平梁、插手(shou)構(gou)成，灰布瓦頂，磚(zhuan)木結構(gou)，從建(jian)筑形(xing)制和(he)藝術構(gou)件的特(te)征(zheng)看，應是清代(dai)遺物(wu)。東(dong)側(ce)廂房(fang)用作(zuo)伙房(fang)，西側(ce)廂房(fang)用作(zuo)宿舍(she)，宿舍(she)門窗開(kai)向廟外，均拆改為現代(dai)建(jian)筑。

戲臺(tai)三間(jian)(jian)(jian)，倒座式，即(ji)坐南朝北(bei)，面(mian)(mian)向正(zheng)殿，面(mian)(mian)闊(kuo)9.9、進深6.56米(mi)(mi)，單檐(yan)硬(ying)山頂(ding)，灰(hui)布瓦頂(ding)。上(shang)下(xia)兩層(ceng)，下(xia)層(ceng)為(wei)(wei)(wei)通(tong)道，通(tong)道頂(ding)部鋪木板，正(zheng)面(mian)(mian)(面(mian)(mian)向山門)墻體(ti)直達(da)(da)檐(yan)口。中間(jian)(jian)(jian)開(kai)方形(xing)門，上(shang)部做拱形(xing)門頭(tou)(tou)(tou)，沙石(shi)材質(zhi)，雕(diao)刻蓮花、龍、蓮瓣(ban)圖案，上(shang)方鑲“民生潤(run)澤”石(shi)匾(0.75米(mi)(mi)×2.46米(mi)(mi))一塊。背面(mian)(mian)(戲臺(tai)正(zheng)面(mian)(mian))，明間(jian)(jian)(jian)下(xia)部為(wei)(wei)(wei)長(chang)方形(xing)門洞(dong)，東側(ce)石(shi)砌(qi)臺(tai)階(jie)，可達(da)(da)上(shang)層(ceng)。戲臺(tai)前檐(yan)斗(dou)(dou)栱四鋪作單下(xia)昂，卷云式昂頭(tou)(tou)(tou)。柱頭(tou)(tou)(tou)斗(dou)(dou)栱耍頭(tou)(tou)(tou)為(wei)(wei)(wei)象頭(tou)(tou)(tou)，補間(jian)(jian)(jian)為(wei)(wei)(wei)龍頭(tou)(tou)(tou)。明間(jian)(jian)(jian)雀替(ti)為(wei)(wei)(wei)龍頭(tou)(tou)(tou)，兩次間(jian)(jian)(jian)為(wei)(wei)(wei)象頭(tou)(tou)(tou)。梁架由四椽(chuan)栿、平梁構成。梁架殘存部分(fen)有彩(cai)畫，無壁畫。臺(tai)口被(bei)門窗壘(lei)砌(qi)封閉，兩側(ce)東西耳房已被(bei)拆(chai)除，但建筑和架檁的痕跡清(qing)晰可辨，應(ying)為(wei)(wei)(wei)唱戲時化裝、休息的場所。

正(zheng)殿是龍(long)王廟主要(yao)的建筑，位于中軸線北端，坐落在長(chang)14.76、寬13.5、高(gao)1米(mi)的臺基(ji)之上(shang)，臺基(ji)東、西(xi)、南三面(mian)設(she)臺階。正(zheng)殿三間，面(mian)闊13.24、進(jin)深11.97米(mi)，單檐(yan)懸山頂，灰(hui)瓦(wa)，大吻、垂(chui)獸(shou)、戧獸(shou)、套獸(shou)均為琉璃雕(diao)(diao)花，正(zheng)脊(ji)每面(mian)6條龍(long)，垂(chui)脊(ji)雕(diao)(diao)鳳，均配飾牡丹，可惜垂(chui)脊(ji)只留一條脊(ji)剎，有“嘉慶元年(nian)五(wu)月(yue)立”題記。明間設(she)板門(men)(已毀)，兩次間為坎墻(qiang)直欞窗，明間覆盆柱礎，青石(shi)淺(qian)雕(diao)(diao)云龍(long)圖案，次間為方(fang)形(xing)石(shi)料基(ji)座。

砌(qi)(qi)上露明造，舉架平緩(huan)，減柱(zhu)造，方(fang)形抹棱金(jin)(jin)柱(zhu)、山(shan)柱(zhu)，檐(yan)柱(zhu)收殺、側腳，柱(zhu)頭卷剎(cha)顯著(zhu)，設欄額(e)普拍(pai)枋(fang)(fang)。用(yong)材(cai)自然粗放，面不(bu)規整(zheng)，圓木(mu)稍加砍制便(bian)使用(yong)，采(cai)用(yong)乳栿(fa)對四椽栿(fa)，栿(fa)上兩蜀(shu)柱(zhu)(有方(fang)形、圓形)上有大斗，平梁座于斗內(nei)，縱向出栱托替木(mu)、承(cheng)金(jin)(jin)檁，蜀(shu)柱(zhu)間由縱向襻間枋(fang)(fang)連接(jie)。平梁上設插手，脊瓜柱(zhu)下設置合■，上承(cheng)大斗捧接(jie)令栱、替木(mu)承(cheng)托脊檁。侏(zhu)儒(ru)柱(zhu)下插合■，蜀(shu)柱(zhu)下用(yong)駝(tuo)峰，合■、駝(tuo)峰兼而用(yong)之的做法較為少見。各(ge)縫梁架結構處理一致，四椽栿(fa)插入(ru)后(hou)墻內(nei)設后(hou)檐(yan)柱(zhu)承(cheng)托，椽頭卷剎(cha)明顯。墻體(ti)均為坎磨青灰磚砌(qi)(qi)筑，正面兩次間設坎墻，兩山(shan)墻及后(hou)墻均砌(qi)(qi)至檐(yan)口。

柱頭(tou)斗栱：五鋪作，單抄單下(xia)昂，耍頭(tou)昂形，重(zhong)拱計心造。里轉四(si)鋪作，出華(hua)拱一挑，第二跳昂后尾(wei)作雀替狀承(cheng)托乳栿(fa)。正身耍頭(tou)為真昂與令拱相交上承(cheng)隨檁枋、檁檐，后尾(wei)由乳栿(fa)駝峰承(cheng)托，上座(zuo)大斗，下(xia)承(cheng)金(jin)檁，在(zai)結(jie)構中起著重(zhong)要的作用。

明間(jian)補間(jian)斗(dou)(dou)(dou)栱：五鋪作(zuo)，單(dan)抄單(dan)下昂(ang)，重拱(gong)計心造。櫨斗(dou)(dou)(dou)作(zuo)圓形，共(gong)12瓣，第一(yi)跳(tiao)(tiao)華栱兩(liang)(liang)(liang)側(ce)出(chu)45°斜(xie)(xie)栱，第二跳(tiao)(tiao)下昂(ang)兩(liang)(liang)(liang)側(ce)出(chu)45°斜(xie)(xie)栱兩(liang)(liang)(liang)縫(feng)，令栱加長，正(zheng)身為昂(ang)，兩(liang)(liang)(liang)側(ce)45°出(chu)兩(liang)(liang)(liang)縫(feng)耍(shua)頭(tou)，上(shang)承隨(sui)檁枋、檐檁里轉五鋪作(zuo)，偷心造。華栱兩(liang)(liang)(liang)側(ce)45°斜(xie)(xie)出(chu)耍(shua)頭(tou)，上(shang)昂(ang)后尾插入垂(chui)連(lian)柱，上(shang)承金(jin)檁。它和五臺山佛光寺文殊殿明間(jian)補間(jian)斗(dou)(dou)(dou)栱的(de)形制(zhi)如出(chu)一(yi)轍。這種在45°角線上(shang)出(chu)龐大的(de)斜(xie)(xie)栱兩(liang)(liang)(liang)縫(feng)，第二跳(tiao)(tiao)加至四縫(feng)，使斗(dou)(dou)(dou)栱的(de)形狀如同怒放的(de)花(hua)束，是遼金(jin)兩(liang)(liang)(liang)代(dai)斗(dou)(dou)(dou)栱獨有(you)的(de)構(gou)造特征，金(jin)代(dai)尤(you)為顯著。

次間補間斗栱：正身(shen)與明(ming)間結構基本一(yi)(yi)致，唯櫨(lu)斗作(zuo)六瓣，二、三跳45°斜栱耍頭(tou)一(yi)(yi)縫(feng)，三令栱作(zuo)鴛鴦(yang)交(jiao)首(shou)狀，出斜栱。

金(jin)(jin)柱斗栱(gong)：四鋪(pu)作，設欄額，斗栱(gong)十字相交(jiao)，承托(tuo)四椽栿與乳栿結點，縱向有襻間枋。正(zheng)身栱(gong)做(zuo)雀替(ti)狀施于乳栿下。從結構上(shang)看，正(zheng)殿主要(yao)構件(jian)是金(jin)(jin)代物。

東(dong)西耳殿各三間(jian)，通面闊7.5米，前插廊，單檐(yan)硬山頂，縱向(xiang)磚(zhuan)券窯洞。面為(wei)三間(jian)實為(wei)一間(jian)，明間(jian)后墻砌拱形神龕，布(bu)筒板瓦，脊(ji)為(wei)雕(diao)龍(long)圖(tu)案(an)。

東西配(pei)(pei)殿(dian)及廂(xiang)房分(fen)設于大(da)殿(dian)、戲臺與山門兩(liang)側(ce)，均為硬山式建(jian)筑，自北而南配(pei)(pei)殿(dian)五間(jian)有前廊，中間(jian)三(san)間(jian)，南端三(san)間(jian)，建(jian)筑已被修改得(de)面目全非，唯東側(ce)中間(jian)三(san)間(jian)可看出清代樣(yang)式。

正殿前臺基上，東西各蹲一(yi)石獅，被(bei)移至(zhi)學校門(men)前。廟中碑刻在“文革”期間遺失，現(xian)今還沒有找到其創(chuang)始年代的文字記載。

龍王廟(miao)(miao)布(bu)局規整對(dui)(dui)稱，保存完整，“神(shen)(shen)殿(dian)(dian)與戲臺(tai)結合構成(cheng)神(shen)(shen)廟(miao)(miao)，是北宋以(yi)(yi)后中國本(ben)土宗(zong)教(jiao)場(chang)所的(de)(de)(de)顯著特征。”他們結合的(de)(de)(de)思(si)想(xiang)基礎是孔子(zi)的(de)(de)(de)“興(xing)于禮，成(cheng)于樂(le)(le)”的(de)(de)(de)禮樂(le)(le)觀(guan)(guan)，神(shen)(shen)殿(dian)(dian)象征著禮，戲臺(tai)象征著樂(le)(le)，禮樂(le)(le)是祭祀的(de)(de)(de)兩面。“無(wu)戲樓則廟(miao)(miao)貌不(bu)稱，無(wu)戲樓則觀(guan)(guan)瞻不(bu)雅”，沒有戲臺(tai)，“不(bu)惟戲無(wu)以(yi)(yi)演，神(shen)(shen)無(wu)以(yi)(yi)奉(feng)，抑且為(wei)(wei)一村之羞也，這種思(si)想(xiang)體(ti)現了(le)(le)“禮以(yi)(yi)節人，樂(le)(le)以(yi)(yi)和(he)人”的(de)(de)(de)禮樂(le)(le)制度(du)對(dui)(dui)中國社(she)會(hui)的(de)(de)(de)影(ying)響(xiang)。晉東(dong)南地(di)區多神(shen)(shen)廟(miao)(miao)，每年(nian)的(de)(de)(de)雩祭儀(yi)式和(he)春祈秋報相結合，造(zao)就了(le)(le)當地(di)以(yi)(yi)取水求(qiu)雨為(wei)(wei)主旨的(de)(de)(de)獨特的(de)(de)(de)賽社(she)活動。

農業社會(hui)，人(ren)們(men)大的企盼(pan)就是(shi)風調雨(yu)順，來年(nian)能有(you)(you)(you)好收(shou)成(cheng)。龍(long)王(wang)(wang)(wang)作為(wei)(wei)司雨(yu)水(shui)(shui)之神(shen)(shen)(shen)(shen)，便格外受到人(ren)們(men)的尊崇。早在(zai)秦始皇(huang)時，就有(you)(you)(you)“黃(huang)帝得(de)土德，黃(huang)龍(long)地寅(yin)見(jian)(jian)。夏得(de)木德，青(qing)(qing)龍(long)止于郊……今秦變周,水(shui)(shui)德之時。昔秦文公出(chu)獵，獲黑龍(long)，此其水(shui)(shui)德之瑞”的記(ji)(ji)載(zai)。到漢(han)代(dai)，民(min)間(jian)出(chu)現了以五(wu)(wu)色龍(long)祈(qi)雨(yu)的習俗。《唐(tang)(tang)志》：“上黨有(you)(you)(you)五(wu)(wu)龍(long)山。”《十六國春(chun)秋(qiu)》：“西(xi)燕慕容(rong)永時有(you)(you)(you)五(wu)(wu)色云見(jian)(jian)于此，遇旱禱(dao)雨(yu)輒應(ying)，因置祠以祀五(wu)(wu)方之神(shen)(shen)(shen)(shen)。”據《宋(song)會(hui)要(yao)輯稿》記(ji)(ji)載(zai)：“國朝緣唐(tang)(tang)祭五(wu)(wu)龍(long)之制(zhi),春(chun)秋(qiu)常行(xing)其祀。先是(shi)熙寧十年(nian)八(ba)月信州有(you)(you)(you)五(wu)(wu)龍(long)廟,禱(dao)雨(yu)有(you)(you)(you)應(ying),賜(si)額(e)曰：‘會(hui)應(ying)’。自是(shi)五(wu)(wu)龍(long)廟皆(jie)以此名(ming)額(e)云。徽(hui)宗大觀(guan)二年(nian)十月,詔天下五(wu)(wu)龍(long)廟皆(jie)封(feng)(feng)(feng)王(wang)(wang)(wang)爵。青(qing)(qing)龍(long)神(shen)(shen)(shen)(shen)封(feng)(feng)(feng)廣仁王(wang)(wang)(wang),赤(chi)龍(long)神(shen)(shen)(shen)(shen)封(feng)(feng)(feng)嘉澤王(wang)(wang)(wang),黃(huang)龍(long)神(shen)(shen)(shen)(shen)封(feng)(feng)(feng)孚應(ying)王(wang)(wang)(wang),白龍(long)神(shen)(shen)(shen)(shen)封(feng)(feng)(feng)義濟(ji)王(wang)(wang)(wang),黑龍(long)神(shen)(shen)(shen)(shen)封(feng)(feng)(feng)靈澤王(wang)(wang)(wang)。”龍(long)王(wang)(wang)(wang)由(you)民(min)俗之神(shen)(shen)(shen)(shen)上升為(wei)(wei)祀典(dian)之神(shen)(shen)(shen)(shen)，為(wei)(wei)龍(long)王(wang)(wang)(wang)修(xiu)建廟宇成(cheng)為(wei)(wei)理所當然的事情，龍(long)王(wang)(wang)(wang)廟往往建在(zai)有(you)(you)(you)泉(quan)、池、井(jing)的地方，因為(wei)(wei)這里能“禱(dao)雨(yu)而(er)應(ying)”。晉(jin)東南的府州縣志及(ji)現存石刻(ke)，到處都有(you)(you)(you)禱(dao)取(qu)“神(shen)(shen)(shen)(shen)水(shui)(shui)”而(er)“靈應(ying)”降雨(yu)的記(ji)(ji)錄。潞城東邑龍(long)王(wang)(wang)(wang)廟山門西(xi)側有(you)(you)(you)井(jing)，應(ying)為(wei)(wei)禱(dao)雨(yu)取(qu)水(shui)(shui)之池。

雩祭(ji)作為(wei)一(yi)種祈雨的儀式(shi)，分(fen)為(wei)官辦和民辦兩類(lei)。

從商周開始，祭(ji)祀(si)便和(he)禮(li)(li)樂(le)相(xiang)伴，是國(guo)家的(de)(de)重要行(xing)為(wei)。官方主(zhu)持的(de)(de)祭(ji)祀(si)活動正式莊(zhuang)重、規范高雅。而這種帶有宗教(jiao)色彩的(de)(de)禮(li)(li)樂(le)祭(ji)祀(si)在(zai)轉變為(wei)民(min)(min)間集體行(xing)為(wei)時，往(wang)往(wang)帶有了娛樂(le)游戲(xi)的(de)(de)成分。“祭(ji)禮(li)(li)”漸漸演變成“戲(xi)禮(li)(li)”(蘇東坡語)。學者(zhe)王國(guo)維在(zai)論及上(shang)古(gu)戲(xi)劇時說：“巫之(zhi)(zhi)事神(shen)(shen)，必用歌(ge)舞”，“歌(ge)舞之(zhi)(zhi)興，其(qi)始于(yu)古(gu)之(zhi)(zhi)巫乎?”在(zai)雩(yu)(yu)祭(ji)儀(yi)(yi)式中(zhong)，女巫擔任主(zhu)角。廖(liao)奔先生認為(wei)“雩(yu)(yu)祭(ji)的(de)(de)目的(de)(de)在(zai)于(yu)‘以(yi)舞降神(shen)(shen)’以(yi)祈雨，其(qi)中(zhong)歌(ge)舞媚(mei)神(shen)(shen)的(de)(de)成分比較大，它(ta)出(chu)(chu)現(xian)(xian)在(zai)農業文明興起(qi)之(zhi)(zhi)后。”歷史(shi)的(de)(de)積淀(dian)和(he)文化的(de)(de)過濾，“歌(ge)舞媚(mei)神(shen)(shen)”已(yi)演變為(wei)歌(ge)舞娛人，民(min)(min)間的(de)(de)迎神(shen)(shen)賽(sai)社卻呈(cheng)現(xian)(xian)出(chu)(chu)公(gong)眾性的(de)(de)狂歡。人們在(zai)這種周期性的(de)(de)儀(yi)(yi)式中(zhong)舒展(zhan)著疲(pi)憊的(de)(de)身心，釋放著壓(ya)抑的(de)(de)情(qing)感(gan)。和(he)官辦雩(yu)(yu)祭(ji)枯燥乏味相(xiang)比，民(min)(min)間的(de)(de)雩(yu)(yu)祭(ji)儀(yi)(yi)式要熱(re)鬧(nao)得多。

潞城東邑村龍(long)(long)王廟的迎神賽社定在(zai)每年農歷二(er)(er)(er)(er)月(yue)初二(er)(er)(er)(er)和(he)六(liu)月(yue)初六(liu)，二(er)(er)(er)(er)月(yue)二(er)(er)(er)(er)是傳(chuan)統龍(long)(long)抬(tai)頭的日子，因(yin)為二(er)(er)(er)(er)月(yue)初處(chu)于驚蟄(zhe)前后，蟄(zhe)伏一冬的各種動物恢復活力，龍(long)(long)也要蘇醒(xing)過來(lai)履行(xing)它降(jiang)(jiang)雨(yu)的職責。從時(shi)節上(shang)來(lai)說，二(er)(er)(er)(er)月(yue)進入仲(zhong)春(chun)季節，這時(shi)陽氣上(shang)升，大地復蘇，春(chun)耕播種非(fei)常需要土壤濕(shi)潤，保(bao)有水分，若(ruo)是天(tian)(tian)公降(jiang)(jiang)雨(yu)，無(wu)疑是農民的一大福祉。六(liu)月(yue)初六(liu)正值谷物秀(xiu)而未實，或實而未堅，農夫希望普降(jiang)(jiang)甘霖，秋(qiu)天(tian)(tian)才(cai)會獲得豐收。另(ling)外，如(ru)果禱雨(yu)而應，祈得甘澤(ze)，也應演(yan)戲酬報，謝過龍(long)(long)王。

祈雨之前，會首要做許多準備(bei)工作，安排好求雨、演戲、社(she)火等各項事宜。主禮通(tong)常由陰陽先生擔(dan)任(ren)，廚師負責煮(zhu)花(hua)祭、備(bei)供饌，祭樂(le)樂(le)戶承應，執役村民(min)分管，鄉人表演社(she)火。可(ke)以(yi)說，不(bu)分貧富貴賤(jian)，不(bu)論階層行(xing)業，全民(min)都參與到(dao)祭祀與狂(kuang)歡之中(zhong)，勞作的辛苦得到(dao)釋放，情(qing)感(gan)得以(yi)宣泄。

廟會(hui)通(tong)常五(wu)天(tian)。第一(yi)天(tian)是(shi)隆重的祈雨儀式和社火表演。第一(yi)項(xiang)是(shi)祭拜取水(shui)。會(hui)首(shou)帶領男村民，人(ren)人(ren)頭帶柳圈，手執柳條，依(yi)次進入龍(long)王(wang)廟正(zheng)殿，專人(ren)端上(shang)(shang)花祭、供饌及長頸陶(tao)瓶(ping)，上(shang)(shang)香跪(gui)拜，三禮九叩(kou)，肅(su)穆(mu)虔禱。龍(long)王(wang)坐(zuo)像近一(yi)米高，木架支成空心，泥塑，涂以油(you)彩(cai)，黑(hei)臉，雙目迥然。拜畢，會(hui)首(shou)手捧陶(tao)瓶(ping)，舉過頭頂，領村民走至山門左側井口旁，用紅繩系瓶(ping)口，徐徐放如井中，俯首(shou)噤(jin)聲，點燃香枝，頻頻叩(kou)首(shou)。禮畢，將紅繩系到旁邊(bian)的柳樹上(shang)(shang)，等待龍(long)王(wang)賜(si)雨。曬龍(long)王(wang)儀式結束后，恭恭敬(jing)敬(jing)地(di)取回神水(shui)，供奉在(zai)大殿的供桌上(shang)(shang)。井水(shui)旱不枯(ku)，澇不溢(yi)，在(zai)民間傳說(shuo)中被認為是(shi)通(tong)向神秘世(shi)界東海(hai)龍(long)王(wang)居所的海(hai)眼。

第二項是(shi)熱鬧的(de)曬龍(long)王(wang)(wang)巡(xun)街(jie)活動。幾個年輕力(li)壯的(de)小伙(huo)子將龍(long)王(wang)(wang)爺抬到坐架上，扛(kang)著出(chu)行，因為是(shi)為民求雨，大(da)家都很(hen)樂于出(chu)力(li)。八(ba)音會(hui)細(xi)吹細(xi)打，在前(qian)面鳴鑼開(kai)道，龍(long)王(wang)(wang)爺緊隨(sui)其后，會(hui)首帶領眾鄉親浩(hao)浩(hao)蕩蕩從龍(long)王(wang)(wang)廟出(chu)發，順街(jie)出(chu)村，沿(yan)田間(jian)地壟到附(fu)近的(de)三(san)(san)皇(huang)(huang)(huang)腦祭拜，然后返回，把龍(long)王(wang)(wang)爺放回正殿。三(san)(san)皇(huang)(huang)(huang)腦已無遺跡可考，但當地的(de)百姓認為三(san)(san)皇(huang)(huang)(huang)主管(guan)一(yi)切神靈，所以龍(long)王(wang)(wang)出(chu)動一(yi)次，有(you)(you)必要祭拜三(san)(san)皇(huang)(huang)(huang)。三(san)(san)皇(huang)(huang)(huang)有(you)(you)上三(san)(san)皇(huang)(huang)(huang)、中(zhong)三(san)(san)皇(huang)(huang)(huang)、下三(san)(san)皇(huang)(huang)(huang)的(de)說(shuo)(shuo)法。上三(san)(san)皇(huang)(huang)(huang)指(zhi)天(tian)(tian)皇(huang)(huang)(huang)、地皇(huang)(huang)(huang)、人(ren)皇(huang)(huang)(huang)，他們是(shi)傳說(shuo)(shuo)中(zhong)天(tian)(tian)、地、人(ren)的(de)祖(zu)先(xian)，其中(zhong)天(tian)(tian)皇(huang)(huang)(huang)主氣，地皇(huang)(huang)(huang)主德，人(ren)皇(huang)(huang)(huang)主生。中(zhong)三(san)(san)皇(huang)(huang)(huang)為伏(fu)羲、女(nv)媧、神農。下三(san)(san)皇(huang)(huang)(huang)是(shi)黃帝(di)、堯、舜。

曬(shai)龍(long)(long)王(wang)(wang)(wang)這種(zhong)儀式，大概源于(yu)幾種(zhong)想(xiang)法(fa)：第一(yi)，龍(long)(long)是(shi)(shi)喜(xi)靜不(bu)喜(xi)動(dong)的動(dong)物，平時(shi)潛居幽深的龍(long)(long)洞(dong)、龍(long)(long)泉、龍(long)(long)井之(zhi)中，現在(zai)敲鑼打鼓(gu)這么一(yi)鬧騰，便(bian)會興(xing)風作(zuo)浪，布雨(yu)降霖。第二(er)，龍(long)(long)王(wang)(wang)(wang)作(zuo)為(wei)(wei)司雨(yu)之(zhi)神，應該讓(rang)它及時(shi)了(le)(le)(le)解民(min)間旱(han)情，不(bu)能褻守(shou)瀆職，不(bu)管老百(bai)姓疾苦。第三，龍(long)(long)王(wang)(wang)(wang)爺怕熱，被(bei)放在(zai)太(tai)陽下暴(bao)曬(shai)，曬(shai)出汗(han)了(le)(le)(le)，流到人間便(bian)是(shi)(shi)甘露。考究(jiu)曬(shai)龍(long)(long)王(wang)(wang)(wang)這一(yi)習(xi)俗的由來，龔維英先生認為(wei)(wei)讓(rang)龍(long)(long)王(wang)(wang)(wang)受苦源于(yu)讓(rang)巫(wu)覡受苦。他說：“本(ben)世(shi)50年(nian)代初期，農民(min)抗旱(han)，尚‘烤(kao)龍(long)(long)王(wang)(wang)(wang)’求雨(yu)，即曝巫(wu)之(zhi)遺(yi)存。”但把龍(long)(long)當作(zuo)巫(wu)覡，似乎有(you)點勉強。苑利先生認為(wei)(wei)：“曬(shai)龍(long)(long)王(wang)(wang)(wang)實際上源于(yu)上古另一(yi)種(zhong)更古老的習(xi)俗——造(zao)土(tu)龍(long)(long)。”但為(wei)(wei)什(shen)么造(zao)土(tu)龍(long)(long)會致雨(yu)，不(bu)得而知。《淮南(nan)子·墜形(xing)訓》云：“土(tu)龍(long)(long)致雨(yu)。”高(gao)誘注曰(yue)：“湯遭旱(han)，作(zuo)土(tu)龍(long)(long)以(yi)象龍(long)(long)，云從龍(long)(long)，故(gu)致雨(yu)也。”《山海經·大荒東經》曰(yue)：“旱(han)而為(wei)(wei)應龍(long)(long)之(zhi)狀(zhuang)，乃得大雨(yu)。”說得就是(shi)(shi)造(zao)土(tu)龍(long)(long)求雨(yu)。宋真(zhen)宗咸(xian)平元(yuan)年(nian)(998年(nian))，“內出李祈雨(yu)法(fa)，以(yi)甲乙(yi)日擇東方(fang)地作(zuo)壇，取土(tu)造(zao)青龍(long)(long)，詣龍(long)(long)所汲流水(shui)。”有(you)可(ke)能是(shi)(shi)因為(wei)(wei)土(tu)龍(long)(long)是(shi)(shi)用泥做的，需要在(zai)太(tai)陽下暴(bao)曬(shai)才可(ke)定形(xing)，所以(yi)有(you)了(le)(le)(le)曬(shai)龍(long)(long)王(wang)(wang)(wang)這一(yi)風俗。

接下來是比較刺(ci)激的(de)(de)斬旱(han)(han)(han)(han)魃(ba)儀(yi)式。旱(han)(han)(han)(han)魃(ba)是中國神話中干旱(han)(han)(han)(han)的(de)(de)制(zhi)造(zao)者，《詩經(jing)·云漢》有語(yu)“旱(han)(han)(han)(han)魃(ba)為(wei)虐，如(ru)焱如(ru)焚(fen)”。旱(han)(han)(han)(han)魃(ba)的(de)(de)制(zhi)作(zuo)方法很簡單，用樹枝做(zuo)個身(shen)子骨架，外面用彩紙糊(hu)裱(biao)，菜瓜做(zuo)頭(tou)，掏空瓜瓤，注進紅水，封嚴。把(ba)旱(han)(han)(han)(han)魃(ba)放到平板車上，沿街游(you)行(xing)，回到龍王廟后，主禮歷數旱(han)(han)(han)(han)魃(ba)的(de)(de)種(zhong)種(zhong)罪狀，然后一聲喝令，旁邊手執利刃的(de)(de)小伙(huo)子一刀砍(kan)下旱(han)(han)(han)(han)魃(ba)的(de)(de)頭(tou)，“鮮(xian)血”淋漓。不過現在旱(han)(han)(han)(han)魃(ba)的(de)(de)制(zhi)作(zuo)多(duo)了幾分游(you)戲的(de)(de)心態，紙糊(hu)的(de)(de)旱(han)(han)(han)(han)魃(ba)身(shen)子里(li)填滿鞭(bian)炮，頭(tou)應聲倒地之(zhi)后，身(shen)子也噼里(li)啪啦燃燒起(qi)來，頗為(wei)刺(ci)激。百(bai)姓(xing)認(ren)為(wei)除掉旱(han)(han)(han)(han)魃(ba)，才會風(feng)調雨順，五谷豐登。

最后進行的是紅火(huo)熱鬧的社火(huo)表演，“扛裝”、“晃杠(gang)”、“踩蹺”是傳(chuan)統的表演項目，下面(mian)逐一介紹。

扛裝：一成(cheng)年男(nan)子肩負(fu)鐵架(jia)，架(jia)上安一根1米多長的(de)鐵棍(gun)(gun)，棍(gun)(gun)端橫懸一圓形支架(jia)，支架(jia)的(de)下端是用布做成(cheng)的(de)卡(ka)通(tong)動(dong)物，一位五六歲的(de)兒童輕坐于上，臉(lian)部(bu)化裝成(cheng)戲劇角色，頭(tou)戴花(hua)冠(guan)，花(hua)冠(guan)左(zuo)右插兩(liang)翎(ling)，身披斗篷，腰系(xi)裙(qun)子，腳(jiao)穿繡花(hua)鞋，手拿扇子、花(hua)束，隨著八音會的(de)伴奏，男(nan)子和(he)兒童有韻律地擺動(dong)。

晃杠(gang)：最(zui)下(xia)端(duan)是一木箱，內裝石塊或鐵等(deng)沉重物，外飾彩(cai)繪。木箱正中豎插木桿(gan)，木桿(gan)上(shang)豎著固定三面(mian)大(da)鏡子(zi)(zi)，每面(mian)大(da)鏡子(zi)(zi)的左(zuo)右橫著固定兩面(mian)小(xiao)鏡子(zi)(zi)，鏡子(zi)(zi)周圍用彩(cai)綢花束(shu)裝飾，鏡子(zi)(zi)之間書(shu)寫“國泰民安”、“風調雨順”、“祈福報功(gong)”等(deng)字樣，最(zui)上(shang)端(duan)插雞毛(mao)撣子(zi)(zi)。木箱前(qian)(qian)后橫插一杠(gang)，由(you)兩青年面(mian)對面(mian)抬(tai)著，前(qian)(qian)后左(zuo)右四(si)人拽(zhuai)著木桿(gan)上(shang)端(duan)垂(chui)下(xia)來的繩子(zi)(zi)保持平衡。

踩(cai)蹺(qiao)：潞城境內廣泛(fan)流行(xing)，演員腳踩(cai)蹺(qiao)棍，裝扮成(cheng)戲曲(qu)人物，在(zai)八音會伴奏(zou)下邊(bian)唱邊(bian)舞。踩(cai)的木(mu)棍在(zai)三(san)尺(chi)(chi)以(yi)(yi)下的叫小蹺(qiao)，三(san)尺(chi)(chi)以(yi)(yi)上的叫高蹺(qiao)，有的高蹺(qiao)演員能在(zai)空(kong)中表演各種動作。

雩祭儀式肅穆隆重，百戲社火(huo)熱(re)烈歡騰，廟外廣場和街(jie)道(dao)人(ren)山人(ren)海。

第(di)二天正(zheng)式演(yan)(yan)戲(xi)(xi)(xi)(xi)，同時廟會進行(xing)，為期(qi)三天。馮俊杰先生考證：“晉東南‘謝雨’演(yan)(yan)戲(xi)(xi)(xi)(xi)，也(ye)有(you)自(zi)(zi)己的(de)(de)風(feng)俗習慣。首先是(shi)由值年總社(she)首‘寫戲(xi)(xi)(xi)(xi)’，即聘請戲(xi)(xi)(xi)(xi)班(ban)，點(dian)劃(hua)劇(ju)(ju)(ju)目，并與戲(xi)(xi)(xi)(xi)班(ban)科頭簽訂演(yan)(yan)出(chu)(chu)合同;然(ran)后(hou)(hou)再對戲(xi)(xi)(xi)(xi)班(ban)提出(chu)(chu)許多戒條，張榜公布;戲(xi)(xi)(xi)(xi)班(ban)也(ye)要(yao)(yao)張貼告白(bai)榜文，以(yi)(yi)聲(sheng)明(ming)自(zi)(zi)己的(de)(de)演(yan)(yan)出(chu)(chu)符合祀典。”現(xian)在(zai)儀(yi)式有(you)所簡(jian)化，但(dan)演(yan)(yan)戲(xi)(xi)(xi)(xi)的(de)(de)熱情(qing)卻很高(gao)漲(zhang)。在(zai)唱戲(xi)(xi)(xi)(xi)之前，有(you)專人拿扎了紅(hong)綢的(de)(de)竹掃帚(zhou)到村的(de)(de)四(si)角打掃，掃除旱(han)(han)(han)役和災難。然(ran)后(hou)(hou)樂班(ban)鳴鑼響鞭(bian)，正(zheng)式開(kai)演(yan)(yan)，先演(yan)(yan)賽戲(xi)(xi)(xi)(xi)再演(yan)(yan)大戲(xi)(xi)(xi)(xi)。賽戲(xi)(xi)(xi)(xi)演(yan)(yan)給龍王，大戲(xi)(xi)(xi)(xi)唱給百(bai)姓。賽戲(xi)(xi)(xi)(xi)是(shi)一(yi)種頭戴(dai)(dai)假面(mian)，綜合儺(nuo)儀(yi)和春社(she)祭(ji)祀的(de)(de)戲(xi)(xi)(xi)(xi)劇(ju)(ju)(ju)演(yan)(yan)出(chu)(chu)。大戲(xi)(xi)(xi)(xi)指(zhi)的(de)(de)是(shi)當(dang)地(di)流行(xing)的(de)(de)上(shang)黨梆(bang)子。賽戲(xi)(xi)(xi)(xi)唱腔(qiang)(qiang)很簡(jian)單，只是(shi)念白(bai)朗(lang)(lang)誦向歌唱過渡的(de)(de)原始(shi)形態，有(you)固(gu)定的(de)(de)演(yan)(yan)出(chu)(chu)劇(ju)(ju)(ju)目《調(diao)鬼》和《斬(zhan)旱(han)(han)(han)魃(ba)》。《調(diao)鬼》是(shi)開(kai)臺(tai)(tai)戲(xi)(xi)(xi)(xi)，演(yan)(yan)員頭戴(dai)(dai)面(mian)具，扮七(qi)鬼，先在(zai)臺(tai)(tai)下后(hou)(hou)在(zai)臺(tai)(tai)上(shang)跳躍，聽(ting)候調(diao)鬼師(城(cheng)隍)訓誡。城(cheng)隍奉玉帝(di)旨意(yi)，下得天庭，調(diao)來諸鬼神，逐一(yi)囑咐(fu)，要(yao)(yao)他們各(ge)保(bao)一(yi)方，風(feng)調(diao)雨順(shun)。《斬(zhan)旱(han)(han)(han)魃(ba)》劇(ju)(ju)(ju)情(qing)簡(jian)單，演(yan)(yan)趙萬年忤逆(ni)不孝事，不久變成(cheng)旱(han)(han)(han)魃(ba)，穿短褲，束紅(hong)腰帶，光膀(bang)子，頭戴(dai)(dai)鮮羊肚(du)，手端一(yi)碗羊血，被(bei)四(si)大天神趕(gan)下臺(tai)(tai)來，直奔觀眾，觀眾立(li)即吶(na)喊、圍追(zhui)，并以(yi)(yi)土塊拋(pao)打。旱(han)(han)(han)魃(ba)以(yi)(yi)手灑(sa)羊血開(kai)道(dao)(dao)，并可任意(yi)抓(zhua)取、拋(pao)灑(sa)商販貨攤上(shang)的(de)(de)食物。最(zui)后(hou)(hou)，旱(han)(han)(han)魃(ba)又被(bei)四(si)大天王追(zhui)回舞臺(tai)(tai)斬(zhan)首。其實這出(chu)(chu)戲(xi)(xi)(xi)(xi)是(shi)社(she)火中的(de)(de)斬(zhan)旱(han)(han)(han)魃(ba)的(de)(de)戲(xi)(xi)(xi)(xi)劇(ju)(ju)(ju)樣式，現(xian)在(zai)風(feng)調(diao)雨順(shun)，五谷豐登，有(you)時也(ye)被(bei)其他傳(chuan)(chuan)統劇(ju)(ju)(ju)目代替，如(ru)《華容道(dao)(dao)》、《單刀會》、《二仙傳(chuan)(chuan)道(dao)(dao)》、《叢臺(tai)(tai)設宴》等。接下來便(bian)是(shi)唱大戲(xi)(xi)(xi)(xi)，當(dang)地(di)百(bai)姓稱上(shang)黨梆(bang)子為大戲(xi)(xi)(xi)(xi)，上(shang)黨梆(bang)子形成(cheng)于澤州(zhou)，以(yi)(yi)演(yan)(yan)唱梆(bang)子腔(qiang)(qiang)為主，兼唱昆曲、皮黃、羅(luo)羅(luo)腔(qiang)(qiang)、卷戲(xi)(xi)(xi)(xi)，俗稱昆梆(bang)羅(luo)卷黃。唱腔(qiang)(qiang)高(gao)亢明(ming)朗(lang)(lang)、粗獷樸實、直出(chu)(chu)直入、強(qiang)烈激越。當(dang)地(di)人愛聽(ting)的(de)(de)是(shi)楊家(jia)將、岳家(jia)將等武(wu)戲(xi)(xi)(xi)(xi)，如(ru)《三關排宴》、《天波樓(lou)》、《雁門關》、《闖(chuang)幽(you)州(zhou)》等，趙樹(shu)理(li)曾說：“從家(jia)里到野(ye)地(di)，到處唱起干梆(bang)戲(xi)(xi)(xi)(xi)。”可見梆(bang)子腔(qiang)(qiang)在(zai)當(dang)地(di)很受(shou)歡迎。

潞城(cheng)東邑(yi)龍王廟廟會涵蓋了(le)晉東南地(di)區(qu)迎(ying)神賽(sai)社(she)諸(zhu)多儀(yi)式(shi)，如取水(shui)、曬龍王、斬旱魃、百戲社(she)火、迎(ying)神演劇等。農業社(she)會，人們把(ba)希望(wang)求(qiu)助(zhu)于神靈，雩祭(ji)和春祈(qi)秋報無(wu)論對國家還(huan)是百姓(xing)都(dou)是重要的(de)事宜，在這種祭(ji)祀儀(yi)式(shi)中(zhong)，祭(ji)祀禮(li)儀(yi)、百戲雜陳、戲劇演出都(dou)是奉獻(xian)給神靈的(de)藝術供品(pin)。民(min)(min)間把(ba)所(suo)有這些娛神又娛人的(de)活(huo)動統稱為(wei)“社(she)火”。宋代范(fan)成大《上(shang)元紀吳中(zhong)節物俳諧(xie)體(ti)三十二韻(yun)》：“輕薄行(xing)歌(ge)過(guo)，癲狂社(she)舞狂。”自注：“民(min)(min)間鼓樂謂之社(she)火，不可悉記，大抵以滑(hua)稽(ji)取笑。”上(shang)黨地(di)區(qu)的(de)迎(ying)神賽(sai)社(she)能夠生(sheng)生(sheng)不息，繁衍千(qian)年而不衰，是因為(wei)人們在宗教祭(ji)祀和官方禮(li)儀(yi)中(zhong)找到了(le)緩解(jie)疲勞舒(shu)展(zhan)身(shen)心的(de)通道，他們等待著(zhu)這種周期性的(de)、年復(fu)一年的(de)盛宴到來，呈現(xian)著(zhu)真(zhen)實的(de)民(min)(min)眾狂歡和世俗娛樂。

建筑

現(xian)存(cun)主要殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)(yu)(yu)屬于明(ming)(ming)清時(shi)期的(de)建(jian)(jian)筑(zhu)(zhu)風格。廟(miao)(miao)坐北向(xiang)南(nan)(nan)，共為兩(liang)(liang)(liang)進(jin)(jin)(jin)(jin)院(yuan)落，中軸線上(shang)有(you)山(shan)(shan)(shan)門(men)，戲(xi)樓、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)(liang)側(ce)有(you)耳殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、廂房(fang)(fang)等，共有(you)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)(yu)(yu)33間(jian)(jian)(jian)(jian)。山(shan)(shan)(shan)門(men)位(wei)(wei)居廟(miao)(miao)前(qian)(qian)(qian)、面(mian)(mian)(mian)(mian)闊(kuo)(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)(jin)(jin)(jin)深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)。琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)瓦(wa)(wa)作(zuo)(zuo)。琉璃(li)(li)(li)以(yi)(yi)黃綠紅三(san)(san)(san)(san)色(se)為主，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)三(san)(san)(san)(san)踩(cai)(cai)斗(dou)拱(gong)(gong)(gong)(gong)(gong)單(dan)(dan)(dan)下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)面(mian)(mian)(mian)(mian)式，耍頭(tou)(tou)同(tong)昂(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)科(ke)，斗(dou)拱(gong)(gong)(gong)(gong)(gong)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)。明(ming)(ming)間(jian)(jian)(jian)(jian)辟門(men)， 以(yi)(yi)作(zuo)(zuo)通(tong)(tong)(tong)道(dao)。倒座戲(xi)樓位(wei)(wei)居山(shan)(shan)(shan)門(men)之(zhi)(zhi)后，面(mian)(mian)(mian)(mian)闊(kuo)(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)(jin)(jin)(jin)深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)下(xia)(xia)兩(liang)(liang)(liang)層(ceng)，下(xia)(xia)面(mian)(mian)(mian)(mian)明(ming)(ming)間(jian)(jian)(jian)(jian)辟通(tong)(tong)(tong)道(dao)，上(shang)建(jian)(jian)戲(xi)樓，硬(ying)山(shan)(shan)(shan)頂(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)五(wu)踩(cai)(cai)斗(dou)拱(gong)(gong)(gong)(gong)(gong)雙下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)面(mian)(mian)(mian)(mian)式，明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)科(ke)兩(liang)(liang)(liang)朵(duo)，斗(dou)拱(gong)(gong)(gong)(gong)(gong)形制(zhi)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)。前(qian)(qian)(qian)后檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額(e)，結(jie)(jie)構(gou)精(jing)巧。屋(wu)頂(ding)琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)布(bu)瓦(wa)(wa)裝(zhuang)(zhuang)修(xiu)，古(gu)樸雅(ya)致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)系廟(miao)(miao)內的(de)一(yi)個主體建(jian)(jian)筑(zhu)(zhu)，建(jian)(jian)于高(gao)(gao)臺(tai)(tai)之(zhi)(zhi)上(shang)，廣深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架(jia)椽(chuan)屋(wu)，四(si)椽(chuan)栿(fa)(fa)對前(qian)(qian)(qian)乳栿(fa)(fa)，通(tong)(tong)(tong)檐(yan)(yan)(yan)用三(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)。斗(dou)拱(gong)(gong)(gong)(gong)(gong)為柱(zhu)(zhu)(zhu)(zhu)高(gao)(gao)四(si)分(fen)之(zhi)(zhi)一(yi)，柱(zhu)(zhu)(zhu)(zhu)升(sheng)起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)(jiao)明(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)拱(gong)(gong)(gong)(gong)(gong)五(wu)鋪(pu)(pu)作(zuo)(zuo)單(dan)(dan)(dan)抄單(dan)(dan)(dan)下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為琴(qin)面(mian)(mian)(mian)(mian)式，耍頭(tou)(tou)同(tong)昂(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)鋪(pu)(pu)作(zuo)(zuo)一(yi)朵(duo)，出四(si)十五(wu)度斜(xie)拱(gong)(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)內四(si)椽(chuan)栿(fa)(fa)上(shang)置平(ping)梁，用脊(ji)(ji)瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大(da)叉手，梁架(jia)規(gui)整(zheng)，結(jie)(jie)構(gou)簡練，雖(sui)經后人(ren)多(duo)(duo)次(ci)(ci)重修(xiu)，仍保留(liu)金(jin)代建(jian)(jian)筑(zhu)(zhu)風格。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)布(bu)瓦(wa)(wa)裝(zhuang)(zhuang)修(xiu)，舉折平(ping)緩(huan)(huan)，出檐(yan)(yan)(yan)深(shen)遠。前(qian)(qian)(qian)檐(yan)(yan)(yan)破子(zi)欞(ling)窗，隔扇(shan)(shan)門(men)裝(zhuang)(zhuang)修(xiu)。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)內三(san)(san)(san)(san)壁(bi)(bi)殘存(cun)人(ren)物(wu)故事，壁(bi)(bi)畫依(yi)稀(xi)可(ke)見。整(zheng)個殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)堂氣(qi)勢雄偉(wei)(wei)，古(gu)樸壯觀(guan)。 山(shan)(shan)(shan)西省(sheng)重點(dian)文(wen)物(wu)保護單(dan)(dan)(dan)位(wei)(wei)。在(zai)潞城(cheng)縣東南(nan)(nan)5千(qian)米(mi)處(chu)的(de)東邑(yi)鄉東邑(yi)村中，東北緊依(yi)盧醫山(shan)(shan)(shan)，西南(nan)(nan)與(yu)農(nong)舍毗鄰(lin)居，松柏蒼翠，綠樹成蔭，景(jing)色(se)十分(fen)優雅(ya)。該(gai)廟(miao)(miao)創建(jian)(jian)年代不詳，金(jin)代以(yi)(yi)后多(duo)(duo)次(ci)(ci)重修(xiu)。現(xian)存(cun)主要殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)(yu)(yu)屬于明(ming)(ming)清時(shi)期的(de)建(jian)(jian)筑(zhu)(zhu)風格。廟(miao)(miao)坐北向(xiang)南(nan)(nan)，共為兩(liang)(liang)(liang)進(jin)(jin)(jin)(jin)院(yuan)落，中軸線上(shang)有(you)山(shan)(shan)(shan)門(men)，戲(xi)樓、正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)，兩(liang)(liang)(liang)側(ce)有(you)耳殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)、廂房(fang)(fang)等，共有(you)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)宇(yu)(yu)(yu)33間(jian)(jian)(jian)(jian)。山(shan)(shan)(shan)門(men)位(wei)(wei)居廟(miao)(miao)前(qian)(qian)(qian)、面(mian)(mian)(mian)(mian)闊(kuo)(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)(jin)(jin)(jin)深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)。琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)瓦(wa)(wa)作(zuo)(zuo)。琉璃(li)(li)(li)以(yi)(yi)黃綠紅三(san)(san)(san)(san)色(se)為主，色(se)彩艷麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)三(san)(san)(san)(san)踩(cai)(cai)斗(dou)拱(gong)(gong)(gong)(gong)(gong)單(dan)(dan)(dan)下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)面(mian)(mian)(mian)(mian)式，耍頭(tou)(tou)同(tong)昂(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)科(ke)，斗(dou)拱(gong)(gong)(gong)(gong)(gong)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)。明(ming)(ming)間(jian)(jian)(jian)(jian)辟門(men)，以(yi)(yi)作(zuo)(zuo)通(tong)(tong)(tong)道(dao)。倒座戲(xi)樓位(wei)(wei)居山(shan)(shan)(shan)門(men)之(zhi)(zhi)后，面(mian)(mian)(mian)(mian)闊(kuo)(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)(jin)(jin)(jin)深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)下(xia)(xia)兩(liang)(liang)(liang)層(ceng)，下(xia)(xia)面(mian)(mian)(mian)(mian)明(ming)(ming)間(jian)(jian)(jian)(jian)辟通(tong)(tong)(tong)道(dao)，上(shang)建(jian)(jian)戲(xi)樓，硬(ying)山(shan)(shan)(shan)頂(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)五(wu)踩(cai)(cai)斗(dou)拱(gong)(gong)(gong)(gong)(gong)雙下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)面(mian)(mian)(mian)(mian)式，明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)科(ke)兩(liang)(liang)(liang)朵(duo)，斗(dou)拱(gong)(gong)(gong)(gong)(gong)形制(zhi)同(tong)柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)科(ke)。前(qian)(qian)(qian)后檐(yan)(yan)(yan)圓柱(zhu)(zhu)(zhu)(zhu)方額(e)，結(jie)(jie)構(gou)精(jing)巧。屋(wu)頂(ding)琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)布(bu)瓦(wa)(wa)裝(zhuang)(zhuang)修(xiu)，古(gu)樸雅(ya)致。正(zheng)殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)系廟(miao)(miao)內的(de)一(yi)個主體建(jian)(jian)筑(zhu)(zhu)，建(jian)(jian)于高(gao)(gao)臺(tai)(tai)之(zhi)(zhi)上(shang)，廣深(shen)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架(jia)椽(chuan)屋(wu)，四(si)椽(chuan)栿(fa)(fa)對前(qian)(qian)(qian)乳栿(fa)(fa)，通(tong)(tong)(tong)檐(yan)(yan)(yan)用三(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)(dan)檐(yan)(yan)(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)。斗(dou)拱(gong)(gong)(gong)(gong)(gong)為柱(zhu)(zhu)(zhu)(zhu)高(gao)(gao)四(si)分(fen)之(zhi)(zhi)一(yi)，柱(zhu)(zhu)(zhu)(zhu)升(sheng)起與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)角(jiao)(jiao)明(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)斗(dou)拱(gong)(gong)(gong)(gong)(gong)五(wu)鋪(pu)(pu)作(zuo)(zuo)單(dan)(dan)(dan)抄單(dan)(dan)(dan)下(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為琴(qin)面(mian)(mian)(mian)(mian)式，耍頭(tou)(tou)同(tong)昂(ang)(ang)(ang)(ang)型(xing)。明(ming)(ming)次(ci)(ci)間(jian)(jian)(jian)(jian)各施(shi)(shi)補間(jian)(jian)(jian)(jian)鋪(pu)(pu)作(zuo)(zuo)一(yi)朵(duo)，出四(si)十五(wu)度斜(xie)拱(gong)(gong)(gong)(gong)(gong)。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)內四(si)椽(chuan)栿(fa)(fa)上(shang)置平(ping)梁，用脊(ji)(ji)瓜(gua)柱(zhu)(zhu)(zhu)(zhu)，大(da)叉手，梁架(jia)規(gui)整(zheng)，結(jie)(jie)構(gou)簡練，雖(sui)經后人(ren)多(duo)(duo)次(ci)(ci)重修(xiu)，仍保留(liu)金(jin)代建(jian)(jian)筑(zhu)(zhu)風格。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)頂(ding)琉璃(li)(li)(li)脊(ji)(ji)獸，筒(tong)(tong)板(ban)布(bu)瓦(wa)(wa)裝(zhuang)(zhuang)修(xiu)，舉折平(ping)緩(huan)(huan)，出檐(yan)(yan)(yan)深(shen)遠。前(qian)(qian)(qian)檐(yan)(yan)(yan)破子(zi)欞(ling)窗，隔扇(shan)(shan)門(men)裝(zhuang)(zhuang)修(xiu)。殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)內三(san)(san)(san)(san)壁(bi)(bi)殘存(cun)人(ren)物(wu)故事，壁(bi)(bi)畫依(yi)稀(xi)可(ke)見。整(zheng)個殿(dian)(dian)(dian)(dian)(dian)(dian)(dian)(dian)堂氣(qi)勢雄偉(wei)(wei)，古(gu)樸壯觀(guan)。東邑(yi)村距縣城(cheng)東南(nan)(nan)約10里,古(gu)稱(cheng)黃邑(yi),舊(jiu)屬葛井鄉。龍王廟(miao)(miao)位(wei)(wei)于村東北，坐北面(mian)(mian)(mian)(mian)南(nan)(nan)，兩(liang)(liang)(liang)進(jin)(jin)(jin)(jin)院(yuan)落。入(ru)山(shan)(shan)(shan)門(men)靠西處(chu)有(you)一(yi)眼水井，兩(liang)(liang)(liang)側(ce)各為三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)廂房(fang)(fang)，中間(jian)(jian)(jian)(jian)甬(yong)道(dao)直通(tong)(tong)(tong)戲(xi)臺(tai)(tai)。

戲臺三間，倒座式，即(ji)坐南朝北，面(mian)向正殿，單檐(yan)硬山頂，灰(hui)色瓦頂。上下(xia)(xia)(xia)兩(liang)層，下(xia)(xia)(xia)層為(wei)(wei)(wei)通道(dao)。戲臺前檐(yan)斗拱四(si)鋪作單下(xia)(xia)(xia)昂(ang)，卷云式昂(ang)頭。柱頭斗拱耍頭為(wei)(wei)(wei)象頭，補間為(wei)(wei)(wei)龍(long)頭。明間雀(que)替為(wei)(wei)(wei)龍(long)頭，兩(liang)次間為(wei)(wei)(wei)象頭。梁架由四(si)椽、平梁構成(cheng)。梁架殘(can)存(cun)部分有彩畫。

正殿(dian)位于中軸線(xian)最北(bei)端，坐落在長14.76米(mi)(mi)、寬13.5米(mi)(mi)、高1米(mi)(mi)的(de)臺基之(zhi)上。正殿(dian)三間，面闊13.24米(mi)(mi),進深11.97米(mi)(mi)，單檐懸山頂(ding)，灰瓦(wa)，大吻、垂(chui)(chui)獸、戧獸、套獸均(jun)為琉璃雕花，正脊(ji)每面6條龍，垂(chui)(chui)脊(ji)雕鳳，均(jun)配飾牡丹(dan)，垂(chui)(chui)脊(ji)現剩一(yi)條脊(ji)剎(cha)，有“嘉慶元年五月立(li)”題記。

龍王廟(miao)布局規整對稱，保存完整，“神(shen)殿與(yu)戲臺結合(he)構成神(shen)廟(miao)，是北宋(song)以后中國本土(tu)宗教(jiao)場(chang)所的顯著特征(zheng)”