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地理位置

融寧(ning)宮(gong)位于堤村鄉(xiang)干(gan)河村，因廟宇(yu)建筑正(zheng)對凈(jing)石(shi)山，又(you)稱凈(jing)石(shi)宮(gong)。現存建筑為明中后期遺構，占地約5畝余，山門，融寧(ning)宮(gong)同在中軸線(xian)上，左右各有配殿、耳殿、建筑結(jie)構疏密得當，布局精巧，主(zhu)次(ci)分明。

建筑結構

山門

建在宮(gong)院正(zheng)南(nan)，兩側磚砌起(qi)墻，上(shang)以木板平覆(fu)，木構戲臺(tai)于其上(shang)，十字(zi)歇山(shan)式，琉璃(li)瓦覆(fu)頂。當地稱作“八卦懸頂”。

大殿

進入山(shan)門(men)便可看(kan)到(dao)雄偉的大(da)殿(dian)——融(rong)(rong)寧宮，大(da)殿(dian)建在(zai)高0.3米的磚砌臺基上。大(da)殿(dian)面(mian)闊三間，進深六椽，懸山(shan)頂(ding)，覆以布瓦(wa)。殿(dian)額(e)題匾“融(rong)(rong)寧宮”，“融(rong)(rong)”有作久遠解(jie)，放映(ying)出(chu)人(ren)們對平(ping)定(ding)安和環境(jing)的熱愛與期(qi)盼(pan)。

殿門

殿門格扇式。

神像

殿內(nei)供奉玄天(tian)上帝(di)(di)，玄天(tian)上帝(di)(di)，又稱真(zhen)武(wu)(wu)(wu)大(da)(da)帝(di)(di)，為(wei)道教(jiao)中主宰(zai)北方(fang)的(de)大(da)(da)神(shen)。神(shen)像披發仗劍端(duan)坐于(yu)須彌(mi)座上。傳(chuan)說真(zhen)武(wu)(wu)(wu)大(da)(da)帝(di)(di)曾助周武(wu)(wu)(wu)王伐(fa)紂有功，玉帝(di)(di)冊封(feng)為(wei)玄武(wu)(wu)(wu)，加號“太上紫皇(huang)天(tian)一真(zhen)人(ren)”。宋真(zhen)宗大(da)(da)中祥符年間，尊為(wei)“鎮天(tian)真(zhen)武(wu)(wu)(wu)靈應武(wu)(wu)(wu)玄天(tian)上帝(di)(di)”。明代(dai)張三豐創立的(de)武(wu)(wu)(wu)當派道教(jiao)崇祀(si)真(zhen)武(wu)(wu)(wu)，以真(zhen)武(wu)(wu)(wu)為(wei)祖師，后人(ren)又稱真(zhen)武(wu)(wu)(wu)大(da)(da)帝(di)(di)為(wei)“玄天(tian)祖師”。

大(da)殿真武(wu)像上懸(xuan)塑(su)天(tian)(tian)宮(gong)樓閣，許多姿態各(ge)異的(de)天(tian)(tian)神(shen)(shen)(shen)出沒于云霧間，懸(xuan)塑(su)分做上下兩部分，頂部彩(cai)塑(su)樓閣三所，正中垂檐(yan)歇(xie)山頂，底(di)層(ceng)出抱(bao)廈，內奉元始(shi)天(tian)(tian)尊(zun)(zun)，左右有天(tian)(tian)神(shen)(shen)(shen)持戈怒立。左為(wei)靈寶天(tian)(tian)尊(zun)(zun)，右為(wei)道德天(tian)(tian)尊(zun)(zun)。道家意想中的(de)神(shen)(shen)(shen)圣天(tian)(tian)堂，在(zai)民間匠人(ren)的(de)手下表現得至高無上。二層(ceng)懸(xuan)塑(su)多為(wei)神(shen)(shen)(shen)仙官吏(li)。玄(xuan)天(tian)(tian)大(da)帝兩側塑(su)有周(zhou)公和(he)桃(tao)花(hua)(hua)女。傳說周(zhou)公、桃(tao)花(hua)(hua)被玄(xuan)天(tian)(tian)大(da)帝收服后，封為(wei)元帥(shuai)，在(zai)帝座前效(xiao)力。左右檐(yan)柱(zhu)盤龍怒張。須(xu)彌座前塑(su)有龜、蛇(she)二將。神(shen)(shen)(shen)像背后彩(cai)塑(su)龍霧花(hua)(hua)卉，祥云縈繞，金碧輝煌(huang)，彩(cai)塑(su)人(ren)物大(da)約(yue)十幾(ji)公分，但神(shen)(shen)(shen)情并肖，栩(xu)栩(xu)如生。

壁畫

殿(dian)左右(you)及(ji)后山墻滿繪壁畫，約用傳統的(de)勾線填色法(fa)完(wan)成。

東西(xi)山(shan)墻(qiang)形(xing)如現代(dai)環畫(hua)形(xing)式，采用(yong)傳(chuan)統的散點(dian)透(tou)視法(fa)繪(hui)有(you)(you)(you)玄(xuan)天(tian)大帝八十二(er)化(hua)。形(xing)象地表現了玄(xuan)天(tian)大帝從“夢中(zhong)月(yue)”始到“天(tian)帝賜(si)劍”、“翻(fan)山(shan)裂石(shi)”、“武當鎮帥”……直(zhi)到受封(feng)‘玄(xuan)天(tian)上帝’的整部情(qing)節。畫(hua)法(fa)精細工(gong)致，用(yong)筆遒勁(jing)，線條簡(jian)潔(jie)有(you)(you)(you)力，中(zhong)間(jian)襯景有(you)(you)(you)山(shan)水，古樹(shu)，宮院等，點(dian)染皴擦，一(yi)絲不茍(gou)，人(ren)(ren)物面(mian)部、衣(yi)襯、樹(shu)干及(ji)葉多以渲染法(fa)分陰陽(yang)。增強(qiang)了畫(hua)面(mian)的表現效果(guo)，西(xi)壁頂有(you)(you)(you)墨書題記，為石(shi)明里丹青楊成廉，攜其弟及(ji)子(zi)楊萃(cui)，和學徒某(mou)完成，時間(jian)為清順治五年閏四月(yue)。后(hou)墻(qiang)神(shen)(shen)像左右(you)壁上繪(hui)有(you)(you)(you)威風凜(lin)凜(lin)的天(tian)神(shen)(shen)征戰圖，人(ren)(ren)物均等如真人(ren)(ren)，線條勾勒粗獷(guang)有(you)(you)(you)力，須發怒張間(jian)，仿佛有(you)(you)(you)排(pai)山(shan)倒海之(zhi)勢。神(shen)(shen)龕側(ce)面(mian)繪(hui)有(you)(you)(you)獻花神(shen)(shen)像，衣(yi)紋流(liu)暢生動。色調(diao)明快亮(liang)麗(li)。

融寧(ning)宮(gong)壁畫(hua)設(she)色對比明顯，因(yin)多采(cai)用(yong)礦物(wu)顏料(liao)，至(zhi)今(jin)仍(reng)光(guang)(guang)彩人，傳(chuan)統武士的(de)“蜂腰”、“豹肩(jian)”在畫(hua)家筆下(xia)表現(xian)得尤為生動(dong)，滿壁流(liu)光(guang)(guang)溢(yi)彩，直奪(duo)天工。學者把芮城永樂宮(gong)、廣勝(sheng)寺水神廟(miao)、融寧(ning)宮(gong)的(de)壁畫(hua)分別定為晉(jin)南(nan)元、明、清三個時(shi)期(qi)的(de)代表作。足見它(ta)的(de)藝(yi)術(shu)(shu)價值(zhi)與學術(shu)(shu)價值(zhi)百同(tong)凡(fan)響(xiang)。

東西配殿

融(rong)寧宮(gong)(gong)(gong)(gong)東(dong)西(xi)配殿(dian)(dian)建(jian)(jian)成3間(jian)2層樓閣式(shi)，2層出檐，圍以(yi)欄桿，傳為(wei)(wei)(wei)(wei)(wei)(wei)舊時婦(fu)女(nv)(nv)看戲之(zhi)(zhi)所，底(di)層則(ze)為(wei)(wei)(wei)(wei)(wei)(wei)男性(xing)觀(guan)戲場地。在(zai)(zai)封建(jian)(jian)社會(hui)，男女(nv)(nv)有(you)(you)(you)別(bie)(bie)，社會(hui)風(feng)(feng)俗嚴厲，在(zai)(zai)建(jian)(jian)筑上(shang)(shang)反映得(de)更(geng)為(wei)(wei)(wei)(wei)(wei)(wei)明顯。配殿(dian)(dian)北側(ce)，各建(jian)(jian)耳(er)殿(dian)(dian)一間(jian)，分(fen)別(bie)(bie)供奉(feng)黑虎(hu)、龍(long)(long)(long)(long)(long)王(wang)二神(shen)(shen)。東(dong)耳(er)殿(dian)(dian)旁(pang)有(you)(you)(you)小便門(men)通往(wang)殿(dian)(dian)東(dong)過(guo)道(dao)，傳為(wei)(wei)(wei)(wei)(wei)(wei)舊時婦(fu)女(nv)(nv)進(jin)廟(miao)之(zhi)(zhi)處。東(dong)配殿(dian)(dian)南(nan)(nan)側(ce)開一東(dong)向大門(men)，門(men)額題(ti)朝圣門(men)，出門(men)有(you)(you)(you)南(nan)(nan)北長(chang)30余米，寬5米的(de)(de)磚漫通道(dao)，由(you)此而北，盡頭有(you)(you)(you)大門(men)可出宮(gong)(gong)(gong)(gong)院(yuan)，大門(men)額書(shu)“凈(jing)(jing)石宮(gong)(gong)(gong)(gong)”，懸(xuan)山(shan)(shan)(shan)(shan)(shan)式(shi)建(jian)(jian)筑。附：干河(he)“凈(jing)(jing)石宮(gong)(gong)(gong)(gong)” 堤村(cun)干河(he)村(cun)，古(gu)稱(cheng)“水潤里”。地當(dang)洪(hong)、霍、汾(fen)三縣交通要(yao)沖，自古(gu)以(yi)來，車(che)輛運輸，四通八達(da)。村(cun)西(xi)“凈(jing)(jing)石宮(gong)(gong)(gong)(gong)”東(dong)臨(lin)汾(fen)河(he)，西(xi)倚呂梁；“碑林(lin)”、“藝苑”分(fen)陳兩廊；殿(dian)(dian)宇輝煌，古(gu)柏參開，雕塑壁畫，馳名遐邇。 主殿(dian)(dian)“融(rong)寧宮(gong)(gong)(gong)(gong)”，中塑“玄天(tian)大師”，赤(chi)臉金身，威風(feng)(feng)凜凜；儀表非(fei)凡(fan)，栩栩如(ru)生。兩邊楹聯為(wei)(wei)(wei)(wei)(wei)(wei)：“七世(shi)太子不(bu)愿皇宮(gong)(gong)(gong)(gong)享寶貴，八輩狀元但求武當(dang)養性(xing)心。”宮(gong)(gong)(gong)(gong)仆峰(feng)(feng)環(huan)抱，懸(xuan)空柏出石隙(xi)；山(shan)(shan)(shan)(shan)(shan)水明媚(mei)，樹(shu)木參差；四時百鳥爭鳴(ming)，八節(jie)野花不(bu)斷，真乃錦銹(xiu)江山(shan)(shan)(shan)(shan)(shan)，畫圖世(shi)界，過(guo)往(wang)游人(ren)(ren)，無(wu)不(bu)嘆為(wei)(wei)(wei)(wei)(wei)(wei)觀(guan)止。尤其游人(ren)(ren)注目(mu)的(de)(de)是(shi)，宮(gong)(gong)(gong)(gong)門(men)外(wai)通往(wang)平垣之(zhi)(zhi)東(dong)西(xi)道(dao)旁(pang)，雙峰(feng)(feng)對崎(qi)，太陽當(dang)空人(ren)(ren)無(wu)影；巒封路心，雷(lei)鳴(ming)電閃(shan)云無(wu)著(zhu)。似此奇境，實屬罕見。為(wei)(wei)(wei)(wei)(wei)(wei)方便游人(ren)(ren)登峰(feng)(feng)眺望。免(mian)除往(wang)年(nian)繞山(shan)(shan)(shan)(shan)(shan)越嶺(ling)之(zhi)(zhi)苦，1993年(nian)經村(cun)民(min)及外(wai)出工作人(ren)(ren)員集資，新建(jian)(jian)一橋上(shang)(shang)達(da)龍(long)(long)(long)(long)(long)王(wang)峰(feng)(feng)，下(xia)(xia)通“融(rong)寧宮(gong)(gong)(gong)(gong)”。故(gu)取名曰“龍(long)(long)(long)(long)(long)宮(gong)(gong)(gong)(gong)橋”。 “欲窮千(qian)里目(mu)，更(geng)上(shang)(shang)高山(shan)(shan)(shan)(shan)(shan)峰(feng)(feng)”。沿(yan)“龍(long)(long)(long)(long)(long)宮(gong)(gong)(gong)(gong)橋”攀(pan)登六十九個臺(tai)階，即達(da)山(shan)(shan)(shan)(shan)(shan)腰“龍(long)(long)(long)(long)(long)王(wang)亭(ting)”。傳言：“龍(long)(long)(long)(long)(long)者能興云雨(yu)，利萬物”。故(gu)在(zai)(zai)若干年(nian)前(qian)，我們的(de)(de)祖先，每逢天(tian)旱之(zhi)(zhi)年(nian)，祈(qi)求“龍(long)(long)(long)(long)(long)王(wang)爺”作云下(xia)(xia)雨(yu)，霖雨(yu)蒼生，人(ren)(ren)壽(shou)年(nian)豐(feng)，曾在(zai)(zai)山(shan)(shan)(shan)(shan)(shan)巔建(jian)(jian)有(you)(you)(you)“龍(long)(long)(long)(long)(long)王(wang)廟(miao)”（因(yin)年(nian)久(jiu)塌毀(hui)，現已在(zai)(zai)存）稱(cheng)此山(shan)(shan)(shan)(shan)(shan)為(wei)(wei)(wei)(wei)(wei)(wei)“龍(long)(long)(long)(long)(long)王(wang)峰(feng)(feng)”。 沿(yan)“龍(long)(long)(long)(long)(long)王(wang)亭(ting)”徐徐而上(shang)(shang)，登峰(feng)(feng)環(huan)繞，四望無(wu)跡。遠近景物，盡收眼底(di)。仰觀(guan)霍山(shan)(shan)(shan)(shan)(shan)，密(mi)木蔥蔥；俯視汾(fen)河(he)，流(liu)水潺潺；南(nan)(nan)同(tong)(tong)蒲與大運公路交錯，車(che)馳如(ru)梭；汾(fen)河(he)水同(tong)(tong)“七一渠”并流(liu)，縱(zong)橫灌溉，真可謂“江山(shan)(shan)(shan)(shan)(shan)如(ru)此多(duo)嬌”、“風(feng)(feng)景這邊獨(du)好(hao)”。難怪游人(ren)(ren)至此，無(wu)不(bu)心曠神(shen)(shen)怡，流(liu)連忘(wang)返。加(jia)以(yi)宮(gong)(gong)(gong)(gong)前(qian)有(you)(you)(you)廣(guang)場，宮(gong)(gong)(gong)(gong)后有(you)(you)(you)水泉。加(jia)建(jian)(jian)造園林(lin)，開旅游勝地，實具(ju)有(you)(you)(you)得(de)天(tian)獨(du)厚(hou)之(zhi)(zhi)天(tian)然優勢(shi)。 如(ru)果說(shuo)：“飛虹塔”、“古(gu)大槐”、“蘇三監獄”為(wei)(wei)(wei)(wei)(wei)(wei)我縣三大名勝古(gu)跡，則(ze)將“凈(jing)(jing)石宮(gong)(gong)(gong)(gong)”辟成旅游區，不(bu)啻(chi)為(wei)(wei)(wei)(wei)(wei)(wei)洪(hong)洞“又添一絕”。