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古代名(ming)紙(zhi)。又名(ming)“花簾(lian)紙(zhi)”。這種紙(zhi)迎(ying)光看(kan)時(shi)能(neng)顯出(chu)除簾(lian)紋(wen)以外的發亮的線紋(wen)或圖(tu)案。目的在于增添紙(zhi)的潛在的美。

制(zhi)法(fa)有(you)(you)二：一為(wei)在(zai)紙(zhi)(zhi)(zhi)(zhi)(zhi)簾上(shang)用線編成(cheng)紋(wen)(wen)(wen)理(li)或(huo)圖案(an)，凸(tu)起于簾面，抄紙(zhi)(zhi)(zhi)(zhi)(zhi)時此處(chu)漿薄，故紋(wen)(wen)(wen)理(li)發(fa)亮而呈現(xian)(xian)于紙(zhi)(zhi)(zhi)(zhi)(zhi)上(shang)。其(qi)二為(wei)將雕有(you)(you)紋(wen)(wen)(wen)理(li)或(huo)圖案(an)的木制(zhi)或(huo)其(qi)他材料的模子，用強力壓在(zai)紙(zhi)(zhi)(zhi)(zhi)(zhi)面上(shang)。各國通用的證券紙(zhi)(zhi)(zhi)(zhi)(zhi)、貨幣紙(zhi)(zhi)(zhi)(zhi)(zhi)和信(xin)紙(zhi)(zhi)(zhi)(zhi)(zhi)等水紋(wen)(wen)(wen)紙(zhi)(zhi)(zhi)(zhi)(zhi)，就是根據這個(ge)原(yuan)理(li)制(zhi)成(cheng)的。水紋(wen)(wen)(wen)紙(zhi)(zhi)(zhi)(zhi)(zhi)為(wei)我國所發(fa)明，起源(yuan)可上(shang)溯(su)至唐代，早期水紋(wen)(wen)(wen)紙(zhi)(zhi)(zhi)(zhi)(zhi)多(duo)用作信(xin)紙(zhi)(zhi)(zhi)(zhi)(zhi)、詩箋、法(fa)帖(tie)紙(zhi)(zhi)(zhi)(zhi)(zhi)。北京故宮博物院藏有(you)(you)五代末(mo)、北宋初李建中(zhong)的“同年帖(tie)”，為(wei)迄(qi)今所見世(shi)界上(shang)最(zui)早的水紋(wen)(wen)(wen)紙(zhi)(zhi)(zhi)(zhi)(zhi)。由大小二紙(zhi)(zhi)(zhi)(zhi)(zhi)聯成(cheng)，小紙(zhi)(zhi)(zhi)(zhi)(zhi)（8.4×33厘米）呈現(xian)(xian)透(tou)亮的水波(bo)紋(wen)(wen)(wen)圖案(an)。北宋畫家米芾的“韓馬帖(tie)”，呈現(xian)(xian)云中(zhong)樓閣圖案(an)，是更為(wei)復雜的水紋(wen)(wen)(wen)紙(zhi)(zhi)(zhi)(zhi)(zhi)。