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甘谷大像山景區怎么樣

大(da)(da)(da)像(xiang)山(shan)(shan)因山(shan)(shan)巔(dian)修鑿(zao)大(da)(da)(da)佛(fo)(fo)像(xiang)而(er)來。甘谷大(da)(da)(da)佛(fo)(fo)為釋迦牟尼佛(fo)(fo)。大(da)(da)(da)像(xiang)山(shan)(shan)自從(cong)以大(da)(da)(da)佛(fo)(fo)聞世(shi)更名(ming)后(hou)，世(shi)人一直(zhi)沿稱大(da)(da)(da)像(xiang)山(shan)(shan)。大(da)(da)(da)像(xiang)山(shan)(shan)因山(shan)(shan)體呈旗(qi)(qi)幟狀(zhuang)，又稱文旗(qi)(qi)山(shan)(shan)。大(da)(da)(da)像(xiang)山(shan)(shan)現存洞窟22個，面積554平方(fang)(fang)米；木構建筑15處，面積3903平方(fang)(fang)米，有800平方(fang)(fang)米的棧(zhan)道將(jiang)各石窟相連。

甘谷大像山景區景區介紹

太昊宮

甘(gan)谷(gu)大(da)(da)像(xiang)(xiang)山(shan)(shan)第一(yi)(yi)臺(tai)建(jian)(jian)有(you)(you)(you)(you)(you)伏(fu)羲(xi)廟亦即太(tai)昊宮(gong)(gong)，是(shi)明(ming)(ming)(ming)萬歷年(nian)(nian)間(jian)(jian)建(jian)(jian)筑(zhu)。明(ming)(ming)(ming)代葉應甲編纂(zuan)的(de)《伏(fu)羌(qiang)縣志》說(shuo)：“邑人(ren)(ren)(ren)(ren)(ren)以本(ben)吧(ba)乃伏(fu)羲(xi)篤生故地(di)，于(yu)(yu)(yu)(yu)萬歷四(si)(si)十(shi)八(ba)(ba)年(nian)(nian)重(zhong)建(jian)(jian)于(yu)(yu)(yu)(yu)大(da)(da)像(xiang)(xiang)山(shan)(shan)之(zhi)(zhi)(zhi)西(xi)”。原(yuan)(yuan)廟于(yu)(yu)(yu)(yu)同治二(er)(er)年(nian)(nian)（1863年(nian)(nian)）毀于(yu)(yu)(yu)(yu)兵(bing)燹，至(zhi)光(guang)緒(xu)十(shi)年(nian)(nian)（1884年(nian)(nian)）重(zhong)建(jian)(jian)。太(tai)昊宮(gong)(gong)宮(gong)(gong)門(men)(men)及(ji)(ji)正(zheng)殿(dian)(dian)(dian)坐(zuo)南朝北，廟址總占地(di)面積480平(ping)方米(mi)(mi)，殿(dian)(dian)(dian)宇巍峨(e)，坐(zuo)負(fu)蒼巖，南倚大(da)(da)像(xiang)(xiang)山(shan)(shan)，北瞰(kan)渭河(he)流(liu)水；雕梁畫(hua)(hua)(hua)(hua)棟，飛(fei)(fei)檐(yan)(yan)流(liu)彩，名家(jia)極(ji)傾才(cai)思于(yu)(yu)(yu)(yu)額(e)匾楹聯(lian)。宮(gong)(gong)門(men)(men)建(jian)(jian)于(yu)(yu)(yu)(yu)重(zhong)階之(zhi)(zhi)(zhi)上(shang)(shang)(shang)(shang)，磚(zhuan)木結構，牌樓(lou)式(shi)，懸山(shan)(shan)頂，斗拱層(ceng)迭，額(e)題(ti)“太(tai)昊宮(gong)(gong)”楷書大(da)(da)字，作(zuo)(zuo)者(zhe)(zhe)是(shi)清代優貢李維屏。門(men)(men)左右有(you)(you)(you)(you)(you)夏房及(ji)(ji)裝(zhuang)飾性月窗(chuang)，門(men)(men)前(qian)(qian)兩(liang)(liang)痤石(shi)獅。進入宮(gong)(gong)門(men)(men)，左甬(yong)道有(you)(you)(you)(you)(you)門(men)(men)呈月形(xing)(xing)，與宮(gong)(gong)門(men)(men)相連，上(shang)(shang)(shang)(shang)有(you)(you)(you)(you)(you)民國初(chu)擔任京議員的(de)宋梓(zi)題(ti)寫(xie)的(de)“別開(kai)(kai)壹徑”沿左甬(yong)道可直通(tong)山(shan)(shan)上(shang)(shang)(shang)(shang)。正(zheng)殿(dian)(dian)(dian)與西(xi)廈房間(jian)(jian)有(you)(you)(you)(you)(you)側門(men)(men)通(tong)甬(yong)道，額(e)篆(zhuan)“旁(pang)通(tong)”二(er)(er)字，正(zheng)殿(dian)(dian)(dian)與東(dong)廈房，也有(you)(you)(you)(you)(you)道旁(pang)通(tong)，曲徑通(tong)后(hou)(hou)院。宮(gong)(gong)門(men)(men)內(nei)(nei)外有(you)(you)(you)(you)(you)古(gu)柏四(si)(si)株，共八(ba)(ba)株，院中有(you)(you)(you)(you)(you)八(ba)(ba)卦(gua)(gua)(gua)(gua)池，寓意伏(fu)羲(xi)演(yan)八(ba)(ba)卦(gua)(gua)(gua)(gua)，澤及(ji)(ji)后(hou)(hou)人(ren)(ren)(ren)(ren)(ren)。宮(gong)(gong)門(men)(men)兩(liang)(liang)廡(wu)原(yuan)(yuan)有(you)(you)(you)(you)(you)趙(zhao)公明(ming)(ming)(ming)、王靈官兩(liang)(liang)尊(zun)塑像(xiang)(xiang)；正(zheng)殿(dian)(dian)(dian)原(yuan)(yuan)塑伏(fu)羲(xi)，身披(pi)桑(sang)衣，右手托(tuo)八(ba)(ba)卦(gua)(gua)(gua)(gua)盤(pan)，端(duan)坐(zuo)于(yu)(yu)(yu)(yu)殿(dian)(dian)(dian)中木龕內(nei)(nei)。殿(dian)(dian)(dian)上(shang)(shang)(shang)(shang)匾額(e)層(ceng)列(lie)，外為(wei)“一(yi)(yi)畫(hua)(hua)(hua)(hua)開(kai)(kai)天(tian)(tian)(tian)(tian)(tian)”，內(nei)(nei)如“人(ren)(ren)(ren)(ren)(ren)文(wen)(wen)(wen)初(chu)祖”之(zhi)(zhi)(zhi)類，今只在(zai)清光(guang)緒(xu)間(jian)(jian)邑人(ren)(ren)(ren)(ren)(ren)楊耀南書“產極(ji)萬世”匾尚懸殿(dian)(dian)(dian)內(nei)(nei)。伏(fu)羲(xi)殿(dian)(dian)(dian)楹聯(lian)大(da)(da)多散佚，但清光(guang)緒(xu)翰林邑人(ren)(ren)(ren)(ren)(ren)海涵和宣統時(shi)知縣關中雷光(guang)甸寫(xie)的(de)二(er)(er)聯(lian)至(zhi)今尚膾炙(zhi)人(ren)(ren)(ren)(ren)(ren)口，王聯(lian)是(shi)‘紹皇(huang)開(kai)(kai)泰運，劂后(hou)(hou)有(you)(you)(you)(you)(you)石(shi)子訪道，伯約(yue)懷忠(zhong)，問化育根源，發蒙在(zai)炎黃顓嚳而上(shang)(shang)(shang)(shang)；望古(gu)動幽(you)情，其(qi)(qi)下則(ze)煙火成鄰(lin)，桑(sang)榆布蔭，幸邃初(chu)風景，復(fu)睹(du)于(yu)(yu)(yu)(yu)金戈瓦礫之(zhi)(zhi)(zhi)余“。雷聯(lian)是(shi)：“從一(yi)(yi)畫(hua)(hua)(hua)(hua)開(kai)(kai)天(tian)(tian)(tian)(tian)(tian)，說(shuo)什么蟲鳥(niao)篆(zhuan)，梵字佛經，到卦(gua)(gua)(gua)(gua)臺(tai)前(qian)(qian)齊俯首；繼三皇(huang)立(li)(li)極(ji)，看后(hou)(hou)來(lai)商(shang)(shang)質(zhi)周(zhou)文(wen)(wen)(wen)，帝(di)(di)升(sheng)王降，于(yu)(yu)(yu)(yu)史冊上(shang)(shang)(shang)(shang)見傳心”。前(qian)(qian)者(zhe)(zhe)先贊伏(fu)羲(xi)開(kai)(kai)肇文(wen)(wen)(wen)明(ming)(ming)(ming)之(zhi)(zhi)(zhi)功業(ye)遠在(zai)神農、黃帝(di)(di)、顓頊、帝(di)(di)嚳之(zhi)(zhi)(zhi)前(qian)(qian)，而其(qi)(qi)發祥誕生之(zhi)(zhi)(zhi)地(di)甘(gan)谷(gu)代有(you)(you)(you)(you)(you)賢人(ren)(ren)(ren)(ren)(ren)。石(shi)作(zuo)(zuo)蜀“跋涉(she)數千里，求學(xue)于(yu)(yu)(yu)(yu)魯”，姜維“以羈旅之(zhi)(zhi)(zhi)孤(gu)臣，受軍國之(zhi)(zhi)(zhi)重(zhong)寄，卒(zu)能(neng)奮忠(zhong)勤、仗膽義，住偏安之(zhi)(zhi)(zhi)局，恢張薄(bo)伐之(zhi)(zhi)(zhi)勛(xun)，”其(qi)(qi)次，感嘆時(shi)下兵(bing)戈已平(ping)息(xi)，慶幸往古(gu)太(tai)平(ping)居景象(xiang)，復(fu)見于(yu)(yu)(yu)(yu)今日；后(hou)(hou)者(zhe)(zhe)則(ze)盛贊伏(fu)羲(xi)兆(zhao)啟文(wen)(wen)(wen)明(ming)(ming)(ming)，即倉頡(jie)之(zhi)(zhi)(zhi)造字，釋迦之(zhi)(zhi)(zhi)創教，亦遠不(bu)(bu)(bu)能(neng)比；至(zhi)于(yu)(yu)(yu)(yu)為(wei)三皇(huang)五(wu)(wu)帝(di)(di)立(li)(li)典則(ze)，示(shi)規范(fan)，遠及(ji)(ji)于(yu)(yu)(yu)(yu)質(zhi)樸之(zhi)(zhi)(zhi)商(shang)(shang)，文(wen)(wen)(wen)雅之(zhi)(zhi)(zhi)周(zhou)，還有(you)(you)(you)(you)(you)以后(hou)(hou)的(de)歷代五(wu)(wu)朝，皆沾被其(qi)(qi)澤，史冊俱在(zai)，昭然(ran)(ran)若(ruo)揭(jie)。1994年(nian)(nian)起(qi)，重(zhong)修(xiu)伏(fu)羲(xi)大(da)(da)殿(dian)(dian)(dian)，正(zheng)殿(dian)(dian)(dian)廣124平(ping)方米(mi)(mi)，高8米(mi)(mi)，懸山(shan)(shan)頂，雕甍鴟飾。堅脊(ji)皆是(shi)花開(kai)(kai)卉連接組(zu)成，橫脊(ji)中央為(wei)龍(long)(long)馬奔騰，兩(liang)(liang)邊(bian)由花卉、龍(long)(long)、麒麟(lin)、馬、鹿、鳥(niao)、象(xiang)、獅組(zu)成，尤(you)以花卉中心陶(tao)制太(tai)極(ji)圖式(shi)樣別具特(te)色。不(bu)(bu)(bu)論地(di)磚(zhuan)、門(men)(men)窗(chuang)、供桌(zhuo)、匾額(e)至(zhi)大(da)(da)殿(dian)(dian)(dian)獸吻(wen)，無處(chu)不(bu)(bu)(bu)顯示(shi)出(chu)八(ba)(ba)卦(gua)(gua)(gua)(gua)太(tai)極(ji)圖形(xing)(xing)象(xiang)。大(da)(da)殿(dian)(dian)(dian)正(zheng)中座臺(tai)高1米(mi)(mi)，寬3。33米(mi)(mi)，深1。93米(mi)(mi)，上(shang)(shang)(shang)(shang)坐(zuo)國家(jia)著名女雕塑家(jia)何鄂重(zhong)塑的(de)伏(fu)羲(xi)像(xiang)(xiang)，高2。6米(mi)(mi)，分(fen)(fen)腿端(duan)坐(zuo)于(yu)(yu)(yu)(yu)分(fen)(fen)心上(shang)(shang)(shang)(shang)石(shi)上(shang)(shang)(shang)(shang)（卦(gua)(gua)(gua)(gua)臺(tai)東(dong)北渭中流(liu)有(you)(you)(you)(you)(you)石(shi)焉，屹然(ran)(ran)卓(zhuo)立(li)(li)。郡(jun)人(ren)(ren)(ren)(ren)(ren)曰：‘分(fen)(fen)心石(shi)也“。云；”石(shi)當乎渭，渭分(fen)(fen)以流(liu)’）。似觀天(tian)(tian)(tian)(tian)(tian)地(di)萬物(wu)之(zhi)(zhi)(zhi)變化。上(shang)(shang)(shang)(shang)身披(pi)桑(sang)衣，腰圍虎皮，兩(liang)(liang)手作(zuo)(zuo)，“天(tian)(tian)(tian)(tian)(tian)地(di)合一(yi)(yi)”式(shi)托(tuo)演(yan)八(ba)(ba)卦(gua)(gua)(gua)(gua)，形(xing)(xing)成扭轉(zhuan)乾坤之(zhi)(zhi)(zhi)舉(ju)動。盤(pan)骨外露，氣質(zhi)渾厚，兩(liang)(liang)眼平(ping)視，精神煥發。右側塑龍(long)(long)馬，欲從巨浪頂端(duan)騰飛(fei)(fei)躍起(qi)之(zhi)(zhi)(zhi)狀。東(dong)壁畫(hua)(hua)(hua)(hua)有(you)(you)(you)(you)(you)女媧練石(shi)補天(tian)(tian)(tian)(tian)(tian)，西(xi)壁繪(hui)(hui)有(you)(you)(you)(you)(you)有(you)(you)(you)(you)(you)伏(fu)羲(xi)畫(hua)(hua)(hua)(hua)演(yan)八(ba)(ba)卦(gua)(gua)(gua)(gua)圖，正(zheng)中坐(zuo)像(xiang)(xiang)背光(guang)，是(shi)伏(fu)羲(xi)生地(di)古(gu)風臺(tai)的(de)寫(xie)實畫(hua)(hua)(hua)(hua)。頂繪(hui)(hui)六十(shi)四(si)(si)卦(gua)(gua)(gua)(gua)及(ji)(ji)河(he)、洛(luo)二(er)(er)圖。兩(liang)(liang)側有(you)(you)(you)(you)(you)八(ba)(ba)卦(gua)(gua)(gua)(gua)要(yao)窗(chuang)各一(yi)(yi)，周(zhou)圍繪(hui)(hui)卦(gua)(gua)(gua)(gua)爻。西(xi)繪(hui)(hui)伏(fu)羲(xi)八(ba)(ba)卦(gua)(gua)(gua)(gua)圖，東(dong)繪(hui)(hui)文(wen)(wen)(wen)王八(ba)(ba)卦(gua)(gua)(gua)(gua)圖，即后(hou)(hou)天(tian)(tian)(tian)(tian)(tian)八(ba)(ba)卦(gua)(gua)(gua)(gua)圖。大(da)(da)殿(dian)(dian)(dian)前(qian)(qian)檐(yan)(yan)懸有(you)(you)(you)(you)(you)趙(zhao)樸初(chu)題(ti)寫(xie)‘人(ren)(ren)(ren)(ren)(ren)文(wen)(wen)(wen)初(chu)祖’、啟動手筆(bi)“一(yi)(yi)畫(hua)(hua)(hua)(hua)開(kai)(kai)天(tian)(tian)(tian)(tian)(tian)”，舒同親書“開(kai)(kai)天(tian)(tian)(tian)(tian)(tian)明(ming)(ming)(ming)道”、黎泉書寫(xie)“與天(tian)(tian)(tian)(tian)(tian)地(di)準(zhun)”四(si)(si)塊周(zhou)邊(bian)木雕圖案的(de)金字大(da)(da)匾。檐(yan)(yan)前(qian)(qian)分(fen)(fen)豎八(ba)(ba)面龍(long)(long)旗，旗面上(shang)(shang)(shang)(shang)彩繪(hui)(hui)出(chu)新石(shi)器時(shi)代魚(yu)龍(long)(long)形(xing)(xing)開(kai)(kai)始至(zhi)商(shang)(shang)周(zhou)、戰國、秦漢、兩(liang)(liang)晉、隋唐、宋、元、明(ming)(ming)(ming)、清不(bu)(bu)(bu)同時(shi)期的(de)龍(long)(long)形(xing)(xing)圖案。

永明寺

位于靈巖寺(si)之南(nan)(nan)，師(shi)(shi)傅溝內(nei)(nei)臺(tai)地(di)(di)上。座(zuo)東(dong)南(nan)(nan)向西北(bei)，雄(xiong)(xiong)踞山(shan)間(jian)，全(quan)部(bu)建(jian)筑(zhu)分布在(zai)階(jie)(jie)梯式的(de)臺(tai)地(di)(di)上，設施布局(ju)以(yi)正規寺(si)院(yuan)而設置(zhi)，由(you)山(shan)門(men)、天(tian)(tian)王殿(dian)(dian)(dian)、齋堂、客堂、鐘(zhong)鼓二(er)(er)樓(lou)、十(shi)三(san)(san)祖(zu)(zu)師(shi)(shi)殿(dian)(dian)(dian)、伽藍(lan)殿(dian)(dian)(dian)、大(da)(da)(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)、藏經樓(lou)組成，總面(mian)積達4，224平房(fang)米(mi)(mi)(mi)。寺(si)院(yuan)山(shan)門(men)為(wei)(wei)(wei)(wei)(wei)并排(pai)連(lian)體拱形(xing)狀牌樓(lou)頂(ding)(ding)(ding)。中(zhong)(zhong)門(men)頂(ding)(ding)(ding)額(e)內(nei)(nei)有(you)(you)(you)(you)中(zhong)(zhong)國(guo)佛(fo)(fo)(fo)(fo)教協會會長(chang)趙樸初手(shou)(shou)(shou)(shou)(shou)書(shu)(shu)“永(yong)(yong)明寺(si)”三(san)(san)個陽刻字(zi)，對(dui)聯是(shi)(shi)(shi)(shi)(shi)(shi)(shi)中(zhong)(zhong)國(guo)佛(fo)(fo)(fo)(fo)教協會副(fu)會長(chang)明揚法師(shi)(shi)敬書(shu)(shu)“風月無(wu)邊(bian)一(yi)塵不(bu)到菩(pu)提地(di)(di)，山(shan)河(he)環繞(rao)萬善同(tong)歸般若天(tian)(tian)”。兩(liang)邊(bian)門(men)首摹(mo)配民(min)國(guo)時當地(di)(di)名人(ren)何鴻吉題書(shu)(shu)的(de)陰刻“無(wu)上法讓、出塵入凈(jing)”八(ba)個大(da)(da)(da)字(zi)。走(zou)進(jin)山(shan)門(men)，迎面(mian)所見天(tian)(tian)王殿(dian)(dian)(dian)，高(gao)9米(mi)(mi)(mi)，長(chang)14米(mi)(mi)(mi)，寬(kuan)10米(mi)(mi)(mi)，頂(ding)(ding)(ding)為(wei)(wei)(wei)(wei)(wei)四(si)面(mian)坡歇山(shan)造，琉(liu)璃(li)(li)脊獸(shou)飾(shi)裝，結構為(wei)(wei)(wei)(wei)(wei)單(dan)挑檐外圍(wei)16住(zhu)(zhu)回廊式，棋盤讓窗對(dui)開(kai)，前后相(xiang)(xiang)通，殿(dian)(dian)(dian)內(nei)(nei)正在(zai)供(gong)奉(feng)大(da)(da)(da)肚彌(mi)(mi)(mi)勒佛(fo)(fo)(fo)(fo)，身(shen)高(gao)1.8米(mi)(mi)(mi)，踩(cai)餓鬼，神氣威武(wu)，金(jin)(jin)剛怒目(mu)。左邊(bian)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)手(shou)(shou)(shou)(shou)(shou)拿寶(bao)劍的(de)東(dong)方(fang)(fang)(fang)天(tian)(tian)王多羅吒和(he)手(shou)(shou)(shou)(shou)(shou)拿琵琶的(de)南(nan)(nan)方(fang)(fang)(fang)天(tian)(tian)王毗(pi)琉(liu)璃(li)(li)，右(you)(you)手(shou)(shou)(shou)(shou)(shou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)手(shou)(shou)(shou)(shou)(shou)拿寶(bao)劍傘的(de)西方(fang)(fang)(fang)天(tian)(tian)王毗(pi)留博叉和(he)手(shou)(shou)(shou)(shou)(shou)抓一(yi)龍(long)的(de)北(bei)方(fang)(fang)(fang)天(tian)(tian)王毗(pi)沙門(men)。他們(men)共同(tong)負有(you)(you)(you)(you)視(shi)察眾生的(de)善惡和(he)保持內(nei)(nei)佛(fo)(fo)(fo)(fo)法僧三(san)(san)寶(bao)神圣(sheng)的(de)職責。在(zai)彌(mi)(mi)(mi)勒佛(fo)(fo)(fo)(fo)身(shen)后，讓立(li)著(zhu)全(quan)身(shen)金(jin)(jin)色的(de)韋(wei)馱(tuo)菩(pu)薩(sa)，高(gao)2.2米(mi)(mi)(mi)，手(shou)(shou)(shou)(shou)(shou)拿一(yi)根寶(bao)杵(chu)，保護著(zhu)寺(si)院(yuan)及修(xiu)行著(zhu)的(de)安全(quan)。離開(kai)天(tian)(tian)王殿(dian)(dian)(dian)向南(nan)(nan)行進(jin)，兩(liang)邊(bian)各(ge)(ge)建(jian)有(you)(you)(you)(you)對(dui)稱的(de)八(ba)間(jian)硬冊頂(ding)(ding)(ding)磚木結構客堂，齋堂及復檐塔(ta)頂(ding)(ding)(ding)四(si)角形(xing)鐘(zhong)鼓二(er)(er)樓(lou)。在(zai)客、齋二(er)(er)堂院(yuan)中(zhong)(zhong)間(jian)安放一(yi)高(gao)3.9米(mi)(mi)(mi)的(de)三(san)(san)足三(san)(san)層(ceng)寶(bao)鼎薰爐。再上條石臺(tai)階(jie)(jie)38階(jie)(jie)，右(you)(you)邊(bian)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)十(shi)三(san)(san)祖(zu)(zu)師(shi)(shi)殿(dian)(dian)(dian)，內(nei)(nei)塑十(shi)三(san)(san)祖(zu)(zu)師(shi)(shi)泥塑坐像(xiang)，齊高(gao)1.1米(mi)(mi)(mi)。左為(wei)(wei)(wei)(wei)(wei)伽藍(lan)殿(dian)(dian)(dian)，內(nei)(nei)塑四(si)尊(zun)坐像(xiang)，齊高(gao)1.5米(mi)(mi)(mi)。兩(liang)殿(dian)(dian)(dian)對(dui)峙，各(ge)(ge)五(wu)間(jian)，殿(dian)(dian)(dian)頂(ding)(ding)(ding)硬山(shan)造，橫(heng)堅疹皆用陶制花卉獸(shou)吻(wen)飾(shi)裝，兩(liang)殿(dian)(dian)(dian)中(zhong)(zhong)央也放置(zhi)著(zhu)一(yi)個高(gao)3.9米(mi)(mi)(mi)的(de)三(san)(san)足三(san)(san)層(ceng)寶(bao)鼎熏爐。十(shi)三(san)(san)祖(zu)(zu)師(shi)(shi)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)凈(jing)土宗從晉代(dai)初祖(zu)(zu)慧(hui)遠大(da)(da)(da)師(shi)(shi)至清代(dai)印光(guang)大(da)(da)(da)師(shi)(shi)等(deng)十(shi)三(san)(san)位法師(shi)(shi)。伽藍(lan)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)印度名稱，在(zai)中(zhong)(zhong)國(guo)叫寺(si)院(yuan)。殿(dian)(dian)(dian)內(nei)(nei)供(gong)奉(feng)的(de)四(si)尊(zun)坐像(xiang)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)給孤獨(du)者、祗陀太子、波斯尼(ni)王、關(guan)羽（中(zhong)(zhong)國(guo)的(de)伽藍(lan)護法），他們(men)均為(wei)(wei)(wei)(wei)(wei)寺(si)院(yuan)護法，也體現了中(zhong)(zhong)西方(fang)(fang)(fang)佛(fo)(fo)(fo)(fo)教融合的(de)事(shi)實(shi)。迎面(mian)為(wei)(wei)(wei)(wei)(wei)大(da)(da)(da)雄(xiong)(xiong)寶(bao)殿(dian)(dian)(dian)，正座(zuo)東(dong)南(nan)(nan)，巍峨雄(xiong)(xiong)壯，殿(dian)(dian)(dian)高(gao)12米(mi)(mi)(mi)，寬(kuan)19.8米(mi)(mi)(mi)，進(jin)深16米(mi)(mi)(mi)，頂(ding)(ding)(ding)為(wei)(wei)(wei)(wei)(wei)懸山(shan)造，鋪瓦琉(liu)璃(li)(li)脊，耀眼奪目(mu)。脊吻(wen)為(wei)(wei)(wei)(wei)(wei)雙面(mian)雕(diao)飾(shi)，橫(heng)脊是(shi)(shi)(shi)(shi)(shi)(shi)(shi)兩(liang)龍(long)兩(liang)鹿(lu)戲寶(bao)珠(zhu)，豎脊為(wei)(wei)(wei)(wei)(wei)荷花連(lian)枝。殿(dian)(dian)(dian)內(nei)(nei)正中(zhong)(zhong)供(gong)奉(feng)三(san)(san)佛(fo)(fo)(fo)(fo)二(er)(er)弟子泥塑金(jin)(jin)裝像(xiang)，妙相(xiang)(xiang)莊嚴，慈祥可敬。三(san)(san)佛(fo)(fo)(fo)(fo)均結跏跌坐于金(jin)(jin)剛座(zuo)上，同(tong)高(gao)2.7米(mi)(mi)(mi)，寬(kuan)1.7米(mi)(mi)(mi)，座(zuo)高(gao)1.45米(mi)(mi)(mi)，寬(kuan)2.2米(mi)(mi)(mi)，北(bei)光(guang)同(tong)為(wei)(wei)(wei)(wei)(wei)木雕(diao)縷(lv)孔火焰紋，高(gao)3.7米(mi)(mi)(mi)，寬(kuan)2.9米(mi)(mi)(mi)。中(zhong)(zhong)為(wei)(wei)(wei)(wei)(wei)釋迦牟尼(ni)佛(fo)(fo)(fo)(fo)，手(shou)(shou)(shou)(shou)(shou)托金(jin)(jin)缽，左為(wei)(wei)(wei)(wei)(wei)藥(yao)師(shi)(shi)琉(liu)璃(li)(li)光(guang)佛(fo)(fo)(fo)(fo)，手(shou)(shou)(shou)(shou)(shou)掛充璃(li)(li)寶(bao)，右(you)(you)為(wei)(wei)(wei)(wei)(wei)阿彌(mi)(mi)(mi)彌(mi)(mi)(mi)佛(fo)(fo)(fo)(fo)，雙手(shou)(shou)(shou)(shou)(shou)捧(peng)金(jin)(jin)臺(tai)，二(er)(er)弟子兩(liang)手(shou)(shou)(shou)(shou)(shou)合十(shi)，站(zhan)于釋迦牟尼(ni)佛(fo)(fo)(fo)(fo)兩(liang)邊(bian)，高(gao)2.7米(mi)(mi)(mi)，年(nian)長(chang)者為(wei)(wei)(wei)(wei)(wei)迦葉尊(zun)者，年(nian)輕的(de)為(wei)(wei)(wei)(wei)(wei)阿難尊(zun)者。殿(dian)(dian)(dian)內(nei)(nei)東(dong)西壁各(ge)(ge)供(gong)奉(feng)九尊(zun)泥塑羅漢像(xiang)，同(tong)高(gao)1.75米(mi)(mi)(mi)，姿(zi)態各(ge)(ge)異(yi)，栩栩如生。他們(men)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)釋迦牟尼(ni)佛(fo)(fo)(fo)(fo)的(de)優秀大(da)(da)(da)弟子，均有(you)(you)(you)(you)拿手(shou)(shou)(shou)(shou)(shou)看(kan)家本領(ling)，修(xiu)習善行。殿(dian)(dian)(dian)后兩(liang)側須彌(mi)(mi)(mi)座(zuo)上有(you)(you)(you)(you)文殊菩(pu)薩(sa)坐雄(xiong)(xiong)獅和(he)普賢菩(pu)薩(sa)白(bai)角之泥塑像(xiang)，菩(pu)薩(sa)高(gao)2米(mi)(mi)(mi)，雄(xiong)(xiong)獅、白(bai)象各(ge)(ge)長(chang)1.95米(mi)(mi)(mi)。在(zai)三(san)(san)佛(fo)(fo)(fo)(fo)背后站(zhan)立(li)著(zhu)觀音菩(pu)薩(sa)，高(gao)2.4米(mi)(mi)(mi)，由(you)緬(mian)甸漢白(bai)玉(yu)雕(diao)成。善財童子和(he)龍(long)女為(wei)(wei)(wei)(wei)(wei)泥塑，高(gao)21米(mi)(mi)(mi)，底層(ceng)寬(kuan)16.6米(mi)(mi)(mi)，進(jin)深20米(mi)(mi)(mi)。除藏有(you)(you)(you)(you)大(da)(da)(da)量(liang)經書(shu)(shu)外，還分層(ceng)安置(zhi)由(you)緬(mian)甸贈(zeng)送的(de)漢白(bai)玉(yu)佛(fo)(fo)(fo)(fo)、菩(pu)薩(sa)像(xiang)。大(da)(da)(da)像(xiang)山(shan)永(yong)(yong)明寺(si)創建(jian)于何時，沒有(you)(you)(you)(you)確切歷史記載，1992年(nian)重建(jian)，是(shi)(shi)(shi)(shi)(shi)(shi)(shi)佛(fo)(fo)(fo)(fo)、法、僧三(san)(san)寶(bao)的(de)常住(zhu)(zhu)處(chu)，又是(shi)(shi)(shi)(shi)(shi)(shi)(shi)甘谷一(yi)帶佛(fo)(fo)(fo)(fo)教徒修(xiu)行的(de)地(di)(di)方(fang)(fang)(fang)，也是(shi)(shi)(shi)(shi)(shi)(shi)(shi)游(you)覽勝地(di)(di)。

千佛洞

千佛(fo)洞開鑿在峻險崖壁上，僅有(you)(you)(you)一個小巧洞窟(ku)供人出(chu)入。入洞，迎面(mian)一尊笑容可掬的(de)彌勒大佛(fo)安(an)坐(zuo)。游(you)經此(ci)處的(de)人，必先叩拜，然后伸手(shou)在彌勒佛(fo)渾圓的(de)肚皮上摸(mo)一摸(mo)，以求笑口常開。往(wang)里走(zou)是(shi)(shi)(shi)一大石(shi)殿。正中有(you)(you)(you)眾佛(fo)。有(you)(you)(you)安(an)坐(zuo)如(ru)磐(pan)石(shi)，有(you)(you)(you)長(chang)臥如(ru)橫云，有(you)(you)(you)默立(li)(li)，有(you)(you)(you)輕身(shen)飛度，有(you)(you)(you)訴(su)，有(you)(you)(you)誦(song)，有(you)(you)(you)含笑不(bu)露，皆為慈眉善目，姿態迥異，氣象萬千。四(si)壁多繪佛(fo)傳(chuan)、因緣和本生故(gu)事(shi)。佛(fo)龕前香火(huo)極盛(sheng)。每有(you)(you)(you)游(you)人香客跪于蒲團上膜(mo)拜時，一旁年長(chang)的(de)僧人就(jiu)敲出(chu)清越的(de)缽聲來(lai)，使人不(bu)禁心安(an)神寧。再往(wang)里走(zou)，拐過(guo)幾個石(shi)鑿甬(yong)道(dao)，閃(shan)現在眼前的(de)又是(shi)(shi)(shi)另一番(fan)景象。此(ci)處正是(shi)(shi)(shi)十殿閻王的(de)閻羅殿。順著(zhu)洞門(men)兩側，分別站立(li)(li)著(zhu)牛(niu)頭、馬面(mian)、黑白、無常四(si)位(wei)兇(xiong)神惡煞(sha)的(de)鬼卒(zu)，叫(jiao)人不(bu)寒(han)而(er)栗。洞窟(ku)的(de)四(si)壁上彩繪著(zhu)冥界(jie)地府的(de)各種(zhong)刑法，殘(can)忍之極。

伏羲廟

大(da)像(xiang)山伏(fu)(fu)羲(xi)(xi)廟(miao)，明(ming)萬歷(li)時(shi)建(jian)(jian)，處大(da)像(xiang)山山麓。清葉芝等乾(qian)隆《伏(fu)(fu)羌縣(xian)志(zhi)·建(jian)(jian)置(zhi)》云：伏(fu)(fu)羲(xi)(xi)廟(miao)，前萬歷(li)年(nian)建(jian)(jian)。在大(da)像(xiang)山足(zu)。民國《甘肅(su)鄉土(tu)志(zhi)稿·甘肅(su)省之(zhi)重要(yao)都市(shi)名勝古跡》大(da)假(jia)山伏(fu)(fu)羲(xi)(xi) 廟(miao)條(tiao)云：山在甘谷(gu)西南五里，峭壁如削，危(wei)然挺立。高約二百尺、相(xiang)傳伏(fu)(fu)羲(xi)(xi)為甘谷(gu)人。生長于此山溝之(zhi)內，明(ming)萬歷(li)年(nian)間(jian)建(jian)(jian)廟(miao)于山麓以祀之(zhi)。清代，廟(miao)移上(shang)大(da)像(xiang)山，在大(da)佛窟側建(jian)(jian)太(tai)昊宮(gong)，專祀伏(fu)(fu)羲(xi)(xi)。而原處縣(xian)西五里鋪的“羲(xi)(xi)皇故(gu)里”石碑現今也被(bei)移上(shang)大(da)像(xiang)山。

文昌閣

甘谷縣(xian)內(nei)文(wen)(wen)昌(chang)(chang)閣(ge)(ge)有(you)(you)(you)多處(chu)，但大像(xiang)山(shan)文(wen)(wen)昌(chang)(chang)閣(ge)(ge)規模最大。沿大像(xiang)山(shan)寺小道拾級慢(man)步(bu)而止(zhi)，約三(san)(san)(san)百余(yu)步(bu)，即為(wei)(wei)文(wen)(wen)昌(chang)(chang)閣(ge)(ge)。文(wen)(wen)昌(chang)(chang)閣(ge)(ge)建(jian)筑面(mian)(mian)積為(wei)(wei)182.9平方米，總面(mian)(mian)積為(wei)(wei)260.9平方米。閣(ge)(ge)門(men)(men)前(qian)(qian)有(you)(you)(you)石階(jie)二十四臺(tai)，門(men)(men)首有(you)(you)(you)磚(zhuan)雕陽刻篆字(zi)“孝友門(men)(men)”三(san)(san)(san)字(zi)，兩(liang)(liang)(liang)邊(bian)“閣(ge)(ge)凌碧(bi)字(zi)迎朝爽，門(men)(men)對(dui)朱山(shan)映晚霞”磚(zhuan)刻隸(li)書楹聯(lian)(lian)，系清(qing)(qing)末民國(guo)初(chu)本縣(xian)名士宋延楨手筆.門(men)(men)右側(ce)立有(you)(you)(you)虎皮(pi)照壁，南向，壁上(shang)(shang)(shang)嵌(qian)有(you)(you)(you)今人(ren)(ren)(ren)魏(wei)(wei)學文(wen)(wen)（筆名雨庵(an)）隸(li)書“落霞巖”三(san)(san)(san)字(zi)，字(zi)體清(qing)(qing)秀柔(rou)和。文(wen)(wen)昌(chang)(chang)樓(lou)(lou)(lou)(lou)樓(lou)(lou)(lou)(lou)矗于(yu)院內(nei)，為(wei)(wei)重檐門(men)(men)柱六(liu)角亭(ting)式(shi)(shi)閣(ge)(ge)樓(lou)(lou)(lou)(lou)，分上(shang)(shang)(shang)下(xia)(xia)兩(liang)(liang)(liang)層(ceng)(ceng)，磚(zhuan)木(mu)結(jie)構(gou)。上(shang)(shang)(shang)層(ceng)(ceng)檐下(xia)(xia)繪棟畫壁，其(qi)圖案富于(yu)寫實。下(xia)(xia)層(ceng)(ceng)檐前(qian)(qian)回廊(lang)(lang)壁間有(you)(you)(you)書畫五幅。其(qi)中(zhong)(zhong)竹與蘭(lan)草(cao)(cao)為(wei)(wei)天水名字(zi)何曉峰所畫；別有(you)(you)(you)本縣(xian)書法(fa)家武克雄草(cao)(cao)書：“山(shan)頭禪室掛僧衣，窗(chuang)(chuang)外無缺溪水鳥飛。黃(huang)昏半(ban)在(zai)下(xia)(xia)山(shan)路(lu)(lu)，卻聽泉聲戀翠微(wei)”。魏(wei)(wei)學文(wen)(wen)隸(li)書《蘭(lan)亭(ting)序》；另(ling)一幅“喜鵲鬧梅(mei)”為(wei)(wei)禮縣(xian)文(wen)(wen)化館干部馬 所畫。樓(lou)(lou)(lou)(lou)頂(ding)作六(liu)脊攢尖式(shi)(shi)，有(you)(you)(you)鴟甍。閣(ge)(ge)樓(lou)(lou)(lou)(lou)高10.米，占地33.5平方米，樓(lou)(lou)(lou)(lou)座為(wei)(wei)磚(zhuan)砌(qi)筑的(de)須(xu)彌座。樓(lou)(lou)(lou)(lou)上(shang)(shang)(shang)舊有(you)(you)(you)泥塑文(wen)(wen)昌(chang)(chang)帝(di)君像(xiang)和清(qing)(qing)代邑(yi)人(ren)(ren)(ren)王(wang)權寫的(de)長聯(lian)(lian)：“帝(di)坐面(mian)(mian)三(san)(san)(san)峰，恰在(zai)此(ci)時(shi)鄂騫石鼓，鴻翥(zhu)緹群，檐前(qian)(qian)便是(shi)重霄路(lu)(lu)，星池(chi)涵萬象，看氣潤珠(zhu)躔，渾聯(lian)(lian)壁府，榜(bang)下(xia)(xia)頻出五色云”。樓(lou)(lou)(lou)(lou)下(xia)(xia)有(you)(you)(you)1944年(nian)新(xin)塑的(de)文(wen)(wen)昌(chang)(chang)帝(di)。文(wen)(wen)昌(chang)(chang)閣(ge)(ge)始建(jian)于(yu)是(shi)末，早期僅有(you)(you)(you)樓(lou)(lou)(lou)(lou)、東(dong)(dong)亭(ting)、從北至西(xi)(xi)南的(de)走廊(lang)(lang)和院中(zhong)(zhong)兩(liang)(liang)(liang)棵古柏。清(qing)(qing)同治(zhi)二年(nian)節（1863）回民反清(qing)(qing)時(shi)，樓(lou)(lou)(lou)(lou)閣(ge)(ge)一時(shi)盡毀。現閣(ge)(ge)院東(dong)(dong)南角的(de)一棵古柏為(wei)(wei)當年(nian)被燒去半(ban)面(mian)(mian)皮(pi)而幸存下(xia)(xia)來的(de)。清(qing)(qing)代光緒年(nian)間重建(jian)樓(lou)(lou)(lou)(lou)閣(ge)(ge)和東(dong)(dong)南廈房(fang)，其(qi)內(nei)墻壁嵌(qian)有(you)(you)(you)光緒二十八年(nian)（1902）邑(yi)人(ren)(ren)(ren)王(wang)權撰《大像(xiang)山(shan)文(wen)(wen)昌(chang)(chang)閣(ge)(ge)創立文(wen)(wen)社碑記(ji)》。民國(guo)十五年(nian)（1926）又增修南廂房(fang)，為(wei)(wei)卷棚頂(ding)，磚(zhuan)木(mu)結(jie)構(gou)，分上(shang)(shang)(shang)下(xia)(xia)兩(liang)(liang)(liang)層(ceng)(ceng)，底層(ceng)(ceng)為(wei)(wei)地藏(zang)室，上(shang)(shang)(shang)層(ceng)(ceng)為(wei)(wei)僧房(fang)，后墻左右皆有(you)(you)(you)望窗(chuang)(chuang)。門(men)(men)兩(liang)(liang)(liang)邊(bian)有(you)(you)(you)木(mu)刻聯(lian)(lian)，為(wei)(wei)民國(guo)時(shi)縣(xian)內(nei)名人(ren)(ren)(ren)宋延楨題(ti)，其(qi)子宋梓(zi)篆聯(lian)(lian)：“樓(lou)(lou)(lou)(lou)構(gou)數椽竄(cuan)膝易(yi)，窗(chuang)(chuang)開三(san)(san)(san)面(mian)(mian)會心多”。內(nei)耳房(fang)門(men)(men)額有(you)(you)(you)籀字(zi)“共星軒(xuan)”、“通帝(di)座”，中(zhong)(zhong)央佛閣(ge)(ge)中(zhong)(zhong)所奉(feng)木(mu)雕“西(xi)(xi)方三(san)(san)(san)圣”（中(zhong)(zhong)為(wei)(wei)阿彌陀佛、左為(wei)(wei)觀世音菩(pu)薩、右為(wei)(wei)大勢至菩(pu)薩立像(xiang)）。文(wen)(wen)昌(chang)(chang)閣(ge)(ge)整個(ge)建(jian)筑以四合(he)式(shi)(shi)封閉院落為(wei)(wei)布局(ju)，東(dong)(dong)亭(ting)、北廊(lang)(lang)、西(xi)(xi)宇皆有(you)(you)(you)望窗(chuang)(chuang)，可任意瞰視渭川風光。出后門(men)(men)額首籀“積上(shang)(shang)(shang)臺(tai)”三(san)(san)(san)字(zi)，并通甬道。

關圣殿

關圣殿(dian)在(zai)(zai)(zai)(zai)半(ban)山(shan)(shan)腰(yao)，院中有(you)墨綠(lv)、粗(cu)壯(zhuang)如蓋的(de)(de)(de)(de)(de)(de)古柏，煙火繚(liao)繚(liao)的(de)(de)(de)(de)(de)(de)塔(ta)樓。年長(chang)的(de)(de)(de)(de)(de)(de)香客正在(zai)(zai)(zai)(zai)大(da)殿(dian)神(shen)龕前伏地長(chang)拜，算卦老漢默然坐在(zai)(zai)(zai)(zai)小(xiao)馬扎上，曬著暖烘(hong)烘(hong)的(de)(de)(de)(de)(de)(de)太陽。此刻(ke)，時間(jian)像(xiang)吹過山(shan)(shan)野的(de)(de)(de)(de)(de)(de)風(feng)一樣緩慢柔長(chang)。只有(you)白鴿間(jian)歇地停落(luo)在(zai)(zai)(zai)(zai)檐角，咕咕悠閑地叫著，霎時又縱身飛(fei)(fei)躍(yue)，幾個(ge)翻飛(fei)(fei)已沒入了山(shan)(shan)澗。站(zhan)在(zai)(zai)(zai)(zai)殿(dian)外對著川(chuan)地的(de)(de)(de)(de)(de)(de)柵欄前，遠(yuan)處的(de)(de)(de)(de)(de)(de)甘谷城一覽無(wu)(wu)余。這座隆起在(zai)(zai)(zai)(zai)渭(wei)(wei)河(he)谷地上的(de)(de)(de)(de)(de)(de)城郭，襯在(zai)(zai)(zai)(zai)瓦藍(lan)的(de)(de)(de)(de)(de)(de)天野下(xia)，被冬日(ri)烘(hong)烤得無(wu)(wu)比耀眼(yan)。再遠(yuan)處是廣袤的(de)(de)(de)(de)(de)(de)黃土(tu)高原，那些橙黃的(de)(de)(de)(de)(de)(de)邊緣像(xiang)一條蠕動的(de)(de)(de)(de)(de)(de)毛(mao)線系住這修(xiu)長(chang)的(de)(de)(de)(de)(de)(de)川(chuan)地。但渭(wei)(wei)河(he)不(bu)論粗(cu)細，在(zai)(zai)(zai)(zai)那平坦的(de)(de)(de)(de)(de)(de)川(chuan)地上由(you)著性兒流淌著，日(ri)夜不(bu)息。

雙明洞

俗稱藥(yao)王洞(dong)(dong)(dong)，在(zai)(zai)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)之西(xi)(xi)，孫(sun)臏洞(dong)(dong)(dong)之上。沒階(jie)而上有(you)一洞(dong)(dong)(dong)，穿(chuan)洞(dong)(dong)(dong)可達殿(dian)(dian)窟(ku)(ku)。洞(dong)(dong)(dong)長16襖，門首行(xing)書(shu)“此山(shan)(shan)(shan)中(zhong)”，人至(zhi)此，情(qing)景(jing)交融，詩意、哲理、書(shu)法(fa)交融，妙趣橫(heng)生。書(shu)法(fa)系本縣(xian)清代著名進土李(li)則廣手(shou)筆。窟(ku)(ku)朝向東北，原(yuan)三(san)(san)壁置佛(fo)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)。洞(dong)(dong)(dong)前夸(kua)砌堵墻(qiang)，上有(you)望窗(chuang)兩(liang)個，如兩(liang)只(zhi)眼睛，雙(shuang)明(ming)洞(dong)(dong)(dong)由(you)(you)此得名。窟(ku)(ku)由(you)(you)自然(ran)洞(dong)(dong)(dong)穴改建(jian)(jian)而成(cheng)，高(gao)(gao)約8米，深9米，寬(kuan)17米，總面積172平方(fang)米。清代鞏建(jian)(jian)豐(feng)《伏羌(qiang)縣(xian)志》載：“雙(shuang)明(ming)洞(dong)(dong)(dong)，在(zai)(zai)大(da)(da)佛(fo)之西(xi)(xi)巔(dian)，有(you)竊(qie)通明(ming)，最高(gao)(gao)險。鄉人鑿巖為(wei)(wei)龕，架木(mu)為(wei)(wei)閣，內(nei)則疏(shu)窗(chuang)洞(dong)(dong)(dong)達。游人穿(chuan)穴登眺，亦像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)(shan)勝境也(ye)。”又據時葉(xie)應(ying)甲《優羌(qiang)縣(xian)志》載：“……左(zuo)(zuo)側(ce)有(you)雙(shuang)明(ming)洞(dong)(dong)(dong)，前后(hou)(hou)相(xiang)通……”由(you)(you)此可見，早時通往大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)(shan)峰，是沿雙(shuang)明(ming)洞(dong)(dong)(dong)后(hou)(hou)閣道(dao)行(xing)往，雙(shuang)明(ming)洞(dong)(dong)(dong)并為(wei)(wei)憩息(xi)之洞(dong)(dong)(dong)窟(ku)(ku)。鑿成(cheng)佛(fo)窟(ku)(ku)的(de)(de)時間，亦應(ying)早于(yu)(yu)(yu)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)。現在(zai)(zai)洞(dong)(dong)(dong)后(hou)(hou)冊腰(yao)直(zhi)至(zhi)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)窗(chuang)前，閣道(dao)的(de)(de)痕跡還隱隱可見。洞(dong)(dong)(dong)下棧道(dao)，應(ying)為(wei)(wei)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)窟(ku)(ku)鑿成(cheng)后(hou)(hou)才始修通。雙(shuang)明(ming)洞(dong)(dong)(dong)亦是大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)(shan)最早鑿建(jian)(jian)之洞(dong)(dong)(dong)窟(ku)(ku)。雙(shuang)明(ming)洞(dong)(dong)(dong)窟(ku)(ku)內(nei)，原(yuan)有(you)泥(ni)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)17尊，毀于(yu)(yu)(yu)“文(wen)化大(da)(da)革命”中(zhong)，今存塑像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)為(wei)(wei)1994年(nian)按原(yuan)樣重塑.正(zheng)龕供(gong)奉華(hua)嚴三(san)(san)圣(sheng)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang).中(zhong)為(wei)(wei)釋迦(jia)牟尼佛(fo)，結(jie)(jie)(jie)跏(jia)趺坐(zuo)(zuo)于(yu)(yu)(yu)金剛(gang)座(zuo)上，手(shou)施說法(fa)印，左(zuo)(zuo)為(wei)(wei)文(wen)殊菩薩游戲坐(zuo)(zuo)于(yu)(yu)(yu)雄獅(shi)背，右(you)為(wei)(wei)普賢菩薩游戲坐(zuo)(zuo)于(yu)(yu)(yu)白(bai)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)身，同安置在(zai)(zai)高(gao)(gao)4.7米，寬(kuan)7米的(de)(de)佛(fo)閣內(nei).三(san)(san)圣(sheng)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)齊高(gao)(gao)2.53米.左(zuo)(zuo)龕藥(yao)王殿(dian)(dian)外伸磚木(mu)結(jie)(jie)(jie)構建(jian)(jian)筑，硬山(shan)(shan)(shan)頂，飾吻，并掛欠匾，上題(ti)：甘肅省甘谷縣(xian)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)(shan)藥(yao)王洞(dong)(dong)(dong)圣(sheng)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)揭幕紀(ji)念(nian)，中(zhong)書(shu)“德高(gao)(gao)術妙潤(run)澤(ze)普天，行(xing)方(fang)智圓千古永傳。”下題(ti)：陜西(xi)(xi)耀縣(xian)藥(yao)王山(shan)(shan)(shan)博物館、中(zhong)華(hua)約王山(shan)(shan)(shan)孫(sun)思邈(miao)研究(jiu)社，1994年(nian)古4月28日(ri)。殿(dian)(dian)正(zheng)中(zhong)供(gong)奉藥(yao)王孫(sun)思邈(miao)，像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)高(gao)(gao)1.75米，斜坐(zuo)(zuo)猛(meng)虎身，右(you)手(shou)拿捧藥(yao)盒。左(zuo)(zuo)手(shou)掌龍顎，給龍治病欲扎針(zhen)之狀。右(you)站藥(yao)童高(gao)(gao)1.2米，雙(shuang)手(shou)捧藥(yao)盒。左(zuo)(zuo)右(you)兩(liang)側(ce)分塑十大(da)(da)名醫，倉公、第仲景(jing)、皇甫謐、陶弘(hong)景(jing)，張介賓(bin)、扁鵲、華(hua)陀、王淑和、葛洪(hong)、李(li)時珍(zhen)。像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)皆坐(zuo)(zuo)式，同高(gao)(gao)1.3米，窟(ku)(ku)右(you)三(san)(san)小龕內(nei)各(ge)塑單身像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)，從左(zuo)(zuo)至(zhi)左(zuo)(zuo)：靈(ling)官(guan)坐(zuo)(zuo)于(yu)(yu)(yu)壇上，環(huan)眼下視，吹須(xu)怒(nu)發，右(you)手(shou)向上高(gao)(gao)舉一鞭，左(zuo)(zuo)手(shou)執金磚，像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)高(gao)(gao)1.33米；馬三(san)(san)將軍騎黑驢，秀骨清相(xiang)，玲瓏(long)生動，通高(gao)(gao)0.8米，像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)塑于(yu)(yu)(yu)1980年(nian)；護法(fa)為(wei)(wei)立(li)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)，高(gao)(gao)2米，手(shou)執法(fa)棍，雄分健威武。窟(ku)(ku)前平臺外挑1.3米，長10米，鋼(gang)筋混(hun)凝土結(jie)(jie)(jie)構。其(qi)上建(jian)(jian)木(mu)構抱廈一座(zuo)，為(wei)(wei)歇山(shan)(shan)(shan)造，斜外挑角(jiao)，獸吻飾頂。雙(shuang)明(ming)洞(dong)(dong)(dong)為(wei)(wei)大(da)(da)像(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)(xiang)山(shan)(shan)(shan)石窟(ku)(ku)早期鑿建(jian)(jian)禪(chan)窟(ku)(ku)群豐(feng)收了創先啟后(hou)(hou)的(de)(de)重要(yao)作(zuo)用。

睡佛窟

睡佛(fo)(fo)窟(ku)位于(yu)三星福、祿、壽洞東側。北向(xiang)，平面長方形。前(qian)壁緊靠小禪窟(ku)右上(shang)角(jiao)辟明窗(chuang)。清代重(zhong)塑蓮(lian)葉(xie)觀音(yin)像，以高度夸張(zhang)手(shou)法，塑造(zao)了(le)一尊(zun)寧靜善(shan)良而(er)又悠(you)然自得、半臥蓮(lian)葉(xie)之(zhi)上(shang)的(de)觀音(yin)菩薩。造(zao)像超越佛(fo)(fo)教規(gui)范，失履半臥。藝術家用泥巴(ba)塑造(zao)了(le)一尊(zun)栩栩如生的(de)勞動人民所敬仰的(de)神尊(zun)。

甘谷大佛特點

從外觀(guan)看，甘谷(gu)大(da)佛(fo)(fo)既有印度(du)早(zao)期佛(fo)(fo)教犍陀羅風格(ge)所特(te)有的蓄有須發以(yi)及笈多王朝(chao)時(shi)期佛(fo)(fo)教造像的螺(luo)型(xing)頭發，且兩眉之間有白毫相等(deng)特(te)征(zheng)，又表現(xian)出北(bei)周時(shi)期頸部(bu)較粗、鼻寬短(duan)、面(mian)(mian)部(bu)神情(qing)溫和韶秀等(deng)特(te)征(zheng)，還(huan)顯現(xian)出盛唐時(shi)期面(mian)(mian)容飽(bao)滿、唇潤頤豐(feng)、雙眉彎曲、兩眼明澈而略(lve)顯突起的審美要(yao)求。而大(da)佛(fo)(fo)頭頂的大(da)螺(luo)旋式高肉(rou)髻則反(fan)映了其(qi)造像所跨越(yue)的北(bei)魏至盛唐的歷史時(shi)空，在(zai)后來宋、明、清各代的修繕和重(zhong)妝中(zhong)同樣也留下了時(shi)代的印記。尤其(qi)是甘谷(gu)大(da)佛(fo)(fo)寬厚的上唇上的短(duan)須在(zai)佛(fo)(fo)教造像中(zhong)并(bing)不多見(jian)，中(zhong)西文化的相互融合于此(ci)可見(jian)一斑。

甘谷大佛歷史介紹

甘谷(gu)(gu)大(da)(da)(da)(da)佛(fo)(fo)(fo)高(gao)達(da)20余米，腳(jiao)(jiao)下(xia)(xia)(xia)供人(ren)(ren)瞻仰的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)地(di)(di)域原(yuan)來只有(you)(you)一(yi)米余地(di)(di)，但(dan)站(zhan)(zhan)在(zai)腳(jiao)(jiao)下(xia)(xia)(xia)如(ru)何(he)變(bian)換位(wei)置(zhi)(zhi)從(cong)不(bu)(bu)同角度(du)觀(guan)看(kan)(kan)，都(dou)(dou)到(dao)(dao)合乎(hu)比例，表情和(he)藹可(ke)親(qin)。這是(shi)(shi)(shi)古代的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)藝匠們很巧妙地(di)(di)解(jie)決了(le)(le)(le)高(gao)大(da)(da)(da)(da)造(zao)像(xiang)在(zai)有(you)(you)限位(wei)置(zhi)(zhi)觀(guan)看(kan)(kan)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)視(shi)覺差問題。在(zai)解(jie)決視(shi)覺差問題的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)同時(shi)，須解(jie)決搭架，造(zao)型(xing)小(xiao)樣和(he)安全(quan)問題。這些(xie)(xie)都(dou)(dou)要用科學的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)態(tai)度(du)和(he)高(gao)超的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)藝術技(ji)巧來完成(cheng)(cheng)(cheng)。甘谷(gu)(gu)大(da)(da)(da)(da)佛(fo)(fo)(fo)，端座于(yu)懸崖之壁(bi)，開鑿(zao)在(zai)相對地(di)(di)面高(gao)度(du)200米之上(shang)(shang)，但(dan)無論從(cong)山下(xia)(xia)(xia)或窟(ku)內各個(ge)角度(du)去觀(guan)賞，都(dou)(dou)給人(ren)(ren)一(yi)種慈(ci)祥恬靜(jing)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)感(gan)覺，沒有(you)(you)不(bu)(bu)合比例的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)地(di)(di)方(fang)。1983年(nian)，溫庭寬先生(sheng)和(he)譚樹桐先生(sheng)專程來到(dao)(dao)甘谷(gu)(gu)，當時(shi)正(zheng)(zheng)(zheng)值(zhi)大(da)(da)(da)(da)佛(fo)(fo)(fo)窟(ku)龕維修(xiu)之際。溫老不(bu)(bu)顧年(nian)高(gao)體弱，登上(shang)(shang)腳(jiao)(jiao)手架，攀登至(zhi)佛(fo)(fo)(fo)頭(tou)頂，從(cong)上(shang)(shang)至(zhi)下(xia)(xia)(xia)，前后(hou)左(zuo)右(you)仔(zi)細觀(guan)察之后(hou)。驚奇地(di)(di)發現了(le)(le)(le)塑(su)造(zao)技(ji)法(fa)上(shang)(shang)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)特(te)殊之處(chu)。他總結(jie)到(dao)(dao)：佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)雙(shuang)耳(er)(er)，按正(zheng)(zheng)(zheng)常雕(diao)塑(su)技(ji)法(fa)，上(shang)(shang)耳(er)(er)廓(kuo)緣應與(yu)眉毛相齊(qi)。但(dan)大(da)(da)(da)(da)佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)上(shang)(shang)耳(er)(er)廓(kuo)緣提高(gao)到(dao)(dao)佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)頭(tou)頂超出(chu)(chu)(chu)發際線。整整高(gao)出(chu)(chu)(chu)了(le)(le)(le)正(zheng)(zheng)(zheng)常比例的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)一(yi)倍多。人(ren)(ren)站(zhan)(zhan)在(zai)下(xia)(xia)(xia)面仰視(shi)，視(shi)覺上(shang)(shang)耳(er)(er)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)位(wei)置(zhi)(zhi)正(zheng)(zheng)(zheng)好(hao)是(shi)(shi)(shi)正(zheng)(zheng)(zheng)常人(ren)(ren)比例。但(dan)如(ru)果(guo)了(le)(le)(le)耳(er)(er)朵按正(zheng)(zheng)(zheng)常比例塑(su)造(zao)耳(er)(er)就(jiu)有(you)(you)掉下(xia)(xia)(xia)來的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)感(gan)覺。眉躬(gong)骨，在(zai)正(zheng)(zheng)(zheng)常塑(su)手法(fa)上(shang)(shang)都(dou)(dou)是(shi)(shi)(shi)高(gao)高(gao)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)突起，才顯得目(mu)光(guang)深(shen)邃。但(dan)大(da)(da)(da)(da)佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)眉躬(gong)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)雕(diao)刻與(yu)此相反，，而是(shi)(shi)(shi)在(zai)眉躬(gong)位(wei)置(zhi)(zhi)上(shang)(shang)陰刻了(le)(le)(le)深(shen)深(shen)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)凹形(xing)(xing)弧線溝(gou)，并(bing)用群青(qing)裝(zhuang)色，反而顯示出(chu)(chu)(chu)了(le)(le)(le)高(gao)凸和(he)立體的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)感(gan)覺，是(shi)(shi)(shi)解(jie)決了(le)(le)(le)特(te)大(da)(da)(da)(da)雕(diao)像(xiang)用料(liao)容(rong)易脫(tuo)落的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)問題，又獲得了(le)(le)(le)近乎(hu)完美的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)造(zao)型(xing)效(xiao)果(guo)；佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)瞳(tong)仁(ren)為何(he)炯炯有(you)(you)神，光(guang)彩奪目(mu)千年(nian)不(bu)(bu)減神光(guang)呢。原(yuan)來它(ta)是(shi)(shi)(shi)用個(ge)黑釉大(da)(da)(da)(da)缸(gang)(gang)一(yi)劈兩半(ban)鑲嵌在(zai)眼框(kuang)里，并(bing)且大(da)(da)(da)(da)缸(gang)(gang)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)位(wei)置(zhi)(zhi)超出(chu)(chu)(chu)了(le)(le)(le)下(xia)(xia)(xia)眼瞼(jian)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)位(wei)置(zhi)(zhi)，從(cong)頭(tou)頂看(kan)(kan)上(shang)(shang)眼瞼(jian)高(gao)出(chu)(chu)(chu)大(da)(da)(da)(da)缸(gang)(gang)做成(cheng)(cheng)(cheng)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)瞳(tong)仁(ren)，瞳(tong)仁(ren)又突出(chu)(chu)(chu)于(yu)下(xia)(xia)(xia)眼瞼(jian)，很不(bu)(bu)合雕(diao)塑(su)規(gui)律(lv)，但(dan)站(zhan)(zhan)在(zai)下(xia)(xia)(xia)面的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)感(gan)覺，眼部的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)雕(diao)造(zao)正(zheng)(zheng)(zheng)好(hao)與(yu)正(zheng)(zheng)(zheng)常人(ren)(ren)一(yi)樣，目(mu)光(guang)中含有(you)(you)善良慈(ci)悲和(he)智慧(hui)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)光(guang)芒。如(ru)不(bu)(bu)用這樣的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)特(te)殊處(chu)理，仰視(shi)將失(shi)去比例形(xing)(xing)成(cheng)(cheng)(cheng)眼珠深(shen)陷之感(gan)，佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)鼻梁(liang)直直下(xia)(xia)(xia)垂，形(xing)(xing)成(cheng)(cheng)(cheng)碩大(da)(da)(da)(da)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)梯形(xing)(xing)體積，佛(fo)(fo)(fo)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)上(shang)(shang)嘴唇高(gao)出(chu)(chu)(chu)下(xia)(xia)(xia)唇許多，而下(xia)(xia)(xia)頜骨卻(que)下(xia)(xia)(xia)陷了(le)(le)(le)進(jin)去。整個(ge)頭(tou)向(xiang)前傾(qing)。所(suo)有(you)(you)這些(xie)(xie)技(ji)法(fa)上(shang)(shang)，都(dou)(dou)是(shi)(shi)(shi)古人(ren)(ren)在(zai)事(shi)先用小(xiao)樣的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)形(xing)(xing)式科學的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)研究和(he)計(ji)算了(le)(le)(le)其變(bian)化規(gui)律(lv)之后(hou)，胸(xiong)有(you)(you)成(cheng)(cheng)(cheng)竹地(di)(di)解(jie)決了(le)(le)(le)由于(yu)高(gao)大(da)(da)(da)(da)而形(xing)(xing)成(cheng)(cheng)(cheng)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)視(shi)覺誤差。就(jiu)是(shi)(shi)(shi)宋明清幾次大(da)(da)(da)(da)的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)維修(xiu)，仍是(shi)(shi)(shi)在(zai)未改變(bian)原(yuan)樣的(de)(de)(de)(de)(de)(de)(de)(de)(de)(de)基(ji)礎上(shang)(shang)進(jin)行(xing)了(le)(le)(le)裝(zhuang)修(xiu)彩畫(hua)，不(bu)(bu)失(shi)其盛唐原(yuan)貌。

歷史沿革

1981年9月10日(ri)，甘肅省人民(min)政府將大像(xiang)山石窟(ku)正式列為省級文物保護單位(wei)，并撥專(zhuan)款進行維修。

2001年，大(da)像山(shan)被國務(wu)院(yuan)公布為國家(jia)級(ji)重點(dian)文物保護單位。

實用信息

交通路線：大象山坐(zuo)落于天水甘(gan)谷(gu)縣(xian)，距離火(huo)車(che)站(zhan)有8公里(li)。在(zai)天水火(huo)車(che)站(zhan)有直達甘(gan)谷(gu)的汽車(che)，也可乘(cheng)火(huo)車(che)直接從(cong)甘(gan)谷(gu)車(che)站(zhan)下車(che)。